I wanted to title this, “The Sun Also Rises,” but given all the preaching I have done here about copyright, I thought Hemingway deserved my respect 🙂 . Last week, I blogged about Florida sunsets, and waxed philosophical about sunset photography in general. While much of what I said applies to sunrises, they are unique.
Photographing a sunrise takes a certain resolve and commitment which most people just don’t have
As noted previously, lots of folks (including some I know very well) never see the sun rise. I am here to assure them that is does, indeed rise. 🙂 . And sometimes you get really lucky and get to see a moonset and sunrise in the same location on the same morning, like I did at Pete’s Lake in Michigan’s U.P. a few years ago.
One thing that makes sunrises different sunsets is atmospheric conditions. Sunsets follow the warmth of day and sunrises often follow a cool or even cold night. The warmth of daylight often produces thinly cloudy atmospheric conditions which can create beautiful pastel colored skies. Or, a sudden clearing or opening can yield a surprise dramatic lighting condition, as happened at the Ft. Myers Beach harbor.
Other times, the fog or cloud cover can diffuse the sunrise and create a “dawn of a new day” kind of look. The San Francisco Ferry leaving in the early hours is backstopped by such a sunrise.
While much of what I said about sunsets applies to sunrises, they are unique
Sunrises, because they normally follow the coolest temperatures during a 24 hour period, can often be seen in foggy or misty conditions. This is particularly true near water, which is why water is my preferred sunrise setting. But sometimes, it is just a matter of perspective–literally. The shot of the city of Tokyo at dawn was taken from a high floor in my hotel window as daylight was beginning to emerge.
Yet there is another, more esoteric dynamic which distinguishes sunset and sunrise. In most parts of the world, even when the days are at their shortest, sunrise happens before most folks are out and about. Indeed, in order to see and capture a sunrise at its best, you will need to be up and about, and on location before the big event. So it takes a certain resolve and commitment which most people just don’t have.
But what they miss is perhaps the most magical time of the day. What you learn from experience is that sometimes the most dramatic light–and images–come just before the actual sunrise, in the twilight minutes. And when the sun does rise, if it is exposed, it is usually much more intense than sunset, which occasionally means very contrasty conditions and challenging exposure issues. But it also means drama, and sometimes, star patterns. As we scouted the Split Rock Lighthouse one morning following a rainy night, the cloud cover suddenly broke behind the cloud cover behind the light to yield a pretty dramatic silhouette. I was able to stop down enough to get a diffuse starburst effect, too. It was still raining that morning when we rolled out of bed and it would have been easy to just sleep in more, or go to breakfast. But I were weren’t there I would have missed this shot.
Another plus to sunrise shooting is that you are out when there is virtually nothing moving. The only thing that is is the wildlife that is often active at that time. It can be an incredibly serene time of day and it is without a doubt, my favorite time to shoot. The morning I made the Cape Hateras image, I (and another solitary fisherman) was the only human for miles of beach. The surf was quiet and all that could be heard was that gentle wave break and the seabirds. It was a pretty amazing moment.
Shooting into the sun is challenging under any conditions. But it is often rewarding. One issue that often arises from this perspective, especially with short and mid focal length, lenses, is the phenomena called lens flare. In many instances, lens flare can be an image killer. But sometimes, it adds to the image. Especially when it produces colors. I got not only the starburst effect, but also lens flare in the Sault St. Marie image. One of the wonders of post-capture digital manipulation is the ability to retouch these out of the image. But sometimes lens flare actually adds something to the image. I like the effect here.