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Right Time; Right Place Photography

Porcupine Mountains Copyright Andy Richards 1997

Recently, I went through a review and update of my LightCentric Photography photo website.  As I was systematically checking captioning information (among other things), a couple of the images made me pause and reflect on their circumstances as involving a particularly memorable moment of for whatever reason, just being in the right place at the right time.  Sometimes it was planned. Sometimes it was just serendipity.

This doesn’t mean there haven’t been other times and images. There have been too many photographic memories to cover, including trips to New Mexico, Alaska, New England, California, and around the world.

In some ways, the Porcupine Mountains image is my most memorable photo. Taken back in the days of film, I made this photograph on my very first “dedicated photography trip.” I spent a long weekend in Michigan’s Upper Peninsula (U.P.) for the first time since my childhood. The trip was planned with much anticipation of fall color imagery.  For the most part, even though I was there during the first week in October, I was still fairly early for foliage, and was largely disappointed in that aspect of the trip. The trip motivated many more similar excursions to the U.P., mostly in the fall.  I arrived at “The Escarpment,” in the Porcupine Mountains late on a Saturday afternoon. From the Escarpment, you can view the Lake of The Clouds, which is often photographed – especially during peak foliage. Conditions were not what I had hoped for.  It was cloudy, with a 40 plus mph wind.  I had seen images of Lake of The Clouds, and that was my goal for this part of the trip.  Foliage conditions were just starting, and I just did not see the image I had visualized. To make matters worse, the forecast called for worsening conditions, with all-out rain by morning.  So I took a number of images, using a much faster shutter speed and lower aperture combination than I normally would have, bracing the tripod against the wind buffets with my own weight (seemingly counterproductive).  Unlike these days, you could not see a representation of the result on the back of the camera.  I would wait until I returned home, and the photographic processor completed developing my slides.  I didn’t expect much from this location. But on the light table, this one image jumped out at me. It is perhaps the only “keeper” from that take. As I viewed it, I realized that the contrast between the lingering greens, the precocious reds, and the developing oranges and yellows, was actually more visually interesting – indeed satisfying – than some of those images that I had seen that were a complete wash of fall color. There is a photographer’s saying:  “F8 and be there.” I don’t think this was F8, but I was there, and this is what I found. The image here, is prepped for printing, and may look a bit saturated. But I did not touch the saturation sliders in Photoshop.  Instead, I used an old technique (surpassed for most of us by plugins such as NIK Viveza 2), converting the scanned image to LAB color space and making adjustments to the A and B curves. This image has continued to be my best selling photo. It hangs in the main conference room of my law firm’s offices, and draws many comments.

Mad River
Waitsfield, VT
Copyright Andy Richards 2010

In 2006, after much bragging to my best buddy, Rich Pomeroy, about the “best fall foliage in the world, bar none,” he called my bluff and we took a week long trip to Vermont. We had take many business trips together before, but this was our first “together” photography adventure. I am delighted to say that we have made numerous other photo trips, and will make many more in future years.  But this one turned out to be kind of a bust. We went during the last part of September and very early October. All during the week, we wished we had waited a week, as the foliage was again in very early (almost non-existent) stages. We worked hard to find some foliage and though we had a lot of fun and made some memorable images, it wasn’t what we had anticipated. Determined to “find” those colors I remembered from my youth in the 1970’s in Vermont, I returned – alone this time – in 1997, a week later. During that trip, I spend a couple nights in central Vermont, driving along it famed Route 100. Mother Nature can be fickle, and the colors were – once again – not as nice as I had hoped (this time a bit past peak in many places).  One morning, I was headed for a waterfall that has turned out to be (in my opinion) unremarkable;  Moss Glen Falls in Granville. But on my way, I got waylaid by a vision:  some color off in the distance of a scenic turnout.  The turnout turned out (see what I did there 🙂 ) to be a nice series of drops in the Mad River. The Mad River is really just a stream or creek that is not really navigable.  It is also the namesake of “Mad River Canoes,” originally built by hand in Waitsfield, where this very same stream wandered through his back yard. A drizzly rain was falling, but I donned my wading boots and spent 2 1/2 hours shooting there.  The image here was actually on a return trip in 2010, when I brought Rich back to “prove” my assertions about Vermont foliage 🙂 . That morning was a magical time. I was all alone with the subject, which remains a really photogenic series of waterfalls.

Otter Cliffs Sunrise
Copyright Andy Richards 2009

In 2009, Rich and I made another memorable photo trip; this time to Acadia National Park in Bar Harbor, Maine. Bar Harbor is a quaint little touristy town with just enough non-photographic things to keep our spouses entertained (well, for about a day that is – but we were there for a week 🙂 ). Acadia is probably one of the most photographed National Parks. There a numerous books about the Park Loop Road, and all the different photographic venues. Otter Cliffs is one, but it is most often viewed more distantly, from another cliff to the north.  From the vantage point, you cannot even see this cobblestone beach. I had a friend who strongly recommended that I “work” to find this spot, which is a cobblestone beach that is not well documented or marked (at least, it wasn’t in 2009). The directions in the books don’t really reveal it, but with some perseverance, and some insight from him, we did find it. We visited it for 3 successive mornings in the pre-dawn, before we got this one. There is really nothing like being in a location like this, literally alone, and watching the sunrise and the morning develop. It was a location worth “working” for.

Burton Hill Road
Copyright Andy Richards 2010

Vermont has a special place in my heart. Readers here know I make period trips to Vermont to photograph; usually during the vaunted fall foliage season. I wrote my first eBook on this very topic.  As I did my homework, planning each trip, researching and hobnobbing with members of the Scenes of Vermont forum, I “met” two of my wonderful friends, both of whom also happen to be talented photographers and writers. Al Utzig and I carried on a e-mail correspondence for several years before I finally had the pleasure of meeting him in person. We were good friends by that time and the face-to-face didn’t change that (for me at least – I’ll let Al be the judge of it 🙂 ). Carol Smith, who many of you know as my co-author for the current edition of Photographing Vermont’s Fall Foliage,” was a frequent poster on the Scenes forums and we were all soon to learn, an extremely knowledgeable and observant resource for wannabe Vermont photographers. She was of immeasurable help to me on the first edition and it was a logical progression for her to co-write a second edition which contains much more information, primarily from Carol. In the process we also became good “online” friends. In 2010, Rich and I returned to Vermont. I was there for a week, but Rich was only able to join me on the southern part of the trip for about 3 days.  This trip began with a group of us (particularly Al, Carol and me) meeting at Carol’s Barton house in anticipation of a next-day, early morning “tour,” led by Carol. This was my first face-to-face meeting with Carol, and to my surprise, she still loves me :-). We started at Bean Pond along the US 5 highway, for a foggy sunrise over the pond. The time and images were magical, but while Al and I gushed, Carol promised that the best was yet to come. And boy, was she right. The Burton Hill Road image is by far my personal favorite Vermont image, and perhaps my most “successful.” After others had left, Carol and her very patient husband, guided me around several other areas, including the Craftsbury Common image that appears on the cover of the Vermont eBook. But that morning is one of the most memorable times of any photographic trip. And I got to enjoy it with two of my very favorite friends.

Eagle in Flight
Copyright Andy Richards 2010

Some years were big travel years for me. Others not so much. 2010 was one of those big years. In addition to another trip to Vermont, my wife, son and I went on our first cruise; the Inside Passage from Vancouver, B.C., to Whittier, Alaska. It introduced us to cruising (which to my surprise, I really liked), which has opened travel doors to us throughout the world. There were hundreds of images taken on that trip to Alaska, with some pretty great photographic opportunities.  But the most memorable image of that trip came as a complete surprise to me. We were signed up for a “deadliest catch” look-alike excursion (sans the cold and ice and heavy oceans). When we came ashore, one of the crew who met us saw my “big camera” and said “I see you came prepared. We are going to get some eagle photos for you today.”  Right. He was a tour guide. He certainly wasn’t going to promise me crappy photos.  🙂 I think we were scheduled to be out for 3 1/ or 4 hours, during which they talked about the history of these fishing boats (the boat was an actual boat used in the Bering Sea, just like the ones on the “Deadliest Catch” series, which had been shipwrecked, and then salvaged and retro-fitted with observation seating).  All very interesting, but no “knock your socks off” eagle photos. We saw some, but they were a long way in the distance. At the end of the cruise, they announced that they had a special treat for us, and took us by an uninhabited island, which was in native waters (by U.S. treaty) and therefore not subject to U.S. laws. As I looked, I saw a solitary eagle perched in dead tree. O.k. Then I suddenly heard “plop.” “Plop, plop.” The crew was up in the flybridge tossing bait into the water. The skies next to our boat suddenly turned into what I can only describe as a air to air dogfight as about 30 eagles all appeared, diving and often fighting for the food. I really wasn’t prepared and it all happened in about a 5 – 10 minute sequence. But in spite of my ill-preparedness, I was able to get several good shots. This one is my favorite. I doubt that I will ever get an opportunity to photograph eagles in flight from that close a position again. As our first cruise, it was hard to have it come to an end, with so many amazing and new experiences. But it did. It marked the end of a great trip – and the beginning of many more.

San Francisco Bay Bridge
Copyright 2011 Andy Richards

In 2011, instead of a fall foliage trip, my wife and I opted to spend a week in California during the first week in October. My daughter lives in San Francisco, so we used that as a staging point, with an overnight excursion to Napa for some wine tasting. Lots of memories from that trip. My daughter’s place at the time was in downtown, south of Market Street (SOMA). She was just two blocks south of Market and just a few blocks west of the Bay Bridge, the Embarcadero and the eastern part of San Francisco bay. I was up early and somewhere on the street each morning by sunrise or earlier (the 3 hour time differential was a positive, making it easy for me to wake up and roust early). What I really noticed was the relative stillness, just before the world “wakes up.” I made numerous images of the Bay Bridge, which is a favorite subject of mine (I prefer these images to those I have made of the more famous Golden Gate). But this one, I think, best illustrates that early morning pre-dawn calm and stillness.

Blue Angels
Fleet Week
Copyright Andy Richards 2011

That trip had other memories. We made friends with a couple of the winery owners, and in later years would travel with one of them, to the Caribbean and to Ireland, as well as returning to the vineyard when back in California. But the unexpected and incredible opportunity of shooting the air show put on by – mostly – the U.S. Navy, during its San Francisco “Fleet Week,” is one of those once-in-a-lifetime opportunities. We shot from the ground for over an hour as the planes flew low over us. I worked hard to capture a “bloom” from the jet fighters as they broke the sound barrier. Because sound and light do not travel at the same speed, it was touch to anticipate. I got just one. But am pretty pleased with it.

New River Gorge Lookout
Copyright Andy Richards 2011

Returning to California, Rich and I were able to sneak in a quick 3-day trip to West Virginia’s Babcock State Park, to photograph the often photographed Grist Mill in fall foliage. While we probably missed the peak near the mill, we were able to find peak foliage around Boley Lake in the park. What made this trip special was my first opportunity to meet one of my photographic mentors and a great inspiration to me, James Moore. Jim is an uber-talented nature photographer with many sales and publications; primarily in and around West Virginia. We had become on-line friends a year or two before, and he had a group he was guiding there photographing earlier in the week. Jim was still there when we arrived, but left early the next morning.  We had a nice time to chat and he gave us some great insight about when and where to shoot in the park. In 2012, Jim did me the great honor of asking me to act as a guide for one of his photography workshops in Michigan’s Upper Peninsula. Jim had heard a lot about it but had never visited there. We spent a great week, learning, shooting, and watching the foliage develop from pre-peak to full peak conditions. Jim had some health problems later in life and sadly those of us who knew and admired him have lost touch. For the West Virginia image here, my model was Jim, and the New River Gorge lookout was one of his favorite spots in the park.

Oxbow Bend
Snake River, Wyoming
Copyright Andy Richards 2011

2012, marked yet another photography trip with my buddy, Rich (and spouses). We joke a lot because I am a “planner” when it comes to these trips. I have usually figured out what I want to shoot, how to get there, how long it will take, and what time of day to be on site. For the most part, Rich is happy to let me do that, and quite often comes home with the better image. 🙂 A couple years before, Rich had attended a photography workshop in Jackson Hole, and the Grand Teton National Park. We both wanted to go again. This time I showed up and Rich was the guide. What a fun and memorable week with many great photo opportunities. As an old school photographer (or maybe just an old photographer), when it comes to scenic shots, I think in terms of a print. What we all want to bring back is a “wall-hanger.” Over the years I have made, printed and framed a number of my images. None has been better that this image of Oxbow Bend. We arrived here (I think the second time) in the pre-dawn hours and there was frost on everything. As the sun rose, the warmer water temps created a wonderful low fog over the bend in the river. May some white cotton-candy clouds would have enhanced this, but it was a great morning and I knew walking away from this shoot that this would be a wall-hanger.

Venice
Copyright Andy Richards 2013

2013 was a huge year for us. My wife came from a military family, so she had done some limited world travel as a young person. But in our adult lives, we had not traveled out of the U.S. except for a couple trips to the Caribbean, and Canada (which really doesn’t seem like it counts 🙂 ). We decided to kick our cruising up a notch, and booked a Mediterranean Cruise. In many ways, it may have been the most memorable of all of our cruises. It was our third cruise on the Princess Lines, and we were booked on their newest, and best ship. We were excited to see the world over the next two weeks, disembarking from Venice and ending in Barcelona. The cruise ship decided it wouldn’t cooperate, and our cruise was cut short. There was, however, a happy ending to that.

Gondolas
Copyright Andy Richards 2013

As is our custom, we planned to spend 3-4 days in our originating port city before boarding the cruise ship. We walked around Venice for 3 days and boarded the ship thankful for an immediate “day at sea,” exhausted.  But what I can say about Venice is that it is wall-to-wall “eye-candy” for the photographer. I have hundreds of Venice images, but the two shown here represent moments that separate themselves from the others.  The Gondolier was a case of right time, right place. I was looking for shots, and heard them coming. I found this setup and was blessed with wonderful early morning sunlight. The covered gondolas is not original on my part. I had seen at least one other photographer do this. What it would need was very early light in order to make an exposure long enough to capture the motion of the rocking gondolas. This meant either very early morning, or evening. I chose morning because there would be less people, and less activity on the Grand Canal, producing just some gentle rocking. I use this image on my Facebook LightCentric Photography Page Cover.

Lombard Street
San Francisco
Copyright Andy Richards 2014

In 2014, we returned again to San Francisco for several days. I made more trips to the Bay Bridge. I also walked to the San Francisco Giants ball stadium. My daughter took us to Lands End, to see the Golden Gate Bridge from a different perspective, and to Jones Beach. But what I remember the most is walking from our SOMA location, all the way across town and uphill to Lombard Street (the famous s-curved, brick-paved, switchback street that is a “must photograph” when you visit). I made the usual images (except for the nighttime shot with the streaky headlights). Then I looked for something else to shoot. A unique perspective that possibly nobody else had ever done. I think I might have been successful.

Sailboat
Narragansett Bay, Newport
Copyright Andy Richards 2016

In 2016, I made a last minute trip to join my buddy, Rich, who was in Newport, Rhode Island for business. I flew in on Thursday evening and we spent two days shooting.  Friday morning, I was on my own and walked around the downtown area and the wharfs, making lots of photos of boats, buildings, etc. Everything was a more or less nautical theme. That evening we went to shoot a lighthouse that Rich had found earlier in the week (Castle Hill Light). This was a photogenic lighthouse, and as we often do, we arrived early to scout best perspectives for shooting. And then we waited on the light. It is often worth waiting for the absolute last of the light to see if anything magical happens in the sky. To our west, the sun set over Narragansett Bay, with beautiful orange skies, but no real photographic interest. But as we watched and waited, this white sailboat approached and passed. Knowing a little about sailing from my past, I made note of the wind, and calculated that the boat (it was actually a large, tour charter boat on the last leg of the day) would come about and come back toward us. I quickly swiveled my tripod head around, took some metering measurements, and waited to frame the boat where I wanted it to be.  I knew I would get 2-3 shots at best of this quickly moving boat.

Tokyo Tower
Copyright Andy Richards 2017

2018 has been kind of a slow year, photographically. But we absolutely made up for that in 2017. In July, we spent a week in Tokyo and Kyoto, Japan. We saw many amazing sights and I did my usual early morning walking around both cities. I was intrigued by Tokyo Tower, lit at night, and worked hard to find a good place to photograph it from. I took a few from a couple different places. But it turns out that the best I could do was through the window of our Tokyo Hotel.

Santorini, Greece
Copyright Andy Richards 2017

In September, we made our 3rd, and much anticipated Mediterranean Cruise. We again spent several days in Venice. One of the other places I had seen and wanted to shoot was the Greek Island of Santorini. We had a wonderful tour guide, who happened to also be a photographer, and he the right time and place for us to be to get shots I am certain I would never have found without his help, in spite of the research I had done.  Did I mention that Venice is “eye-candy” for photographers? Ditto Santorini.

Well.  This was an interesting exercise for me.  I tried to keep it to not more than 15 images. There were many more that perhaps fit the bill. And I am sure there will be more to come. As always, thanks for reading.

 

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Implausible, Whimsical, Photographs

Eagle Nest Lake
(Composite)
Copyright Andy Richards 2018

Fake” photographs.  Famous Wildlife and Landscape photographer, Art Wolfe found himself in some controversy some years back with the cover of his book “Migrations,” where zebras were digitally pasted or blended (“photoshopped”) into a photograph. The thing is, he and this kind of thing is not unique (nor, in my mind, is there necessarily anything nefarious about it in the correct context).  These incidents, when they occur, re-ignite the long-lived debate about “truth in photography.”  Few viewers, would find my image of Eagle Nest Lake plausible.  It would be the first ever spotting of a whale breaching in a New Mexico mountain lake (really more of a pond, by Great Lakes’ standards).  And the scale of the balloon isn’t really believable.  This composite was made from 3 images, made years apart, with different media.  I did it for fun.

This post is all about manipulation, implausible edits and, for lack of a better term, “photoshopped” imagery

From almost the beginning of my blogging here, I have posited my thoughts on the use of “digital darkroom techniques” to “enhance” my own images (Get Real,  Has The Digital Medium Changed Everything?, and Photoshop Is Not Evil).  I think “truth” in anything is important.  But the real question is:  “what is the ‘truth’ and when is disclosure required?” That is – in my mind – a grey area.  There are some perhaps well-defined lines, of course.  But if I put a photo out there and do not disclose something I may have done and call it “art,” then disclosure, in my mind, is optional.  🙂

Balloon in New Mexico
(Composite)
Copyright Andy Richards 2018

Just to be clear, this post is all about manipulation, implausible edits and, for lack of a better term, “photoshopped” imagery.  I recently purchased and downloaded ON1 Photo Raw 2018, and have been scrabbling up the learning curve on this software.  A part of the software that has intrigued me is its “Layers” module. I had read about it and intended to experiment on my older copy of the software ((formerly called “OnOne Perfect Layers”).  One of the things I like about the ON1 folks is that they have provided plenty of online content (lots of U-tube videos) on techniques and examples, and one the them which piqued my interest was the ability to composite using their layers module.  Of course this is not really something new.  Photoshop has had layers for many versions, and compositing is commonly done using the Photoshop software.  What I was curious about, though, was whether ON1 made it easier.  I think it does (though PS CC keeps adding things and getting better and I know there is an algorithm in the newest update that allows for easier mask – selection for “fiddly” subjects).  The “Perfect Brush” feature in ON1 Layer’s masking brush, is really pretty cool.  It makes masking a relatively clean object really easy as it selectively chooses the pixels around the edge of the object and paints them only, without getting into the object itself.  On more detailed subjects, its utility is not as readily apparent, but I have been fooling around with blending modes, and in some cases, that seems to help (unfortunately, due to some technical issues, the ON1 experiment was ultimately a bust for me and I obtained a refund).

I think “truth” in anything is important … But the real question is:  “what is the ‘truth’ and when is disclosure required?”

The balloon against red rock image is a composite from two different images, photographed at separate times (in fact, years apart).  One is a film image and the other, digitally captured.  Both were shot in New Mexico.  “Perfect Brush” pretty much flawlessly painted the edges on this balloons.  It is “possible” that this scene could actually have ocurred.  It didn’t, but the image “happened” in my mind and then on my computer.  🙂

“Lost” in New Mexico
(Composite)
Copyright Andy Richards 2018

On my first trip to San Francisco, we were fortunate to be in town during an annual Navy event:  “Fleet Week.”  One week each fall, the Navy sails some of its ships into San Francisco Bay.  One of the highlights of Fleet Week is its air show.  We stood out in the athletic field just east of the Presidio and got some pretty amazing shots.  One of the things I tried – mostly unsuccessfully – to capture was the “bloom” when a fighter plane broke the sound barrier.  I captured just one that I was happy with; the fighter in the image here.  Obviously, this is not San Francisco Bay.  🙂  This use of “Perfect Brush” was a bit more challenging, as the bloom is pretty transparent, and shrouded the wings, making it difficult to find edges.  There were contrails off the end of each wing in the original image, and the bloom feathers out further.  I wasn’t able to make them look realistic, so I decided not to include them.  This is in a canyon in the Rio Grande and while I wouldn’t be surprised to hear a Navy pilot tell me s/he could do this, I think it is probably implausible. 🙂

Eagle In Rome
(Composite)
Copyright Andy Richards 2018

The base image in the Rome composite is one of my favorite images.  I was in the right place and time to catch this young man walking in this alley.  What was really serendipitous was the contemplative expression.  What was he thinking?  What was he looking at?  Could it have been his incredulity at seeing an American Bald Eagle flying through the alley above him?  🙂

If I put a photo out there and do not disclose something I may have done and call it “art,” then disclosure, in my mind, is optional

I have composited before.  The best example is the LightCentric Logo.  This was partly an experiment to play with the ON1 features, and partly an exercise in trying to find subjects there were either implausible together, or possible, but highly unlikely.  Perhaps sophomoric.  Perhaps a waste of bandwith here.  But thanks, Leslie Gore, for inspiring me with my frequent (but admittedly plagiarized – or close) exit line:  It’s My Blog and I’ll Post if (what) I Want to ….. 🙂

More B&W Images

Nightime Canal
Venice, Italy
Copyright Andy Richards 2018

Since last week, I have acquired ON1’s newest offering:  ON1 Photo RAW 2018.  A version or two back, the ON1 folks moved from their “Suite” Of layers and effects, to a raw converter suite, which competes with Lightroom, Photoshop, Capture One, and the like.  The “develop” module in ON1 Photo Raw allows for essentially the same basic raw adjustments as Lightroom and Photoshop’s ACR (Adobe Camera Raw), as far as I can see (Capture One offered me its suite a couple years back at no cost as some kind of deal they have with Sony for Sony camera users – while I have played a little with it, I was too lazy to try to learn a new interface at the time, but I suspect the raw conversion there also has a lot in common with these other programs).

Nighttime Canal
Venice, Italy (“toned”
Copyright Andy Richards 2018

For the Moment, one thing ON1 offers, is the ability to purchase and own standalone software, where Adobe has essentially now moved entirely the cloud-based model.  There were a lot of us in the beginning that were very wary of the online model.  Some of us still have some misgivings, though I will say I have been using Photoshop CC for a couple years now and really haven’t found a problem with it – yet.  I do like the periodic upgrades they push through from time to time, and I find that it generally works pretty smoothly, even with my low RAM Microsoft Surface, when I am not able to work on my desktop PC.  ON1 is seeming to bring the best of both worlds to entice Adobe users.  It intelligently loads (if selected) as a plug-in to both Lightroom and Photoshop, and the process of moving between the software is “relatively” seamless.  I say relatively, because some of the layer-based files can be tricky and it takes a bit of a learning curve to understand what is going on (a curve, I will readily confess, I am at the very low left end of 🙂 ).  The other thing that intrigues me is the ON1 browser/cataloging capability.  I have used LR for cataloging only for the most part.  I may look at migrating that function to the ON1 software.  But that is another topic for another time.  I wanted to play with the ON1 software, primarily for B&W images, but I can see that I will be working some with other aspects of my color images in the software.  But for now, the images here were made using some of their templates, and one with my own conversion.

The ON1 Software presents a learning curve for me; one I confess I am on the low end of

The Venice Canal is the canal where we stayed for our 5 days in Venice in September, 2017.  My buddy and traveling companion, Paul, saw the color version of this image and thought he might like a B&W Print.  So I thought I would play with it, using a couple of the “templates” that are built into ON1’s Black and White conversion process.  I used their masking process to “paint” in some texture and detail in a couple areas and to paint areas lighter and darker.  Otherwise, they are just two different templates.  The second image adds a little “warming” color, which still retaining the monochrome overall image.  I am not sure which one I like, though I tend to lean toward the more dramatic and stark B&W in all these images.

Navy Ships
Fisherman’s Wharf; San Francisco, CA
Copyright Andy Richards 2018

One of my goals in the Navy Ship image was to work a bit with the color channels to see how they affect the image look.  Most of the color version here is pretty much a neutral or slightly darker gray.  But there were a couple of red objects, and on part of the ship on the bow that was bright green.  I fiddled with the sliders a bit to brighten those colors for some contrast to the otherwise gray.  I also darkened the water a bit.  This pre-set template I used here is called “Paparazzi” and it reminded me of some of the B&W images I made back when shooting for our college newspaper many years ago.

Navy Ships; Fisherman’s Wharf
San Francisco, CA
Copyright Andy Richards 2018

The second version is one I actually made first, using NIK Silver Efx in Photoshop.  In this case, I really preferred the ON1 version above.  I suspect that with enough knowledge, I could achieve essentially similar results in either program.  But I am warming to the ON1 software and process as I continue to use it.

Barns; Glen Haven, Michigan
Copyright Andy Richards 2018

The “D.H. Day Barn,” in Glen Haven, Michigan is just off the coast of Lake Michigan.  I spent a couple hours here one autumn afternoon, intending to photograph the barns in front of a wash of fall color.  The color was nice, but not spectacular.  But there was a lot of color in the foliage to the right side of the image.  I also like the repetition of these barns which get physically small, and recede in the distance as well.  This is one of the few images I have made in the past couple years that I thought would render well as a B&W image someday.

D.H. Day Barn
Sleeping Bear National Lakeshore; Glen Haven, MI
Copyright 2014 Andy Richards

I worked this image in ON1, using the “develop” and then “effects” modules from a raw image.  After adjustments to contrast mainly (I used the “dynamic contrast” filter), I converted this to B&W.  The ON1 effects module uses layers (much like the adjustment layers process in Photoshop CC) to add these “filters.”  Each layer has a lot of individual adjustment capability within it, and there is a great masking brush set of tools to achieve local adjustments (I am being repetitive, here, but I am just beginning to understand the potential of this software and trying to compare and contrast how it matches up to Photoshop.  But I see myself using both softwares for the future).  I wanted to do my own conversion here, rather than using a pre-set template.

My goals were to bring out the color contrasts in the sunlit area; build a little drama in the sky, preserve and highlight the white barns, contrasting against the black roofs, and enhance the texture and brightness of the grasses in the foreground.  I feel like I succeeded in all but the last, in the ON1 program.  I am sure I could have accomplished that too, with a little added knowledge and experience in the ON1 program.  But I have to catch a plane in a couple hours to head back to the frozen tundra of Michigan :-).  So I got a little lazy, and to the image back into Photoshop and my trusty NIK suite, adding some brightness and structure to the grass. I am new at this.  Be gentle 🙂 .  But I was pretty pleased with the result.  Lots to learn and looking forward to more experimentation with this stuff.  As always, thanks for reading.

More “Playing”

Canal, Venice
Copyright Andy Richards 2013

I “discovered” the “oil painting” look primarily by accident. I was post-processing images from my first visit to Venice back in 2013 and while working on this canal image, was using NIK’s ColorEfx Pro plug-in to Photoshop to “enhance” color.  There is a filter in that program called “Detail Extractor,” which my friend and talented photographer and Photoshop user, Al Utzig, had once recommended I try.  As I played with this filter, I saw the effect, here, which reminded my of an oil painting – especially the buildings in the background.  But as I played around with it, I was not able to reproduce that effect over the entire image.  That was o.k.  I rather liked the kind of “hybrid” nature of the image.  Enough so that it is printed quite large, framed in gold, and hanging in our Florida Living Room.

The lesson here is to take advantage of the fact that some people much smarter and more talented than I am have already done the heavy lifting

This experience intrigued me enough that I have played around a couple times with other images, and set them aside, for a time when I had more time and interest in “working” them. Over the holidays, I have been spending a little more time working with the idea of making some of my photographs into “paintings.”  My blog a couple weeks back was my “freshman” foray into this area.  This image was made using the NIK Color Efex Pro Plugin’s “Detail Extractor.”  Those who saw it a couple weeks ago may have read my friend, Al Utzig’s comments and note that I took his suggestion and removed the “halo” that was present between the mountain tops and sky.  While I rather like this image, it was not the “look” I was seeking.  There is too much luminance and saturated color, especially in the umbrellas in the foreground and the people in the image.  Too “photo-realistic.”

Amalfi Coast
NIK Color Efx
Copyright Andy Richards 2017

Photoshop already has many features that allow painting and filters that add different “looks” and textures to images.  But I have never found them easy, or intuitive to use.  There is, for example, an “oil paint” filter that has been in Photoshop for some years now.  I thought that it would convert a photographic image into at least a basic oil-on-canvas look (something like the conversion to B&W that can be done).  I expected work would have to be done to make it look like I wanted, but at least a basic start.  That was not my experience.  Try as I might, I could not make the filter look like my vision of a painting, though the one here came closer, only after I really worked it with some layers, and added a texture layer, to at least give it a canvas look.

I did what I always do.  I bought a book :-).  While that was interesting and entertaining, it was still not really helpful for “hands-on” tinkering.  Indeed, many of the example projects in the book did not work the way they were “supposed” to in the book.  But one think I did pick up was that most of the stuff that was getting closer to the look I wanted, was made first, by using another software program; Corel Painter.  As I looked at more and more examples, I saw that others were using this software and that it was really designed with tools for doing some of the things I wanted to do.  So maybe the lesson here (I learned it with NIK some years back) is to take advantage of the fact that some people much smarter and more talented than I am have already done the heavy lifting.  I looked at Painter 2018, but the $450 (discounted!) price tag was more than I wanted to jump into.  But I did find Painter Essentials (for those who, like me, early on looked for an affordable alternative to Photoshop – this was before Lightroom – and started with Photoshop Elements, I think this is a comparable choice).  I am using the free trial right now, but think I will purchase it and the $29.00 tag is more palatable – at least to a beginner.  Will I jump to the “pro” program?  We will see where this goes (probably not).

Amalfi Coast, Italy
Corel Painter Essentials
Copyright, Andy Richards 2017

Using the “auto-paint” feature on the Amalfi Coast image, I immediately started to see results more like I had imagined.  I have a lot to learn about this fairly simple program.  One of the things it does in its default mode is to add edge effects, like the image here.  I tried a couple different “paints” and ultimately, was drawn to this one (“colored pencil”).  But it still wasn’t the final look I wanted.  So I used this image as a layer on my original photograph, and blended it into the photograph.  After playing with some adjustment layers to work with the sky, clean up some color and saturation issues, and to add some blur to the final result, this is the composite I came up with.  It has a few “issues,” but it is much more what my “mind’s-eye” saw as a painting of this scene.  This is new for me.  There are probably many of you out there who have this down far better than I do.  I would be happy to hear from you.

Amalfi Coast, Italy
Composite
Copyright Andy Richards 2017

I will be back at this 🙂

The Rear View Mirror – 2017 in Review

Santorini, Greece
Copyright Andy Richards 2017

Most years, it seems like I get to this.  2017 was again, an eventful year, photographically and with related items.  This wasn’t a year when I planned a dedicated photo trip.  But I did manage to get to some new places, and back to some old ones.  For the most part, I carried my Sony RX100 small camera, and it gave me good service.

Crystal Beach Pier
Crystal Beach, FL
Copyright Andy Richards 2017

I ended 2016, and rang in the New Year with a series of images from a small public pier, just up the road from our Florida home.

Southernmost Beach Resort
Key West, FL
Copyright Andy Richards 2017

In January, we visited a “bucket list” location; Key West.  It has held pull for me at least since I became a “Parrot Head,” and certainly after I read a couple of Jimmy Buffet’s novels.  We celebrated my January birthday at Louie’s Backyard, a rather elegant restaurant with a wonderful outdoor deck seating area, and a great menu.  The sunset was – as is common in Florida – pretty spectacular.  Key West is a destination for eating, drinking, and people watching.  I would not put it high up on the photographic destination list. 🙂

Sunset from Louie’s Backyard
Key West, FL
Copyright Andy Richards 2017

Speaking of sunsets, these images got me thinking how much I have always loved both ends of the day, but generally preferred sunrise to sunset.  It spurred another post featuring some of my sunrise imagery.

Tokyo Sunrise
Copyright Andy Richards 2015

Bay Bridge Sunrise
San Francisco, CA
Copyright Andy Richards 2014

Sunrise, Hateras National Seashore, Hateras, NC copyright Andy Richards

As I went through my image library, it occurred to me that some of my images had some things in common.  For example: Shape.

Whitefish Falls
Trenary, MI
Copyright Andy Richards 2007

Rocks, Lake Superior Shoreline
Copyright Andy Richards 2004

And, Color.

Shop; Istanbul, Turkey
Copyright Andy Richards 2014

Shop; St. Maarten
Copyright Andy Richards 2012

And shape and color. 🙂

Just in time for Fall Foliage, my good friend, Carol Smith and I released our 2nd Edition of “Photographing Vermont’s Fall Foliage,”  which can be purchased via the link on this blog.  This is the cover image.

Craftsbury Common, Vermont
Copyright Andy Richards 2015

Finally, we embarked on our much anticipated, 3rd Mediterranean cruise.  The single most anticipated image for me was the opening image here of the whitewashed, blue-domed churches that dot the landscape of Santorini.  But there was so much more to see.

Ravello, Amalfi Coast
Copyright Andy Richards 2017

Positano; Amalfi Coast
Copyright Andy Richards 2017

Amalfi; Amalfi Coast
Copyright Andy Richards 2017

Santorini, Greece
Copyright Andy Richards 2017

Mykonos Greece
Copyright Andy Richards 2017

Night Canal
Venice, Italy
Copyright Andy Richards 2017

As we ring in the New Year, I want to thank all the readers here, especially those who have the patience and perseverance to visit regularly.  I want to thank all those persons who mentor and support me in my photographic endeavors.  I want to thank my great friends (you know who you are so I won’t “out” you publicly), who traveled with us this year – we had a great time with great company.  As I said last week, I am very grateful for my blessings in life.  I wish to all, a Happy New Year, and a prosperous and successful (as you define “success”) 2018!

The Amalfi Coast

Positano, Amalfi Coast
Copyright Andy Richards 2017

This was our last port of call on our 2017 Mediterranean Cruise.  I looked forward to it, partly because the last time we were there was our shortened cruise, and we missed our tour.  While we did hire a cab to take us up the coast, our only stop that day was in the town of Amalfi.  This trip, we planned to go further up to Ravello, and then stop at Amalfi and Positano.

Ravello, Amalfi Coast
Copyright Andy Richards 2017

Ravello, Amalfi Coast
Copyright Andy Richards 2017

I have a friend who spent a week in Ravello one year, and highly recommended it.  Our guide knew that the best time to get us there was early in the morning, and he took us in on back roads.  We basically had the beautiful little mountain village to ourselves that morning.  That was the last time we would see that kind of serenity for the day.

Ravello, Amalfi Coast
Copyright Andy Richards 2017

Ravello, Amalfi Coast
Copyright Andy Richards 2017

Ravello, Amalfi Coast
Copyright Andy Richards 2017

I just walked around and made a few images.  I can see why my friend was enchanted with this little town and why it might be very relaxing to spend a few days here.

Ravello; Amalfi Coast
Copyright Andy Richards 2017

Ravello; Amalfi Coast
Copyright Andy Richards 2017

Ravello; Amalfi Coast
Copyright Andy Richards 2017

Ravello; Amalfi Coast
Copyright Andy Richards 2017

 

I was pretty amazed, both times I traveled here, to see how they build these communities into the the rugged mountainside.  And each of them have sweeping and beautiful views of the Mediterranean Sea.

Ravello; Amalfi Coast
Copyright Andy Richards 2017

One surprise to me was how much this destination appears to have grown in popularity in 4 years.  We were there in 2013, about the same time of the year.  But this time, the crowds in Amalfi and Positano were at least double what we saw in 2013.  There is an incredible church in the middle of the square in Amalfi, that was nearly impossible to photograph because of the crowd of people.  I was able to get up over some heads and get a couple shot, and then isolate the tower.

Amalfi; Amalfi Coast
Copyright Andy Richards 2017

Amalfi; Amalfi Coast
Copyright Andy Richards 2017

It was pretty clearly the tourists.  There were few people on the beaches, even though the temperature was well into the 80’s.

Amalfi; Amalfi Coast
Copyright Andy Richards 2017

Amalfi; Amalfi Coast
Copyright Andy Richards 2017

Positano, we were informed by our guide, is where the rich and famous go to be seen and to shop.  We spend only a few minutes here, walking down into the town among throngs of humanity, and high end retail shops.  We wanted to see if we could get a view of a church.  We weren’t really able to find a good view of it.  Most of my images were taken on the outskirts of Positano.  There road down into the city center is a kind of mult-circular, winding road.

Positano; Amalfi Coast
Copyright Andy Richards 2017

Positano; Amalfi Coast
Copyright Andy Richards 2017

We finished out our day – and our cruise – dining in a nice restaurant on the outskirts of Sorrento, at a family-owned restaurant known personally to our guide.  Again, we enjoyed near-exclusive dining and wonderful, fresh, local Italian cuisine.

Sicily; 2017

Port of Messina, Sicily
Copyright Andy Richards 2017

After 4 eventful days in Venice, we boarded a train for Civatavecchia, the seaport for Rome, where we would board our cruise ship.  The  cruise was touted as a “Greek Isles” cruise.  But before we could get to the actual Greek Isles (there were 3 on our itinerary), we had a couple of prior stops; Sicily, and the independent nation of Malta.

Messina, Sicily
Copyright Andy Richards 2017

As I have noted here in the past, one of the downsides of cruising is that you usually only get one short day in every port.  Knowing very little about either of these destinations, we booked a private tour in Sicily, and nothing in Malta.  With a lot of ground to cover and a few hours, we had to choose some destinations.

Taormina Italy
Copyright Andy Richards 2017

In addition to a little bit of time in Messina, we went to Taormina, the quaint and mountainous little town where some of the scenes in Francis Ford Coppola’s original “The Godfather,” were shot.  We happened upon this adorable little Dachshund being photographed.  At first, I thought it was somebody just photographing their pet, but as I looked more carefully, later, it was apparent that this was probably an advertising shot of some type (note the light being held to one side).

Taormina, Sicily
Copyright Andy Richards 2017

At the top of the village is a beautiful church, with an incredible view.  As we walked back down, I could see myself sitting and having coffee or lunch at one of the outdoor destinations and seeing the grand view.

Taormina, Sicily
Copyright Andy Richards 2017

We traveled to Mt. Vesuvius, where we saw the volcano from a distance.

Mt. Vesuvius
Sicily
Copyright Andy Richards 2017

We also stopped for some honey and wine tasting, before finishing our day back in Messina.

Messina, Sicily
Copyright Andy Richards 2017