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Here We Go Again (It’s Fall!)

Second Edition!

Here we go again.  It’s fall foliage photography season.  Are you ready?

Reflections; Cascade River, Minnesota

Over the nearly 10 years since I started blogging here, I must have blogged about fall color and foliage a dozen times.  Maybe More. Not surprisingly, it remains a favorite subject for me.  For some who are fortunate enough to have great foliage photo-ops in their backyard, what I will say here may not apply. But for perhaps the vast majority of us, these opportunities often come only after travel to a more aesthetically accommodating venue.

Somesville Town Hall and Bridge
Somesville, Maine
Copyright Andy Richards 2009

I have traveled to New England (prominently: Vermont), the Upper Peninsula of Michigan, Maine, Minnesota, West Virginia, Virginia and New Mexico, in various years, to photograph fall color. Vermont has long been a love of mine, and I have made numerous trips there; enough to prompt me to take my first foray into “publishing” with the first edition of “Photographing Vermont’s Fall Foliage” in 2012.

As the previous blog notes, I am very happy to announce the 2nd Edition of this book, with updates and substantial additional locations (the first edition is no longer available, as the sellers required that it be removed from circulation in order to sell subsequent editions). The New Edition is currently available on Amazon, Apple, in the iBookstore, and Kobo.

Maple Leaf
Stowe, Vermont
Copyright Andy Richards 2005

Many of the persons I communicate with at this time of the year are primarily leaf peepers with cameras. For those folks, go and enjoy! For serious photographers, I want to make a few observations, based on my own travel experience.

Miner’s Castle; Pictured Rocks National Lakeshore
Michigan U.P.
Copyright 2012 Andy Richards

Preparation is Key

Mental preparation is the most important piece of this. Just because it is fall foliage season, doesn’t mean the rules for good photography change :-). It is important to be thoroughly familiar with the gear you will be using, as the “window” for a great image is often very short, and you may only have one chance to visit the location. In 2010, prior to my planned week-long trip to Vermont, I hit a milestone of sorts, in my own photography.  I had always planned my locations and tried to find as much “intel” about a location as I could.  But this time, I focused less on those details, and instead gave some contemplative thought to what I wanted to present visually, emotionally, and artistically.  I think this contributed to one of my most successful trips.

Hiawatha NF Color Sections
Michigan U.P.
Copyright 2012 Andy Richards

What you can take on a trip is also always a consideration. When I shoot near home, or somewhere I can drive to, the photographic gear I will take is generally only limited by what I own (and can afford).  When flying, you really have to consider weight, and bulk. Most of us do not feel comfortable checking a bag with photo gear in it for a number of reasons. So what can you carry on, along with your other needs?  One of the miracles of modern technology is the ability to make great images with a lighter, simpler gearset.  For “casual” travel (I define that as any travel I do that is not specifically and solely dedicated to photography), I now carry a very small, packable carbon fiber tripod and the RXSony 100 iv (a point & shoot sized camera, with some professional credentials).  Even when I go on a dedicated photo shoot, the camera, lenses and tripod are much small and lighter than in the past.

Glade Creek Gristmill
Babcock State Park, WV
Copyright 2011 Andy Richards

A better question might be “what lens will you use?”

Photographic gear is a subject that is often over-thought, in my opinion.  Cameras, lenses, filters, and accessories are — for sure — tools that are necessary to the making of an image.  And there is no doubt that higher quality tools can render a technically better result.  If that is what you seek.  I have already read, several times recently, the question:  “what is the best lens for foliage photography?”  I don’t think there is a “correct” answer to that question.  A better question might be “what lens will you use?”

Tahquamenon Falls
Michigan Upper Peninsula
Copyright 2004 Andy Richards

However, that there are other considerations that will have a more direct bearing on the successful image.  Understanding light, and composition will have much more effect on imagery, in my view, than any other factor.  This assumes, of course, that you already have a solid grounding on exposure principles, how to focus the camera, and considerations of aperture and depth of field.  This relates directly back to the first point:  preparation.  If you do not come to your subject in the best light, it will be difficult to make a really great image.  More often than not, this means early and late (or–think:  during breakfast and supper :-)).  Much of my more recent travel has centered around other activities, such as family time, tours, etc.  While I do make images, it is often apparent that they were not take in the “best” light, and I frequently lament that it would be nice to be at a location either very early or in the late afternoon/early evening.  If your trip is photography-focused, you will need to be mentally prepared to be on site at times that may be inconvenient to others you travel with.  When I have made my fall foliage trips, the majority of them have either been alone, or with other, equally serious, photographers.

Santa Fe Ski Basin
Santa Fe, NM
Copyright 2008 Andy Richards

Don’t forget the “other” gear you may need.  Most fall foliage locations have the potential for very warm weather, rain, and even freezing temperatures (especially at sunrise).  Hat, gloves, sunscreen, and adaptable clothing is important.

Fall Color Reflection
Copyright 2012 Andy Richards

Most important of all, though is to have fun and enjoy the process as much as the result!  Best to all of out out there and good shooting!

Burton Hill Road
Barton, Vermont
Copyright 2010 Andy Richards

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Truth in Photography (Here I go again)

Birch Clump Hiawatha NF; Michigan Copyright Andy Richards 2017

Birch Clump
Hiawatha NF; Michigan
Copyright Andy Richards 2017

[Recently, I seem to have run out of fresh, new material, which partially explains my more infrequent posts here (my goal has been one a week and over the years, I have largely met it).  When I get into these times, I will sometimes look back at prior posts to see if there is anything worth re-visiting, and through my Lightroom archives to see if anything stimulates me.  I have done that for the last 2 weeks.  Nothing.]  🙂

“truth isn’t absolute”

So, this morning, I spent some time with my friend, “GOOGLE,” and found this article, Why Facts Aren’t Always Truth In PhotographyMany will remember the Afgan Girl magazine cover that (perhaps) launched photographer Steve McCurry into international recognition.  He has recently made news (at least in the photographic world) again.  Without getting into the specific circumstances of the article (written by a colleague and fellow professional photographer, Peter van Agtmael) it’s “10,000 foot view” is, in my view, focused more on some principles of “truth” in photography that can be generalized.  And boy, did it resonate with me.  In fact, it can — I believe — be applied to much of what has gone on in the past several months over media, social media and even the coffee table.

Starting with one of my earliest posts, “Get Real,”  and for example, “Has The Digital Medium Changed Everything?,” and “Photoshop Is Not Evil,” over the years I have been writing here, I have made frequent reference to my thoughts on the use of “digital darkroom techniques” to “enhance” my own images.  I think I have made position clear when it comes to the art of photography.  But Mr. van Agtmael ventures into photography that is not made, per se, as “art.”  Rather, he addresses what I refer to as “reportage” photography.  Presumably, the image depicts things exactly as they appeared.

“We shouldn’t mistake something factual for something truthful, and we should always question which facts are employed, and how.” (Peter van Agtmael)

 

Humanity is not scientific.  Biology is.  The human brain is a scientific wonder.  The workings of human brain?  Well that is only “scientific” to the extent that it is thinking about science.  The rest?  It’s an art form for certain.  How else can both the consistency and inconsistency of human thought be explained?  And so, Mr. van Agtmael posits something we have all heard back in our own ancient histories, at some point.  In my words, “truth isn’t absolute.”  But that is a bit cliche‘.  In his much more eloquently stated words: ” ... there were a lot of loaded words like ‘truth’ and ‘objectivity’ being thrown around. I don’t really believe in these words. I’ve never met two people with the same truth, nor seen true objectivity ever demonstrably applied to anything. They are nice words, but remain aspirational and cloud a more nuanced interpretation of reality and history. We shouldn’t mistake something factual for something truthful, and we should always question which facts are employed, and how.”  I like that.  Our world is filled with millions and millions of “facts.”  We also hear a lot of opinion which is cited as fact.  But even with incontrovertible, empirically provable facts, it is still important to understand context and relevance.

Goat Island Light Newport, Rhode Island Copyright Andy Richards 2016

Goat Island Light
Newport, Rhode Island
Copyright Andy Richards 2016

The opening image here is (OMG!) altered.  I know viewers will say I “saturated” it, I “enhanced” it, etc. (maybe; maybe not 🙂 ).   But that isn’t really what I mean.  This image was physically “altered” before it was even made!  I had an image I wanted to depict, and in the crotch formed by the 3 trunks there was I small pile of dead branches which were (in my view) unsightly and distracting.  Is it relevant that I removed them and spread the leaves around a bit?  Could the image have been found the way I have presented it?  Perhaps if I were trying to depict the “pristine” quality of nature, or deny that it can sometimes be messy, the answer would be different.  I appreciate that this is not reporting on the refugee crisis and is trivial in relation to that.  But this is a photography blog, and I don’t do reportage photography.  I just thought Mr. van Agtmael’s point would resonate even in the perhaps less significant milieu of nature photography.

How else can both the consistency and inconsistency of human thought be explained?

Those who have read here previously know the story of the Goat Island Light Image.  I placed those chairs there.  “Hand of man and all that good stuff.”  Again, I don’t mean to trivialize the serious piece.  But I do think the larger point has application to all of our photography.

Fayette State Park Michigan Copyright Andy Richards 2007

Fayette State Park
Michigan
Copyright Andy Richards 2007

If the viewer looks carefully at the bottom center of this image, there is a snarl of yellow polyethlyene rope in the foreground.  A better photographer than I would probably have seen that detail and excluded it (or perhaps purposely included it, again depending on the goal of the image).  I would not perhaps shock anyone here that before I made a print of this image I (GASP!) “Photoshopped” the rope out.

Small things.  But then, from small minds ……..  🙂

But seriously, I would commend the reader to read the Peter van Agtmael piece on Steve McCurry debacle.  While you may or may not agree with me, or with its premise, I hope you will agree that it it thought – provoking.

 

 

 

The Sun Rises; Reprise

Bay Bridge Sunrise San Francisco, CA Copyright Andy Richards 2014

Bay Bridge Sunrise
San Francisco, CA
Copyright Andy Richards 2014

It seemed like 16 images were too many for a single blog post (really, 8 is probably too many, and my blogs tend to be longer than a blog should be 🙂 ).  So I split my sunrise images into 2 installments.

Bean Pond Barton, VT Copyright Andy Richards 2010

Bean Pond
Barton, VT
Copyright Andy Richards 2010

In 2010, I again visited Vermont for a fall color photography excursion.  My good friend, fellow photographer, fellow blogger, and co-author of the 2nd Edition of Photographing Vermont’s Fall Foliage, Carol, acted as my host and guide for the first couple days.  One magical place she took me too was Bean Pond, a small, unremarkable roadside pond near here home in Barton in the “Northeast Kingdom” of Vermont.  Unremarkable, that is, unless you are a photographer looking for fall foliage venues.  Since my first trip there, I have been back to the pond several times (and I am certain Carol has been there almost daily when she is in Vermont in season).  Our morning broke very cold, with frost on the ground, after a prolonged spell of heavy rain.  We knew the conditions were ripe for fog and steam rising off the pond and she had us there by twilight.  The resulting images (only one here) made the cold, early morning well worth it.

Bay Bridge San Francisco, CA Copyright Andy Richards 2011

Bay Bridge
San Francisco, CA
Copyright Andy Richards 2011

In 2011, we visited San Francisco, to visit our daughter.  She lives in downtown, which put me in the middle of one of the best photography venues I have ever visited.  Once again, the 3 hour time change worked in favor of early rising, and a 15 minute walk brought me to the Embarcadero, at the eastern boundary of the city, and one of San Francisco’s seaports with a closeup view of one of the two major bridges leading into San Francisco, the San Francisco Bay Bridge.  There are San Francisco Bay shooting opportunities all along the Embarcadero.  We returned again in 2014, and I couldn’t resist a couple more early morning walking trips to the Embarcadero.

Mocassin Lake Munising, MI Copyright Andy Richards 2010

Mocassin Lake
Hiawatha NF
Munising, MI
Copyright Andy Richards 2010

I have been traveling to the Michigan Upper Peninsula (U.P.) for many years for fall color photography.  As many readers here know, I think highly enough of the photographic potential that I have co-written an eBook on Photographing the Michigan U.P., with my good friend and fellow photographer and blogger, Kerry Leibowitz.  I have photographed Mocassin Lake many times and never cease to find it photogenic.  My writings on the U.P. and some of my imagery captured the attention of a professional photographer and teacher in Pennsylvania, James Moore.  Inn 2012, he decided to host one of his workshops in the U.P.  He asked me to be his guide.  These images were all made during the 2012 trip.  I appreciate his inspiration and I think that week was the most rewarding of all of my trips to the U.P.  I was there from the beginning to the peak of color, perhaps the only time in my shooting career.

Pete's Lake Hiawatha NF, Munising, MI Copyright Andy Richards 2012

Pete’s Lake
Hiawatha NF, Munising, MI
Copyright Andy Richards 2012

Pete's Lake Hiawatha NF, Munising, MI Copyright Andy Richards 2012

Pete’s Lake
Hiawatha NF, Munising, MI
Copyright Andy Richards 2012

In 2013 we went on two more cruises.  In January, we joined a group affiliated with the O’Brien Estate Winery in Napa, Ca, on a Caribbean Cruise.  We didn’t know a soul when we boarded.  We were fortunate to have some very friendly table mates and we ended up not only spending most of our time on board with them and another couple, but we have made lifelong friends.  We have traveled to Napa together, and they have recently visited us in our Florida home.  It was a great cruise.  As we arrived home in the early morning hours, I was able to capture this sunrise image of the Miami Skyline.

Miami, FL Copyright Andy Richards 2013

Miami, FL
Copyright Andy Richards 2013

Later, in September, we took what was my first trip out of the U.S. (Canada doesn’t count 🙂 ); a Mediterranean Cruise.  We started with a few days in Venice.  My only sunrise shot during that trip was the famous gondolas in St. Mark’s Square, which took some doing.  We were staying on the mainland, so I had to take the early train to Venice and then find my way through the maze to the square before the sunrise.  I had practiced a couple times.

Gondolas San Marco Piazza Venice, Italy Copyright Andy Richards 2013

Gondolas
San Marco Piazza
Venice, Italy
Copyright Andy Richards 2013

I grew up in the Northern Michigan town of Traverse City.  It is a resort town, and by all reports, beautiful in all seasons.  The city sits at the base of a peninsula of land (Old Mission Peninsula) which creates two deep bays (East Bay and West Bay) into Lake Michigan.  It has unique, sandy coastline and a climate similar to that of Northern California (except that winters up there are brutal and snowy).  I moved away from there shortly after I graduated from High School in 1975.  But I still have family there, and only live about 2 3/4 hours away.  It occurred to me at some point that I had spent little time photographing up there, and so, in 2014, with no major fall foliage outings planned, took a long-weekend trip up there.  I was on the high point of the peninsula, where it is possible to see both bays, at sunrise.  This sunrise image faces (perhaps obviously) East Bay.

Center Road Old Mission Peninsula Traverse City, MI Copyright Andy Richards 2014

Center Road
Old Mission Peninsula
Traverse City, MI
Copyright Andy Richards 2014

 

The Sun Rises, Too

Sunrise; Ft. Myers Beach, FL Copyright Andy Richards 2017

Sunrise; Ft. Myers Beach, FL
Copyright Andy Richards 2017

I wanted to title this, “The Sun Also Rises,” but given all the preaching I have done here about copyright, I thought Hemingway deserved my respect 🙂 .  Last week, I blogged about Florida sunsets, and waxed philosophical about sunset photography in general.  While much of what I said applies to sunrises, they are unique.

Photographing a sunrise takes a certain resolve and commitment which most people just don’t have

As noted previously, lots of folks (including some I know very well) never see the sun rise.  I am here to assure them that is does, indeed rise.  🙂 .  And sometimes you get really lucky and get to see a moonset and sunrise in the same location on the same morning, like I did at Pete’s Lake in Michigan’s U.P. a few years ago.

Pete's Lake Moon Set Hiawatha NF, Michigan U.P. Copyright 2012 Andy Richards

Pete’s Lake Moon Set
Hiawatha NF, Michigan U.P.
Copyright 2012 Andy Richards

One thing that makes sunrises different sunsets is atmospheric conditions.  Sunsets follow the warmth of day and sunrises often follow a cool or even cold night.  The warmth of daylight often produces thinly cloudy atmospheric conditions which can create beautiful pastel colored skies.  Or, a sudden clearing or opening can yield a surprise dramatic lighting condition, as happened at the Ft. Myers Beach harbor.

Port of San Francisco Copyright Andy Richards 2011

Port of San Francisco
Copyright Andy Richards 2011

Other times, the fog or cloud cover can diffuse the sunrise and create a “dawn of a new day” kind of look.  The San Francisco Ferry leaving in the early hours is backstopped by such a sunrise.

While much of what I said about sunsets applies to sunrises, they are unique

Sunrises, because they normally follow the coolest temperatures during a 24 hour period, can often be seen in foggy or misty conditions.  This is particularly true near water, which is why water is my preferred sunrise setting.  But sometimes, it is just a matter of perspective–literally.  The shot of the city of Tokyo at dawn was taken from a high floor in my hotel window as daylight was beginning to emerge.

Tokyo Dawn Copyright Andy Richards 2015

Tokyo Dawn
Copyright Andy Richards 2015

Yet there is another, more esoteric dynamic which distinguishes sunset and sunrise.  In most parts of the world, even when the days are at their shortest, sunrise happens before most folks are out and about.  Indeed, in order to see and capture a sunrise at its best, you will need to be up and about, and on location before the big event.  So it takes a certain resolve and commitment which most people just don’t have.

Split Rock Light Sunrise Lake Superior, MN Copyright Andy Richards 2010

Split Rock Light Sunrise
Lake Superior, MN
Copyright Andy Richards 2010

But what they miss is perhaps the most magical time of the day.  What you learn from experience is that sometimes the most dramatic light–and images–come just before the actual sunrise, in the twilight minutes.  And when the sun does rise, if it is exposed, it is usually much more intense than sunset, which occasionally means very contrasty conditions and challenging exposure issues.  But it also means drama, and sometimes, star patterns.  As we scouted the Split Rock Lighthouse one morning following a rainy night, the cloud cover suddenly broke behind the cloud cover behind the light to yield a pretty dramatic silhouette.  I was able to stop down enough to get a diffuse starburst effect, too.  It was still raining that morning when we rolled out of bed and it would have been easy to just sleep in more, or go to breakfast.  But I were weren’t there I would have missed this shot.

Sunrise, Hateras National Seashore, Hateras, NC copyright Andy Richards

Sunrise, Hateras National Seashore, Hateras, NC copyright Andy Richards

Another plus to sunrise shooting is that you are out when there is virtually nothing moving.  The only thing that is is the wildlife that is often active at that time.  It can be an incredibly serene time of day and it is without a doubt, my favorite time to shoot.  The morning I made the Cape Hateras image, I (and another solitary fisherman) was the only human for miles of beach.  The surf was quiet and all that could be heard was that gentle wave break and the seabirds.  It was a pretty amazing moment.

Bridge to Canada Sault St. Marie, MI Copyright 2005 Andy Richards

Bridge to Canada
Sault St. Marie, MI
Copyright 2005 Andy Richards

Shooting into the sun is challenging under any conditions.  But it is often rewarding.  One issue that often arises from this perspective, especially with short and mid focal length, lenses, is the phenomena called lens flare.  In many instances, lens flare can be an image killer.  But sometimes, it adds to the image.  Especially when it produces colors.  I got not only the starburst effect, but also lens flare in the Sault St. Marie image.  One of the wonders of post-capture digital manipulation is the ability to retouch these out of the image.  But sometimes lens flare actually adds something to the image.  I like the effect here.

Florida Gulf Sunset

Crystal Beach Pier Crystal Beach, FL Copyright Andy Richards 2017

Crystal Beach Pier
Crystal Beach, FL
Copyright Andy Richards 2017

My friends and some readers here know that I have two homes now; one here in Michigan and one in Florida.  The Florida home is in western Florida on what is known as “the Gulf side.”  We are in the Tampa Bay region and between the Gulf of Mexico, Tampa Bay, and Clearwater Harbor, water is everywhere.

Water is often conducive to sunrise and sunset photography

Water is often conducive to sunrise and sunset photography.  And the Florida Gulf is renowned for its spectacular, colorful sunsets.  So it is interesting; almost surprising to me that though I live no more than 10 minutes from the gulf, I have made very few sunset images.

Part of the reason is that I haven’t made the opportunity.  My trips to Florida are usually short, and often centered around the holidays, and spending time with family and friends.  Unless one of them is as enthusiastic about photography for its own sake, it is more difficult to fit a dedicated photography outing in (even a short one).  I have noted here before, that the best light conditions for late day photography often fall at the same time people make plans for dinner, or other evening activities.

Crystal Beach Crystal Beach, FL Copyright Andy Richards 2017

Crystal Beach
Crystal Beach, FL
Copyright Andy Richards 2017

The other reason is more personal, and perhaps, esoteric.  Back in “the day” (in context, when we shot with film and mechanical cameras), getting a successful sunset (or sunrise) shot required some knowledge of the science of exposure, a decent camera, and a tripod.  It really took a more or less “dedicated” outing to do.  So there were fewer of them out there (in print and later, on the internet).  Consequently, almost any well exposed sunset shot with some color in the sky was new, different, and to many, interesting.

The other reason is more personal, and perhaps, esoteric

Technology has changed that.  Particularly in the last 10 years, digital cameras, and especially the cameras built into cellular phones, have become increasingly impressive at rendering all kinds of scenes in all kinds of light conditions.  Today, we get 100’s of posted sunsets each day on Facebook, Google, Instagram, and the like.  And they are often technically pretty well exposed, even in instances where the shooter really doesn’t know anything about the science of photography.  This doesn’t necessarily mean they are “good” images though. (although I will concede that at some level, “good” is very subjective).  Part of human nature (mine at least) means that this glut of “sunset” photos make them less interesting, and it takes something more to not only capture my interest, but make the image worth making.

Crystal Beach Pier Crystal Beach, FL Copyright 2017 Andy Richards

Crystal Beach Pier
Crystal Beach, FL
Copyright 2017 Andy Richards

During the “Christmas” holidays (roughly late December through early January), I was in Florida for a more extended period and I did make some time to do some scouting and then eventually, shooting.  I try to get in a 15-20 mile bike ride every other day or so, and the Pinellas County Rail Trail is very close to our home and basically skirts the gulf from Clearwater to Tarpon Springs.  I ride it most of the time, and have taken a few detours down to the water, in exploration of possible photo ops.  One of the really nice places I found was a very small community sandwiched between Palm Harbor and Tarpon Springs, called Crystal Beach.  There is a nice little park, a small beach, and a community pier.  So Crystal Beach became a destination for some sunset shooting.crystal_beach_pier_4_2017

My own criteria for sunset shots is different from many of the shots I commonly see (mostly on Facebook).  To me, for interest, there needs to be something more than water, sky and sun (or light) in the shot most of the time.  I emphasize “most” of the time, because I think there are occasions when the sky alone (or the water reflection) may be the true subject and any other objects in the photo may detract from this.  But not most of the time.  This really isn’t different from general “photography 101.”  A good photograph needs a good subject, and good placement (or exclusion) of other elements in the photo to enhance the view of the subject.  A couple of basic things I like to remember as I set up and compose are to be sure the horizon is level (probably the number one “cell-phone” shot issue I observe), and that the horizon (most of the time 🙂 ), is not dead center in the image.  Aside from that, I look for something that will give the image perspective (and, to me “interest”).  Sometimes you just feel the urge to do a “gimmicky” shot, too.  While in Key West a couple weeks ago, we celebrated my 60th birthday at a nice restaurant with a deck overlooking the ocean, noted for sunsets.  I didn’t have my camera at the time so a cell phone shot would have to do, as I saw this image developing.  There was no other place I could get to to shoot the orange ball as it dropped, so I framed it in the pier next to us.

Louie's Backyard Key West, FL Copyright Andy Richards 2017

Louie’s Backyard
Key West, FL
Copyright Andy Richards 2017

My one other dedicated sunset photo outing was in early 2016, to Honeymoon Island, again, close to home and a “favorite” spot for viewing the sunset over the gulf.  The silhouetted couple was a stroke of luck, but it definitely make the image unique and in my view, certainly more interesting than that spectacular colored sky alone.

Honeymoon State Park Dunedin, FL Copyright 2015 Andy Richards

Honeymoon State Park
Dunedin, FL
Copyright 2015 Andy Richards

The opening shot of the Crystal Beach Pier is an example of my thought process.  The golden sunset has a “wow” factor all of its own.  The sunset shot of Newport, Rhode Island is similar in that I don’t know that I could have duplicated that beautiful orange color ever again.  But without the sailboat, it would just be a ho-hum (colorful, perhaps, but still ho-hum) image.  AT Crystal Beach there were 20-30 people who arrived shortly before sunset, just to observe this phenomena, which is a frequent occurrence (thought always somewhat unique).  To the observer, the sunset is the rai·son d’ê·tre.  So we come for that and we watch it and often, we capture it with camera or phone.  But our subconscious puts that sunset into perspective; something the photograph often does not.  Our peripheral vision sees the pier, the ground, the plants, and that the horizon is “out there” (and level).

Narragansett Bay Newport, RI Copyright Andy Richards 2016

Narragansett Bay
Newport, RI
Copyright Andy Richards 2016

There are many spots I have scouted and many I haven’t even discovered yet.  So there will be more Florida sunset shooting in my future.

“Old School” Vegas

Fremont Street Las Vegas, NV Copyright Andy Richards 2016

Fremont Street
Las Vegas, NV
Copyright Andy Richards 2016

If you have: (1) never been to Vegas, (2) read my prior posts, and/or (3) been to Vegas, but never left the strip, you might be forgiven if you thought it was just one big, multi-million dollar, glitzy, over-the-top, tourist trap.

Freemont Street Las Vegas, NV Copyright Andy Richards 2016

Freemont Street
Las Vegas, NV
Copyright Andy Richards 2016

You might be forgiven if you thought it was just one big, multi-million dollar, glitzy, over-the-top, tourist trap

Our first night in town, we headed north up the Strip to downtown Las Vegas and Fremont Street.  It is an entirely different “vibe,” and one that was more aligned with my lifelong idea of “Vegas.”

The Detroit Casino Las Vegas, NV Copyright Andy Richards 2016

The Detroit Casino
Las Vegas, NV
Copyright Andy Richards 2016

These are walk-around, handheld images and this environment really underscored for me the amazing technology that small cameras — and especially my Sony RX100iv — have incorporated into photography.  When I get into these situations, where I often need to point and shoot, or miss an opportunity, I find that this camera sensor does a pretty good job of capture.  I am able to set it to “auto” ISO and continue to shoot in raw mode.  When I get into post production, I am always impressed with its low-light/high ISO capability.

The Nugget Las Vegas, NV Copyright Andy Richards 2016

The Golden Nugget
Las Vegas, NV
Copyright Andy Richards 2016

The Fremont Street area was crazy.  There were all the things you might expect from the stories you hear about “Vegas.”  Some of them were captured, but will not appear here  :-).  Some of it you just had to look and laugh.  The casinos here were packed with gamblers and the bars and streets with drinkers.  We were there on a Friday night on Halloween weekend.   I really cannot say whether our visit was a typical Friday night there, but it was certainly an interesting experience.

Fremont Street Las Vegas, NV Copyright Andy Richards 2016

Fremont Street
Las Vegas, NV
Copyright Andy Richards 2016

The main area was canopied, with imagery lit up on the canopy.

Fremont Street Las Vegas, NV Copyright Andy Richards 2016

Fremont Street
Las Vegas, NV
Copyright Andy Richards 2016

I don’t know if, or when I will be back to Las Vegas, but I suspect I will someday.  Until then, we enjoyed it.

Las VEgas Copyright Andy Richards 2016

Las VEgas
Copyright Andy Richards 2016

My “Photo Walk;” Newport, Rhode Island

Goat Island Light Newport, Rhode Island Copyright Andy Richards 2016

Goat Island Light
Newport, Rhode Island
Copyright Andy Richards 2016

This morning I was on foot, and I knew it.  I had not scouted out a spot for a sunrise shot.  So I left the hotel at 7:30 a.m. to walk the street.  I still had some nice light and this day turned out to be one of those partly cloudy days with big puffy clouds that often offer some filtering of the sun and allow extended shooting hours.

From the Hotel Room Newport, RI Copyright 2016 Andy Richards

From the Hotel Room
Newport, RI
Copyright 2016 Andy Richards

Imitation is the sincerest form of flattery

Our hotel was right next to the Newport Shipyard, home to some very large recreational power and sailing vessels.  If you have a few extra $million burning a hole in your pocket, this is a place to shop.  Behind the shipyard is the short causeway to Goat IslandTo my disappointment, there weren’t any goats.  🙂 There is not much on Goat Island except the Newport Hyatt Regency, another private yachting harbor, and a couple restaurants.  Oh, and a very picturesque small lighthouse.  It took me some time to warm up to the thought of this lighthouse as a photographic subject.  But the inspiration came later, in the form of imitation.  But as I have said elsewhere, “imitation is the sincerest form of flattery.” 🙂

Newport Bridge Newport Rhode Island Copyright Andy Richards 2016

Newport Bridge
Newport Rhode Island
Copyright Andy Richards 2016

I walked over to Goat Island and looked at the light from a distance.  It just wasn’t doing it for me.  Then on our next to last day, I was wandering through the gift shop at the Newport Sailing Center, and saw the image that we later made (the opening image here).  I immediately recognized it as the Goat Island Lighthouse.  There is a walking path around the Hyatt.  But what made this image interesting was the two white Adirondack chairs in the foreground.  The problem was they weren’t there.  But they were just a few yards away in a circle.  So I dragged two of them into the frame and set it up.  Copycat?  Yeah.  Worth it. 🙂

Newport Bridge Newport, Rhode Island Copyright Andy Richards 2016

Newport Bridge
Newport, Rhode Island
Copyright Andy Richards 2016

But I digress (a familiar failing in my writing).  This morning, I started by walking out to the causeway to Goat Island, knowing the sun would be behind me as the Newport Bridge was west of Newport.  The two images here with the bridge in the background were taken from the causeway to to Goat Island, near the Newport Shipyard.  You can see the Goat Island Light in both of them and perhaps can forgive me for thinking the light, itself, did not lend itself to being a photographic subject.  I didn’t “see” the composition above until I saw someone else’s photograph.  I usually encourage making your own composition with your own vision.  And my image is not identical to the one we saw.  But it was such a pleasant image that I had to try to do it myself.  And over the years I have certainly made a number of images that were inspired by similar ones I have seen.

Newport, RI Copyright Andy Richards 2016

Newport, RI
Copyright Andy Richards 2016

South of the Shipyard, just out the back door of the hotel, was a transition area from shipyard/industrial/fishing.  We didn’t try it, but there was a nice little lobster shack (reminiscent of those shacks near the Maine lobster pounds).

Newport, RI Copyright Andy Richards 2016

Newport, RI
Copyright Andy Richards 2016

The bridge is north of the commercial/touristy part of downtown.  The waterfront area north of the bridge is mainly the Naval Facility.  We didn’t venture there.  America’s Cup Avenue goes south from the bridge toward the downtown area.  As it merges into the main part of downtown, it turns east.  But continuing straight south takes you onto Thames Street, which is where most of the shops and restaurants, and the waterfront area, lies.  From the front door of our hotel, we could walk the waterfront all the way.  It is a labyrinth of piers, shops, and moorings.  Down every street to the west of America’s Cup Avenue and Thames is another small port, condo complex, or shop, bar and restaurant area.

Newport is about boats

Bowen's Wharf Newport, RI Copyright Andy Richards 2016

Bowen’s Wharf
Newport, RI
Copyright Andy Richards 2016

One prime takeaway from my short visit to Newport is that Newport is about boats.  Everywhere you look there are boats, from commercial fishing vessels, to sailboats to power boats (some of them the size of a small cruise ship), to military vessels.  They are big and small (though the big, was TEXAS – big.  I grew up around boats and some of the so-called “big” boats here on the great lakes could serve as a tender for some of the small ships I saw here 🙂 ).

Someone's private Yacht Newport, RI Copyright Andy Richards 2016

Someone’s private Yacht
Newport, RI
Copyright Andy Richards 2016

Newport, RI Copyright Andy Richards 2016

Newport, RI
Copyright Andy Richards 2016

We happened to be there, coincidentally, during The Newport International Boat Show.  As everywhere in life, this made for some negatives (a lot more people, some areas blocked off and inaccessible, traffic, and perhaps higher prices) and some positives.  Since I like to consider myself a “glass half full” kind of a guy, I certainly embraced the positives:  Lots going on on the waterfront, and boats and other additions that probably wouldn’t be there on an “everyday” weekday.

Newport, RI Copyright Andy Richards 2016

Newport, RI
Copyright Andy Richards 2016

Multi-Million $ "Boats" Newport, RI Copyright Andy Richards 2016

Multi-Million $ “Boats”
Newport, RI
Copyright Andy Richards 2016

New England known for some very good classic boat building and restoration facilities.  There was no lack of classic wooden boats here and some of them were impressive, including “Hemmingway’s Boat,” shown here, and in the background, the restored, classic wooden boat we toured later that day.   I continued to walk the waterfront for a couple hours.  Though “touristy” there are some very nice little shops, most of which are decorated in the New England (or perhaps Rhode Island) tradition, and some unique touches, like the dog-friendly establishments which seem to be gaining momentum here in the U.S.

Bars are For Dogs, Too Newport, RI Copyright Andy Richards 2016

Bars are For Dogs, Too
Newport, RI
Copyright Andy Richards 2016

Newport, RI Copyright Andy Richards 2016

Newport, RI
Copyright Andy Richards 2016

Not to be repetitive, but have I mentioned that Newport is about the boats? 🙂

Sailboats Newport, RI Copyright Andy Richards 2016

Sailboats
Newport, RI
Copyright Andy Richards 2016