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Twilight; Sunrise or Sunset?

Sailboat; Naraganset Bay Sunset
Newport, Rhode Island
Copyright Andy Richards 2016

Sunrise, sunset; Sunrise, sunset; Swiftly flow the days …”, voices the chorus of men from Fiddler On The Roof.  I am not sure it has any relevance, but whenever this topic comes to mind, I cannot help but conjure this earworm.

Otter Cliff Sunrise
Otter Beach, Acadia NP
Bar Harbor, ME
Copyright Andy Richards 2009

Something I read recently got me thinking about this topic (and, since it has been more than a month since I last was motivated to blog, it seemed like suddenly – finally – there was a subject to write about, on which I have experience, an opinion, and perhaps some gems of wisdom). As I did some quick and dirty internet research, I was a bit nonplussed to find that it was not my own original thought.  But I will go on anyway. 🙂

Horseshoe Lake Sunrise
Huron NF, Glennie, MI
Copyright Andy Richards 2008

Photography topics and opinions can be a rather polarizing subject (see what I did there? ) 🙂 . Canon vs. Nikon.  People vs. landscape.  Digital vs. Film.  Handheld vs. tripod.  Long vs. short lens. And of course:  sunset vs. sunrise.  Like the other debates, I find it a bit humorous that anyone would bite on the “which is better” question. And while we may have a preference, the true answer is obvious enough:  both.  And aptly, the title intro: “Twilight” also means both.

Inside Passage, AK Sunrise
Copyright Andy Richards 2010

It is, of course, conventional that the “best” time to photograph is during the so-called “golden hours” which occur shortly after sunrise and last for perhaps and hour and begin again, perhaps an hour or 2 before sunset. I used quotes around best, purposely.  I am not sure there is a single best time to shoot and in my world – more often than not – it is “when you can.” Indeed there are wonderful illustrative photos supporting the merits of shooting before and after the sunrise and sunset.  But here, I am talking about shooting the sunrise and sunset themselves.  Or at the very least, subjects directly bathed in it. Like so many of my images shot in rapidly developing conditions, some are of that “f8 and be there” variety, and others are planned and even re-shot.  The sailboat on Narragansett Bay is the former. I was photographing a lighthouse when the image began to develop and I had to just react quickly to make this image. The Otter Cliff shot, on the other hand, was the product of planning – before I left Michigan, and on several mornings while in Acadia National Park.  It was also shot, and re-shot, trying to achieve the optimal sunrise. Both seem to have worked for me. But there is always a component of planning for any photography. Here are some thoughts on that preparation – mental and practical.

Little Stony Man Sunset
Shenandoah National Park, Virginia
Copyright Andy Richards 2007

Practical Considerations:  There are multiple considerations for why you might want to shoot a sunrise, sunset, or both. On a practical level, there are considerations of subject and location.  Some locations obviously are affected by their orientation. Whether your subject faces east or west may factor into the decision of which time of day is best. In order to be ready to catch a sunrise shot (or shots), it is really necessary to be on location before the sun actually rises. This may mean hiking in to a location in the darkness.  It most certainly means scouting the location in daylight, and making some calculations about where the sun will be when you make the actual image. Software programs like the Photographers’ Ephemeris, can be an invaluable tool for this planning.

Soo Locks Sunrise
St. Mary’s River
Copyright Andy Richards 2005

Distractions are another important practical issue. It may well be that this phenomena is the single biggest reason why I have many more early morning images than sunsets. The main distraction is family and friends (and it may be more correct to point out that a photographer, if she is not careful, may be the distraction). This is particularly an issue during vacations and travel. My wife and I, and occasionally friends and family, enjoy travel. In recent years, we have traveled to a few parts of the world, and we certainly look forward to more of the same. But sunrise and sunset shooting presents a challenge in these circumstances. It is the rare non-photographer friend or family member who has the patience to accompany a serious photographer to shoot. Sunrise means early rising, which often makes for a long day. Sunsets invariably occur at the dinner/cocktail hours of the afternoon or evening.  For many of us, family and friend social time is important (perhaps more so than photography). My wife is not an early riser, so I have found that I can sneak away for some early morning shooting without disrupting the day plan much of the time. Sunsets are harder.  I have come to the conclusion that sometimes, I just need to go off by myself (or with a like-minded companion) on a “dedicated” photo excursion. I guess it is all about balance.

Clearwater Sunset
Clearwater, FL
Copyright Andy Richards 2016

Aesthetic Considerations:  Aesthetics will always influence this decision. For example, I mentioned orientation above. This factor is also influenced by your desired lighting (i.e., backlighting, side, or front lighting). Perhaps one of the most significant aesthetic considerations involves compositional elements. For many years, I have sought “pure” landscape locations (“pure” meaning primarily to me: no people in the frame). These days, it seems that all the good locations are populated by tourists and other “viewers.” The vast majority of them are not serious photographers and it can often be a near-frustrating challenge to make a desired composition without someone in your frame.  With only a few exceptions, sunrises do not pose this problem. Only the unique “tourist” is out at that time of day.  Indeed, I have found that, even in my travel shooting in populated areas, that early mornings are the most productive for people-free imagery. As I have grown older, perhaps wiser, and more tolerant (my wife might disagree with this last characterization 🙂 ), I have concluded that there is often some merit in including people in imagery.

Aix-en-Provence, France
Copyright Andy Richards 2015

Photographic Considerations:  As I researched this aspect of the “sunrise/sunset” dichotomy, I learned – not surprisingly – that atmospheric conditions influence the photographic result. Sunrises generally have the characteristic of being clearer, cooler air. This is partly due to climatic conditions (is is usually cooler at sunrise than at sunset), and partly due to ambient influences (natural and man-made).  This often results in a lighter, photographically “cooler” and more contrasty image. The natural conditions are also more like to produce fog and mist – often low and dramatic.  A  significant exception to this may be the “marine layer” which is found along the northern west coast, where fog can be found almost any time of the day. But generalizations often trap us. The Horseshoe Lake image (one of my most successful sales images) was made during sunrise behind a cloud which produced a very diffuse, pastel light – in spite of the fact that the blue tint seems cooler (the blue tint is a characteristic of the film I used that morning – Fuji Velvia – in that kind of light condition). Likewise, cloudy conditions in the early morning produced a pastel-like light for the Alaska Inside Passage image. The sunrise image of the Bridge behind the Soo Locks perhaps exhibits more, the characteristics noted here. The morning was crystal clear, making conditions right for the sunstar image produce by the very small aperture, shooting directly toward the sun.

Sunset, Florida Gulf
Honeymoon Island SP
Copyright Andy Richards 2015

Sunsets, in addition to being generally physically warmer, also occur after there has been a day-long accumulation of airborne pollutants and wind-blown particles. Predictably, this often produces a more diffuse, softer, darker image. This sometimes results in surprising colors and it is rare that there aren’t variations from day to day. In my new home base on the Florida Gulf Coast, I hope for partly cloudy conditions as the sunset draws near, as that promises often spectacular colored skies, which are both pastel and brilliant at the same time. It is also sometimes the case that building storm conditions can produce dramatic conditions, especially when backlit by the setting sun.

Sunset over Cruise Ship
Carribean
Copyright Andy Richards 2013

What was interesting to me from my research was the science of all of this. Not really the technical side, but what it produces. I think I probably got the most insight from a painter’s website. The advice there and elsewhere to painters was fascinating. For sunrises, painters were advised that the clear skies of dawn yield more brilliant reds and oranges, and their palate should include yellow, bright orange, pink and blue, and emphasize the contrasts using dark blue on the sky and yellow on the horizon.  For sunsets, they are advised to use warm and dark saturated reds, oranges, magentas and purples.

Sunrise, Hateras National Seashore, Hateras, NC copyright Andy Richards

Personal considerations:  Some years back, I made a quick trip back to Vermont in late summer, to attend a funeral. On Sunday morning, I was invited to go to church with family members and friends.  I politely declined. I wanted some contemplative time, and I had packed some gear.  Instead, I left my motel room in the predawn light, in to photograph a waterfall I had been to many times in my youth, but never photographed. Arriving there just after sunrise, I climbed down a steep pathway and was rewarded with this beautiful waterfall and exclusive occupancy of the area.  Except for the pounding water, there were no other sounds and no other hint of humanity. My family and friends were in church, but I am certain that I was with God!

Cool (32 degree) temperatures following a very wet period created wonderful steam and colorful morning cloud conditions on this pond near Barton, Vermont
Copyright Andy Richards 2010

I have, in years since, often experienced this feeling of awe, being alone, or nearly alone as the world comes awake. It is a soul -cleansing experience for me. I know for others, getting up that early and mustering out is not a pleasant or desired experience. Ironically, that is good for me. As I get older, I understand the reluctance to rise that early 🙂 .

This shot involved a pre-sunrise, 20 minute hike down a very steep mountain trail on a Sunday morning.
I’d rather be here than in church any day!
Copyright Andy Richards 2008

I do appreciate though, after a long, good day, being there to watch the suns last rays of the day.

Sunset; Crystal Beach Pier
Crystal Beach, FL
Copyright Andy Richards 2017

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More B&W Images

Nightime Canal
Venice, Italy
Copyright Andy Richards 2018

Since last week, I have acquired ON1’s newest offering:  ON1 Photo RAW 2018.  A version or two back, the ON1 folks moved from their “Suite” Of layers and effects, to a raw converter suite, which competes with Lightroom, Photoshop, Capture One, and the like.  The “develop” module in ON1 Photo Raw allows for essentially the same basic raw adjustments as Lightroom and Photoshop’s ACR (Adobe Camera Raw), as far as I can see (Capture One offered me its suite a couple years back at no cost as some kind of deal they have with Sony for Sony camera users – while I have played a little with it, I was too lazy to try to learn a new interface at the time, but I suspect the raw conversion there also has a lot in common with these other programs).

Nighttime Canal
Venice, Italy (“toned”
Copyright Andy Richards 2018

For the Moment, one thing ON1 offers, is the ability to purchase and own standalone software, where Adobe has essentially now moved entirely the cloud-based model.  There were a lot of us in the beginning that were very wary of the online model.  Some of us still have some misgivings, though I will say I have been using Photoshop CC for a couple years now and really haven’t found a problem with it – yet.  I do like the periodic upgrades they push through from time to time, and I find that it generally works pretty smoothly, even with my low RAM Microsoft Surface, when I am not able to work on my desktop PC.  ON1 is seeming to bring the best of both worlds to entice Adobe users.  It intelligently loads (if selected) as a plug-in to both Lightroom and Photoshop, and the process of moving between the software is “relatively” seamless.  I say relatively, because some of the layer-based files can be tricky and it takes a bit of a learning curve to understand what is going on (a curve, I will readily confess, I am at the very low left end of 🙂 ).  The other thing that intrigues me is the ON1 browser/cataloging capability.  I have used LR for cataloging only for the most part.  I may look at migrating that function to the ON1 software.  But that is another topic for another time.  I wanted to play with the ON1 software, primarily for B&W images, but I can see that I will be working some with other aspects of my color images in the software.  But for now, the images here were made using some of their templates, and one with my own conversion.

The ON1 Software presents a learning curve for me; one I confess I am on the low end of

The Venice Canal is the canal where we stayed for our 5 days in Venice in September, 2017.  My buddy and traveling companion, Paul, saw the color version of this image and thought he might like a B&W Print.  So I thought I would play with it, using a couple of the “templates” that are built into ON1’s Black and White conversion process.  I used their masking process to “paint” in some texture and detail in a couple areas and to paint areas lighter and darker.  Otherwise, they are just two different templates.  The second image adds a little “warming” color, which still retaining the monochrome overall image.  I am not sure which one I like, though I tend to lean toward the more dramatic and stark B&W in all these images.

Navy Ships
Fisherman’s Wharf; San Francisco, CA
Copyright Andy Richards 2018

One of my goals in the Navy Ship image was to work a bit with the color channels to see how they affect the image look.  Most of the color version here is pretty much a neutral or slightly darker gray.  But there were a couple of red objects, and on part of the ship on the bow that was bright green.  I fiddled with the sliders a bit to brighten those colors for some contrast to the otherwise gray.  I also darkened the water a bit.  This pre-set template I used here is called “Paparazzi” and it reminded me of some of the B&W images I made back when shooting for our college newspaper many years ago.

Navy Ships; Fisherman’s Wharf
San Francisco, CA
Copyright Andy Richards 2018

The second version is one I actually made first, using NIK Silver Efx in Photoshop.  In this case, I really preferred the ON1 version above.  I suspect that with enough knowledge, I could achieve essentially similar results in either program.  But I am warming to the ON1 software and process as I continue to use it.

Barns; Glen Haven, Michigan
Copyright Andy Richards 2018

The “D.H. Day Barn,” in Glen Haven, Michigan is just off the coast of Lake Michigan.  I spent a couple hours here one autumn afternoon, intending to photograph the barns in front of a wash of fall color.  The color was nice, but not spectacular.  But there was a lot of color in the foliage to the right side of the image.  I also like the repetition of these barns which get physically small, and recede in the distance as well.  This is one of the few images I have made in the past couple years that I thought would render well as a B&W image someday.

D.H. Day Barn
Sleeping Bear National Lakeshore; Glen Haven, MI
Copyright 2014 Andy Richards

I worked this image in ON1, using the “develop” and then “effects” modules from a raw image.  After adjustments to contrast mainly (I used the “dynamic contrast” filter), I converted this to B&W.  The ON1 effects module uses layers (much like the adjustment layers process in Photoshop CC) to add these “filters.”  Each layer has a lot of individual adjustment capability within it, and there is a great masking brush set of tools to achieve local adjustments (I am being repetitive, here, but I am just beginning to understand the potential of this software and trying to compare and contrast how it matches up to Photoshop.  But I see myself using both softwares for the future).  I wanted to do my own conversion here, rather than using a pre-set template.

My goals were to bring out the color contrasts in the sunlit area; build a little drama in the sky, preserve and highlight the white barns, contrasting against the black roofs, and enhance the texture and brightness of the grasses in the foreground.  I feel like I succeeded in all but the last, in the ON1 program.  I am sure I could have accomplished that too, with a little added knowledge and experience in the ON1 program.  But I have to catch a plane in a couple hours to head back to the frozen tundra of Michigan :-).  So I got a little lazy, and to the image back into Photoshop and my trusty NIK suite, adding some brightness and structure to the grass. I am new at this.  Be gentle 🙂 .  But I was pretty pleased with the result.  Lots to learn and looking forward to more experimentation with this stuff.  As always, thanks for reading.

More “Playing”

Canal, Venice
Copyright Andy Richards 2013

I “discovered” the “oil painting” look primarily by accident. I was post-processing images from my first visit to Venice back in 2013 and while working on this canal image, was using NIK’s ColorEfx Pro plug-in to Photoshop to “enhance” color.  There is a filter in that program called “Detail Extractor,” which my friend and talented photographer and Photoshop user, Al Utzig, had once recommended I try.  As I played with this filter, I saw the effect, here, which reminded my of an oil painting – especially the buildings in the background.  But as I played around with it, I was not able to reproduce that effect over the entire image.  That was o.k.  I rather liked the kind of “hybrid” nature of the image.  Enough so that it is printed quite large, framed in gold, and hanging in our Florida Living Room.

The lesson here is to take advantage of the fact that some people much smarter and more talented than I am have already done the heavy lifting

This experience intrigued me enough that I have played around a couple times with other images, and set them aside, for a time when I had more time and interest in “working” them. Over the holidays, I have been spending a little more time working with the idea of making some of my photographs into “paintings.”  My blog a couple weeks back was my “freshman” foray into this area.  This image was made using the NIK Color Efex Pro Plugin’s “Detail Extractor.”  Those who saw it a couple weeks ago may have read my friend, Al Utzig’s comments and note that I took his suggestion and removed the “halo” that was present between the mountain tops and sky.  While I rather like this image, it was not the “look” I was seeking.  There is too much luminance and saturated color, especially in the umbrellas in the foreground and the people in the image.  Too “photo-realistic.”

Amalfi Coast
NIK Color Efx
Copyright Andy Richards 2017

Photoshop already has many features that allow painting and filters that add different “looks” and textures to images.  But I have never found them easy, or intuitive to use.  There is, for example, an “oil paint” filter that has been in Photoshop for some years now.  I thought that it would convert a photographic image into at least a basic oil-on-canvas look (something like the conversion to B&W that can be done).  I expected work would have to be done to make it look like I wanted, but at least a basic start.  That was not my experience.  Try as I might, I could not make the filter look like my vision of a painting, though the one here came closer, only after I really worked it with some layers, and added a texture layer, to at least give it a canvas look.

I did what I always do.  I bought a book :-).  While that was interesting and entertaining, it was still not really helpful for “hands-on” tinkering.  Indeed, many of the example projects in the book did not work the way they were “supposed” to in the book.  But one think I did pick up was that most of the stuff that was getting closer to the look I wanted, was made first, by using another software program; Corel Painter.  As I looked at more and more examples, I saw that others were using this software and that it was really designed with tools for doing some of the things I wanted to do.  So maybe the lesson here (I learned it with NIK some years back) is to take advantage of the fact that some people much smarter and more talented than I am have already done the heavy lifting.  I looked at Painter 2018, but the $450 (discounted!) price tag was more than I wanted to jump into.  But I did find Painter Essentials (for those who, like me, early on looked for an affordable alternative to Photoshop – this was before Lightroom – and started with Photoshop Elements, I think this is a comparable choice).  I am using the free trial right now, but think I will purchase it and the $29.00 tag is more palatable – at least to a beginner.  Will I jump to the “pro” program?  We will see where this goes (probably not).

Amalfi Coast, Italy
Corel Painter Essentials
Copyright, Andy Richards 2017

Using the “auto-paint” feature on the Amalfi Coast image, I immediately started to see results more like I had imagined.  I have a lot to learn about this fairly simple program.  One of the things it does in its default mode is to add edge effects, like the image here.  I tried a couple different “paints” and ultimately, was drawn to this one (“colored pencil”).  But it still wasn’t the final look I wanted.  So I used this image as a layer on my original photograph, and blended it into the photograph.  After playing with some adjustment layers to work with the sky, clean up some color and saturation issues, and to add some blur to the final result, this is the composite I came up with.  It has a few “issues,” but it is much more what my “mind’s-eye” saw as a painting of this scene.  This is new for me.  There are probably many of you out there who have this down far better than I do.  I would be happy to hear from you.

Amalfi Coast, Italy
Composite
Copyright Andy Richards 2017

I will be back at this 🙂

The Rear View Mirror – 2017 in Review

Santorini, Greece
Copyright Andy Richards 2017

Most years, it seems like I get to this.  2017 was again, an eventful year, photographically and with related items.  This wasn’t a year when I planned a dedicated photo trip.  But I did manage to get to some new places, and back to some old ones.  For the most part, I carried my Sony RX100 small camera, and it gave me good service.

Crystal Beach Pier
Crystal Beach, FL
Copyright Andy Richards 2017

I ended 2016, and rang in the New Year with a series of images from a small public pier, just up the road from our Florida home.

Southernmost Beach Resort
Key West, FL
Copyright Andy Richards 2017

In January, we visited a “bucket list” location; Key West.  It has held pull for me at least since I became a “Parrot Head,” and certainly after I read a couple of Jimmy Buffet’s novels.  We celebrated my January birthday at Louie’s Backyard, a rather elegant restaurant with a wonderful outdoor deck seating area, and a great menu.  The sunset was – as is common in Florida – pretty spectacular.  Key West is a destination for eating, drinking, and people watching.  I would not put it high up on the photographic destination list. 🙂

Sunset from Louie’s Backyard
Key West, FL
Copyright Andy Richards 2017

Speaking of sunsets, these images got me thinking how much I have always loved both ends of the day, but generally preferred sunrise to sunset.  It spurred another post featuring some of my sunrise imagery.

Tokyo Sunrise
Copyright Andy Richards 2015

Bay Bridge Sunrise
San Francisco, CA
Copyright Andy Richards 2014

Sunrise, Hateras National Seashore, Hateras, NC copyright Andy Richards

As I went through my image library, it occurred to me that some of my images had some things in common.  For example: Shape.

Whitefish Falls
Trenary, MI
Copyright Andy Richards 2007

Rocks, Lake Superior Shoreline
Copyright Andy Richards 2004

And, Color.

Shop; Istanbul, Turkey
Copyright Andy Richards 2014

Shop; St. Maarten
Copyright Andy Richards 2012

And shape and color. 🙂

Just in time for Fall Foliage, my good friend, Carol Smith and I released our 2nd Edition of “Photographing Vermont’s Fall Foliage,”  which can be purchased via the link on this blog.  This is the cover image.

Craftsbury Common, Vermont
Copyright Andy Richards 2015

Finally, we embarked on our much anticipated, 3rd Mediterranean cruise.  The single most anticipated image for me was the opening image here of the whitewashed, blue-domed churches that dot the landscape of Santorini.  But there was so much more to see.

Ravello, Amalfi Coast
Copyright Andy Richards 2017

Positano; Amalfi Coast
Copyright Andy Richards 2017

Amalfi; Amalfi Coast
Copyright Andy Richards 2017

Santorini, Greece
Copyright Andy Richards 2017

Mykonos Greece
Copyright Andy Richards 2017

Night Canal
Venice, Italy
Copyright Andy Richards 2017

As we ring in the New Year, I want to thank all the readers here, especially those who have the patience and perseverance to visit regularly.  I want to thank all those persons who mentor and support me in my photographic endeavors.  I want to thank my great friends (you know who you are so I won’t “out” you publicly), who traveled with us this year – we had a great time with great company.  As I said last week, I am very grateful for my blessings in life.  I wish to all, a Happy New Year, and a prosperous and successful (as you define “success”) 2018!

The Amalfi Coast

Positano, Amalfi Coast
Copyright Andy Richards 2017

This was our last port of call on our 2017 Mediterranean Cruise.  I looked forward to it, partly because the last time we were there was our shortened cruise, and we missed our tour.  While we did hire a cab to take us up the coast, our only stop that day was in the town of Amalfi.  This trip, we planned to go further up to Ravello, and then stop at Amalfi and Positano.

Ravello, Amalfi Coast
Copyright Andy Richards 2017

Ravello, Amalfi Coast
Copyright Andy Richards 2017

I have a friend who spent a week in Ravello one year, and highly recommended it.  Our guide knew that the best time to get us there was early in the morning, and he took us in on back roads.  We basically had the beautiful little mountain village to ourselves that morning.  That was the last time we would see that kind of serenity for the day.

Ravello, Amalfi Coast
Copyright Andy Richards 2017

Ravello, Amalfi Coast
Copyright Andy Richards 2017

Ravello, Amalfi Coast
Copyright Andy Richards 2017

I just walked around and made a few images.  I can see why my friend was enchanted with this little town and why it might be very relaxing to spend a few days here.

Ravello; Amalfi Coast
Copyright Andy Richards 2017

Ravello; Amalfi Coast
Copyright Andy Richards 2017

Ravello; Amalfi Coast
Copyright Andy Richards 2017

Ravello; Amalfi Coast
Copyright Andy Richards 2017

 

I was pretty amazed, both times I traveled here, to see how they build these communities into the the rugged mountainside.  And each of them have sweeping and beautiful views of the Mediterranean Sea.

Ravello; Amalfi Coast
Copyright Andy Richards 2017

One surprise to me was how much this destination appears to have grown in popularity in 4 years.  We were there in 2013, about the same time of the year.  But this time, the crowds in Amalfi and Positano were at least double what we saw in 2013.  There is an incredible church in the middle of the square in Amalfi, that was nearly impossible to photograph because of the crowd of people.  I was able to get up over some heads and get a couple shot, and then isolate the tower.

Amalfi; Amalfi Coast
Copyright Andy Richards 2017

Amalfi; Amalfi Coast
Copyright Andy Richards 2017

It was pretty clearly the tourists.  There were few people on the beaches, even though the temperature was well into the 80’s.

Amalfi; Amalfi Coast
Copyright Andy Richards 2017

Amalfi; Amalfi Coast
Copyright Andy Richards 2017

Positano, we were informed by our guide, is where the rich and famous go to be seen and to shop.  We spend only a few minutes here, walking down into the town among throngs of humanity, and high end retail shops.  We wanted to see if we could get a view of a church.  We weren’t really able to find a good view of it.  Most of my images were taken on the outskirts of Positano.  There road down into the city center is a kind of mult-circular, winding road.

Positano; Amalfi Coast
Copyright Andy Richards 2017

Positano; Amalfi Coast
Copyright Andy Richards 2017

We finished out our day – and our cruise – dining in a nice restaurant on the outskirts of Sorrento, at a family-owned restaurant known personally to our guide.  Again, we enjoyed near-exclusive dining and wonderful, fresh, local Italian cuisine.

Old Athens

Athens City, Greece
Copyright Andy Richards 2017

This was our third stop in Athens – once each cruise.  We have seen the The Temple of Zeuss, The Ancient Agora, The Acropolis, and The Olympic Stadium a couple times.  It was time to do something different.  So we took a cab from the port into old Athens, and met with our guide for the day, for a walking and eating tour (as if we hadn’t done much eating so far 🙂 ).

Athens City, Greece
Copyright Andy Richards 2017

The idea, here, was to see some of the old downtown that has been rejuvenating, and learn some of the Greek food traditions.  We started with Greek coffee and sweets.  Over the day, we had traditional souvlaki, an afternoon sweet treat, tasted some wine, honey and candies, and saw a couple of the taverns and downtown area.  We also walked through the meat and produce market.

The day did not really lend itself to photography, with tight urban areas and contrasty lighting conditions.  But I managed to snap a few shots.

Athens City, Greece
Copyright Andy Richards 2017

There are a number of very old churches in Athens, often uniquely juxtaposed with (or even within) more modern structures.  Our guide told us that they passed a law in Athens at some point which would protected these old churches, but the commercial value of the properties surrounding them was often so great that they would simple build around them.

Athens City, Greece
Copyright Andy Richards 2017

We ended the day with a more heavy, traditional entree; Mousaka.  I determined that I will one day try my own hand a cooking this delicious dish.  Once of the main ingredients – eggplant – draws a “love it or hate it” reaction from my friends and family.  I personally like it, but especially when prepared this way.  I have to say that there is very little Greek food I do not like.  We enjoyed our short visit, and agreed that we could come to Athens and spend a day or two, enjoying the food and the night life.

More Santorini


There were, of course, many shots other than the blue-domed churches.  As the view from our cruise ship shows, the Island of Santorini (which is composed of 3 villages) is entirely build along the top of the volcanic rock (the Caldera) which comprises the island.  Santorini is part of the Cyclades Islands, and is approximately half-way between Athens on the mainland and the Isle of Crete

Santorini, Greece
Copyright Andy Richards 2017

In years past, the only way to the villages from the harbor was on foot, or by donkey up the steep, winding path shown to the left of the photo.  Pathways in the Village of Oia likewise show the steep foot paths down to the Agean Sea. The Greek Isles are full of white stucco buildings with very colorful accents, and often colorful flowers in addition.

Santorini, Greece
Copyright Andy Richards 2017

The pathway up into Oia from the back side had traditional Greek windmills, and shops and homes that are very colorful and picturesque.  I am continually amazed at the Mediterranean methods of building shops and dwellings into the steep cliff faces.

Santorini, Greece
Copyright Andy Richards 2017

Santorini, Greece
Copyright Andy Richards 2017

Like the other Greek Islands, the inhabitants of the Island like splashes of color and particularly, colorful, blooming flowers.

Santorini, Greece
Copyright Andy Richards 2017

George took us to a spot that he believes is not well known to many tourists, but provides yet another sweeping view of the island.

Santorini, Greece
Copyright Andy Richards 2017

He also opined that, although the blue-domed church images are sought-after and iconic, he believes this image is the next “famous” Santorini shot.

Santorini, Greece
Copyright Andy Richards 2017

After seeing many gorgeous sights in Santorini, George took us to a local restaurant of the proverbial beaten path, and far from the tourist areas.  It was a beautiful, quiet, oceanfront restaurant with outstanding food and local wine.  Over the years, we have had a number of very good guides.  Indeed we have have an overwhelmingly positive experience with our guides.  But George will be one of the more memorable ones we have had, with a lively personality and a great enthusiasm for Santorini.  His quirky sense of humor can pretty easily be seen here.  I want one of these t-shirts 🙂

Santorini, Greece
Copyright Andy Richards 2017