Water is one of my favorite photographic subjects. Water is essential to the world we inhabit, and the one we photograph. Water covers nearly 80 percent of the Earth’s surface. So it is not surprising that water is often an obvious part of the images we capture. But there are also some very subtle ways in which water occurs photographically.
There is almost always a connection with photographic images and water
There is almost always an indirect connection with photographic images and water. Water is used in many industrial applications for heating and cooling, as a solvent and cleaning agent. Indeed, water has been referred to as “the universal solvent.” Water is also an essential nutrient for humans and most other animals, as well as the majority of plant life. Thus, whenever we photograph wildlife, people or flora, it is likely that water has played a part. Water is often the basis for recreational activity, including swimming, boating, canoeing and kayaking. And what about skiing and snowshoeing? Even when water is not a primary element, there is still an indirect connection. For example, photographs of desert sands and other arid environments signal to us the lack of water.
Photographically (and scientifically) water takes on 3 forms, each of which present unique and inviting photographic opportunities. Water in its liquid form is perhaps what first comes to mind. As such it is probably the most often found reflective surface for reflection images. I routinely look for ponds, rivers, pools, fountains and even puddles for reflections, either as an image in and of itself, or as a foreground object of interest.
Water in motion is equally captivating, in my view. One of my favorite subjects is waterfalls. Whether a steep, powerful cascade, or swirling rapids, moving water can present some intriguing compositions. We use shutter speed to control the “look” of the water. There is something beguiling about silky, dreamy, flowing water blurred by slow shutter speeds of 1/15 second or longer. Use of neutral density filters in front of the lens can achieve even slower shutter speeds, further blurring the movement of water, or controlling light conditions to produce the slow effect. Moving water can also contain swirling reflections; a double benefit in my view.
Other times, the photographer may wish to do exactly the opposite, using very fast shutter speeds to “freeze” the powerful or whimsical motion of moving water. Thundering waterfalls or high, splashing waves are sometimes exciting subjects. I used a fast shutter speed and a burst of exposures to capture this crashing wave on the rocky shoreline of Acadia National Park.
Light is clearly the secret to compelling images. Nothing reflects and shows light at its best like water, especially if it is moving.
Water takes another fascinating form as a gas. Clouds, ground fog, and steam rising off water surfaces are all mesmeric elements in photographic art. These conditions come with a combination of elements. Generally, a rapid change in temperature, preceded by extremely moist circumstances, creates fog or steam. I look for a cool, clear morning following a particularly rainy period, for example, to create these conditions. Also, a precipitous change in temperature will create fog. When in Vermont in October, 2010, I followed the remnants of a tropical Hurricane which dumped several inches of rain on the state. Cool morning temperatures created wonderful ground fog conditions every morning.
Foggy conditions and clouds filter sunlight and often create vivid coloration in skies. Changes in weather conditions will often yield some of the most dramatic skies one can imagine.
In its frozen form, water has great photographic possibilities. The obvious is snow. However, ice, icebergs, flow ice and icicles all can be entrancing. And frozen water can even make dirt look interesting!
Thanks for reading………
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