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Renditions

Barns in Winter
(blue sky rendition)
Copyright Andy Richards 2011

Do you have a place or subject (or multiples) that have intrigued you as a photographic venue, but you just haven’t been able to “see” it through the lens the way your mind’s eye does?  A couple weeks ago, in my “Detours” blog, I spoke of a scene near where my office used to be, in Frankenmuth, Michigan, with red sheds against a weathered barn backdrop.  I probably drove by the scene several times a week and visualized it as an image.  A few times I stopped and “scouted” different angles and views and even took some “test” images.  Couldn’t get excited about any of the results.

I mean “manipulation” in the “good” – Ansel Adams – sense

And then one marvelous late spring morning, we had one of those totally unexpected snowfalls.  Probably a couple inches of wet, heavy snow following warm conditions.  It sticks to everythingSnow is one of those useful  elements that hides things in photographs that we don’t want to see.  So I had to take a “detour” on my way in that morning and was able to make a few “nice” images of the scene.

Barns in Winter
(original color image)
Copyright Andy Richards 2011

But there were still some elements of the image that just didn’t “work.” One was the leaden, grey sky.  As the opening image illustrates, I had images in my collection with clear blue sunny skies too, so I looked at the metadata.  I recalled that what actually happened is that the morning of the snowstorm, it was overcast.  I hadn’t thought of the image in monochromatic terms, because – well – I haven’t tended to think other than in color for most of my years of photography.  Until recently.  My “mind’s-eye” image had blue sky for color contrast.  But the sun did shine the next day and I got out there again, before things melted, and was able to get the blue sky.  Not sure it was an improvement 🙂 .

some elements of the image … just didn’t “work”

So, the barn scene was an addition to my collection of barn images, but it wasn’t until my recent, winter-doldrums, experimental phase, that I started looking at it again and seeing some possibilities for image manipulation (yeah, there’s that “nasty” word again).  I mean “manipulation” in the “good” – Ansel Adams sense.  So I began trying some different renditions.  Here, I show the progression of my photographic images.  In a future blog, I will show where maybe I crossed the line or went over the top, or something like that 🙂 .

Barns in Winter
(B&W Conversion)
Copyright Andy Richards 2018

As I worked with the image, I could see that it had some characteristics that I have come to believe lend themselves to monochromatic presentation.  There are some prominent graphic shapes here to work with.  And in spite of the denuded trees in the background, there is not a whole lot of fine detail in this image.  There are some really good contrasting colors:  black, white and red.  As I thought about the post-processing of this scene as a B&W image, I felt that the red really needed to stay in.  The original image, post-processed in PS ACR and then Nik, shows a surprising amount of color.  It is spring and there is a lot of red in the new growth of the tree branches.  The sky, though grey, shows tones of magenta and even blue.

I hadn’t thought of the image in monochromatic terms, because I haven’t tended to think other than in color for most of my years of photography

I used Nik Silver Efex to render the image in B&W (a turn away from ON1 – more on that in another blog).  With B&W, I have learned that more is better in many cases, when it comes to contrast.  So I turned back to ACR first, and re-worked the raw image, “goosing” up the contrast.  In Silver Efex, I didn’t use any of their presets, but “worked” it to my own liking.  I then used a couple of the other Nik modules to do some “local” editing, adding some contrast and “structure” (which is, as I understand it, contrast adjustment aimed more at the middle tones).  I like the result.  But it it isn’t “spine tingling.” 🙂 .

Barns in Winter
(“colorized” B&W)
Copyright Andy Richards 2018

That’s o.k.  I knew I was moving toward the “colorized” image here.  Using PS layers, I painted the red back in, and made some additional local adjustments to contrast and brightness.  I added a lot of structure to the snow in the foreground, along with some brightness.  The end result is an image I really like.  And it finally approaches the “mind’s-eye” image I visualized that spring morning.

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