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More “Playing”

Canal, Venice
Copyright Andy Richards 2013

I “discovered” the “oil painting” look primarily by accident. I was post-processing images from my first visit to Venice back in 2013 and while working on this canal image, was using NIK’s ColorEfx Pro plug-in to Photoshop to “enhance” color.  There is a filter in that program called “Detail Extractor,” which my friend and talented photographer and Photoshop user, Al Utzig, had once recommended I try.  As I played with this filter, I saw the effect, here, which reminded my of an oil painting – especially the buildings in the background.  But as I played around with it, I was not able to reproduce that effect over the entire image.  That was o.k.  I rather liked the kind of “hybrid” nature of the image.  Enough so that it is printed quite large, framed in gold, and hanging in our Florida Living Room.

The lesson here is to take advantage of the fact that some people much smarter and more talented than I am have already done the heavy lifting

This experience intrigued me enough that I have played around a couple times with other images, and set them aside, for a time when I had more time and interest in “working” them. Over the holidays, I have been spending a little more time working with the idea of making some of my photographs into “paintings.”  My blog a couple weeks back was my “freshman” foray into this area.  This image was made using the NIK Color Efex Pro Plugin’s “Detail Extractor.”  Those who saw it a couple weeks ago may have read my friend, Al Utzig’s comments and note that I took his suggestion and removed the “halo” that was present between the mountain tops and sky.  While I rather like this image, it was not the “look” I was seeking.  There is too much luminance and saturated color, especially in the umbrellas in the foreground and the people in the image.  Too “photo-realistic.”

Amalfi Coast
NIK Color Efx
Copyright Andy Richards 2017

Photoshop already has many features that allow painting and filters that add different “looks” and textures to images.  But I have never found them easy, or intuitive to use.  There is, for example, an “oil paint” filter that has been in Photoshop for some years now.  I thought that it would convert a photographic image into at least a basic oil-on-canvas look (something like the conversion to B&W that can be done).  I expected work would have to be done to make it look like I wanted, but at least a basic start.  That was not my experience.  Try as I might, I could not make the filter look like my vision of a painting, though the one here came closer, only after I really worked it with some layers, and added a texture layer, to at least give it a canvas look.

I did what I always do.  I bought a book :-).  While that was interesting and entertaining, it was still not really helpful for “hands-on” tinkering.  Indeed, many of the example projects in the book did not work the way they were “supposed” to in the book.  But one think I did pick up was that most of the stuff that was getting closer to the look I wanted, was made first, by using another software program; Corel Painter.  As I looked at more and more examples, I saw that others were using this software and that it was really designed with tools for doing some of the things I wanted to do.  So maybe the lesson here (I learned it with NIK some years back) is to take advantage of the fact that some people much smarter and more talented than I am have already done the heavy lifting.  I looked at Painter 2018, but the $450 (discounted!) price tag was more than I wanted to jump into.  But I did find Painter Essentials (for those who, like me, early on looked for an affordable alternative to Photoshop – this was before Lightroom – and started with Photoshop Elements, I think this is a comparable choice).  I am using the free trial right now, but think I will purchase it and the $29.00 tag is more palatable – at least to a beginner.  Will I jump to the “pro” program?  We will see where this goes (probably not).

Amalfi Coast, Italy
Corel Painter Essentials
Copyright, Andy Richards 2017

Using the “auto-paint” feature on the Amalfi Coast image, I immediately started to see results more like I had imagined.  I have a lot to learn about this fairly simple program.  One of the things it does in its default mode is to add edge effects, like the image here.  I tried a couple different “paints” and ultimately, was drawn to this one (“colored pencil”).  But it still wasn’t the final look I wanted.  So I used this image as a layer on my original photograph, and blended it into the photograph.  After playing with some adjustment layers to work with the sky, clean up some color and saturation issues, and to add some blur to the final result, this is the composite I came up with.  It has a few “issues,” but it is much more what my “mind’s-eye” saw as a painting of this scene.  This is new for me.  There are probably many of you out there who have this down far better than I do.  I would be happy to hear from you.

Amalfi Coast, Italy
Copyright Andy Richards 2017

I will be back at this 🙂


2 Responses

  1. A couple of comments. The top picture is wonderful. Detail extractors work on tiny detail so the water and the sky are not as affected by the filer. If you notice, it’s buildings first, water second and sky a distant third. Somewhere in the software there might be some kind of sky filter. The will pull the detail out of the sky.

    I like the top beach scene best, mostly because the others look like early HDR work from every one of us who starts experimenting. 🙂 Keep going. I think what we do at home is almost as much fun as what we do on the scene.

  2. Thanks, Ray. Of course, the top picture was basically by accident :-). Or at least by exploring and discovery. I appreciate the insight on how the filters work. I will keep playing. As always, thank you for your support and honest critique.

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