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Shape

Color

Last time, I wrote about color.  Color attracts.  It always grabs my attention.  It pulls the eye.  But as this image illustrates, it is about more than just color.  This image is boring.  Mundane.  In fact, pretty awful to be displayed on a photographer’s blog.  But I hope it illustrates my point.  Color is a big part of my imagery.  But there are other important ingredients. 🙂

Rose
Copyright Andy Richards 2008

Color alone will not make an interesting or compelling image

As the opening image illustrates, color, alone, will not make an interesting (and most certainly not compelling image).  Indeed it is so mundane that I didn’t copyright notice it or claim “artistic” credit.  I am sure I am not the first to have created an image very like this one.  So what’s missing?

Rocks, Lake Superior Shoreline
Copyright Andy Richards 2004

There are a lot of things that will bring interest to an image.  Line, horizon, animation (either illustrated, or in the case of many animal images, imagined).  I want to talk about shape today.

Elliot Falls
Copyright Andy Richards 2009

When I started to look through my archive for illustrations, I thought I was going to have a lot more illustrations that said “shape.”  I also thought about writing about “line.”  A topic to come.  But I was surprised that I was able to find many examples of line, or line and shape.  But fewer that shape alone provided the interest.  Some good examples appeared in the last blog.  The pottery in the shop in Istanbul was really all about color and shape.  Likewise the fans in Japan.

Shiawassee River, Owosso, MI
Copyright Andy Richards 2009

The Rose image has plenty of color.  Two primary colors in fact; red and green.  A blob (or an uninteresting shape) of red and green would not be interesting.  As a photographer, its presence would perhaps pull my eye.  But upon closer inspection, it would not tickle my photographic fancy.

Parking Structure on Wabash Avenue, Chicago
Copyright Andy Richards 2008

Nature presents us with unique and interesting shapes and textures.  The Lake Superior rocks image is another example of nature’s unique presentation of shape, texture and color.  This image might be interesting without all three of the elements.  Maybe the shape and texture would still make a viable image.  But the color attracted me, and the shape and texture of the image prompted me to make it.  Likewise, shapes make the Elliot Falls image in my view.  This Michigan U.P. waterfall is oft-photographed and it is difficult to find a unique perspective.  But the scallops in the sandstone really make this image.

Street Shops
Madrid, NM
Copyright Andy Richards 2008

I was looking for color the morning I took the Shiawassee River photo.  The background was cluttered and not very picturesque.  So I started looking for reflections.  The shape of the log creates enough interest to the eye to make this image work.  Sometimes you have to “help” nature just a bit.  The Noyes Pond bubbles image is a favorite of mine.  Without the bubbles, you have another “record” shot of fall foliage surrounding a pond.  The familiar shape of the bubbles adds interest.  I must confess that although I was involved in making the bubbles, my photograph was not the primary reason for them on this morning.  This image was made in memory of a dear friend, and enthusiastic fellow Vermont shooter.  But I think George would have loved this image. 🙂 .

Moulton Barn
Mormon Row, WY
Copyright Andy Richards 2012

Man made shapes often lend themselves to “shape” composition.  Architecture often lends itself to some dramatic images.  I visited Chicago several time over the years and always loved to walk around downtown in the early morning hours.  This well-known parking structure can be seen in the background of many images of downtown Chicago.  Its unique shape and physical prominence makes it visible from a number of viewpoint around the city.  Color once again drew my eye to the back street shops in Madrid, New Mexico.  Pastel colors abound in much of New Mexico’s architecture.  But again, without the juxtaposed rectangles throughout the image, it would be just a blob of color.  I liked that this image is made up of essentially all rectangles and straight lines.

Canadian Air Force
Fleet Week Air Show
San Francisco, CA
Copyright Andy Richards 2011

Shapes in a image can sometimes be serendipitous.  Without the contrails in the Canadian Air Force image, we would just see a handful of red dots in an shapeless, monotone sky.  The contrails make this image.

Starburst
Copyright Andy Richards 2009

And, sometimes you just have to make your own shapes.  The starburst image was taken at Christmas time of a lighted outdoor tree display in front of a large commercial building.  It just wasn’t doing it for me, so I played.  The image is shot at a slow shutter speed, on a tripod, while a zoomed the zoom lens.  But in the end, my favorite shapes come from mother nature and her random, unique artistry.  The Whitefish Falls image is but another nearly ubiquitous single drop waterfall in the Michigan U.P.  There are many of them that all look essentially identical.  To make a more unique image, I walked in close for my favorite “intimate” perspective.  I like the result as much as any shape I have ever shot.

Whitefish Falls
Trenary, MI
Copyright Andy Richards 2007

What’s In The Bag (Today)

Tokyo Dawn Copyright Andy Richards 2015

Tokyo Dawn
Copyright Andy Richards 2015

There should be little doubt to the reader here that I have hit a bit of a dry spell when it comes to both topics and photography.  🙂  We have had a very mild winter here (so far) and the part of Michigan I live in is pretty flat, and pretty brown this time of year.  It is also cold.   That creates an atmosphere in which it is difficult to get motivated to go out and shoot.

Sunrise; Ft. Myers Beach, FL Copyright Andy Richards 2017

Sunrise; Ft. Myers Beach, FL
Copyright Andy Richards 2017

Usually when this happens, I start going through old images, and come up with something.  I think I have kind of beaten that to death, so I started going through old blog topics, from the early day forward.  A couple of patterns come up.  I have addressed the IP issues of photography a fair amount.  I have talked about digital processing.  I have talked about my travels, and I have talked about “gear.” 🙂

New York, New York Casino at night Copyright Andy Richards 2016

New York, New York Casino at night
Copyright Andy Richards 2016

Gear is a funny thing.  It is a part of every photographer’s evolution from a beginning shooter forward.  At some point we fall in love with gear and begin to think it is going to make us a better photographer.  Eventually we learn that it doesn’t really do that at all.  We buy cheap gear because we cannot afford the real high quality stuff in many instances.  Then we look back and realize that we spent at least as much on the different iterations of cheap gear as we would have spent on the quality gear in the first place (this is especially true of lenses and tripods).

Wooden Boats Awaiting Restoration Newport, RI Copyright Andy Richards 2016

Wooden Boats Awaiting Restoration
Newport, RI
Copyright Andy Richards 2016

And then there is the evolution of gear.  My starting point was a 35mm SLR film camera with a turn-hand winder, and without a built in light meter.  Today I carry the physical equivalent of a P&S for 90% of my shooting.  But in between ……. 🙂 wow.  Reviewing a couple old posts, I had to laugh.  In 2011, I waxed philosophical about “less is more” [“In the Bag” (getting ready for Spring)].  At the end of that blog, I listed the gear in my “bag” in 2011.  LOL.  All in, that was about 15 lbs of gear (not to mention the bulk of schlepping that stuff around).

Flag Detail The Acropolis Copyright Andy Richards 2015

Flag Detail
The Acropolis
Copyright Andy Richards 2015

Today I travel mostly with my Sony RX100iv weighing about 1/2 lb and pocketable.  When I do need a tripod, my Sirui T-025X carbon fiber tripod weighs about 1/5 lbs, and its (just under) 12 inch folded length fits in my carry on bag.  It is plenty rigid enough for a light P&S camera.  But I have used it with my bigger cameras, too.  You may need to brace it, but it will still be better than no tripod in those instances when you are simply unable to pack one.  I would say “less is more” fits my today’s mode better than it did in 2011. 🙂

Temple Rokuon-Ji Kyoto Japan Copyright Andy Richards 2015

Temple Rokuon-Ji
Kyoto Japan
Copyright Andy Richards 2015

My point, though, is that photograpers and technology both evolve.  The RX100iv was not in existence in 2011 and there was simply no equivalent (the RX100 debutted in June 2012, but it was not even close to the camera the later iterations — especially the III, IV and V — were).  At the same time, the more I traveled the less pleasure I found in lugging all that gear around.  It is a lot of trouble in most cases.  I have to confess that I still keep my Sony a7 DSLR-like body, a couple of lenses, and a larger carbon fiber tripod, which I use for “dedicated” photography outings.  I am still able to fit the body and lenses in a carryon bag, and the Sirui 3204x tripod, with a folded length of 20 inches, fits rather easily in a checked bag (I have also carried it on in a carry-on size suiter suitcase).  Even that gear weighs about 1/2 of the 2011 bag.

Clontarf, Ireland Copyright 2014  Andy Richards

Clontarf, Ireland
Copyright 2014 Andy Richards

Every image except the last one (a7) here was taken with the small cam.  For purposes of my photography and vision, I do not think it has suffered by shedding weight and numbers of equipment 🙂

Truth in Photography (Here I go again)

Birch Clump Hiawatha NF; Michigan Copyright Andy Richards 2017

Birch Clump
Hiawatha NF; Michigan
Copyright Andy Richards 2017

[Recently, I seem to have run out of fresh, new material, which partially explains my more infrequent posts here (my goal has been one a week and over the years, I have largely met it).  When I get into these times, I will sometimes look back at prior posts to see if there is anything worth re-visiting, and through my Lightroom archives to see if anything stimulates me.  I have done that for the last 2 weeks.  Nothing.]  🙂

“truth isn’t absolute”

So, this morning, I spent some time with my friend, “GOOGLE,” and found this article, Why Facts Aren’t Always Truth In PhotographyMany will remember the Afgan Girl magazine cover that (perhaps) launched photographer Steve McCurry into international recognition.  He has recently made news (at least in the photographic world) again.  Without getting into the specific circumstances of the article (written by a colleague and fellow professional photographer, Peter van Agtmael) it’s “10,000 foot view” is, in my view, focused more on some principles of “truth” in photography that can be generalized.  And boy, did it resonate with me.  In fact, it can — I believe — be applied to much of what has gone on in the past several months over media, social media and even the coffee table.

Starting with one of my earliest posts, “Get Real,”  and for example, “Has The Digital Medium Changed Everything?,” and “Photoshop Is Not Evil,” over the years I have been writing here, I have made frequent reference to my thoughts on the use of “digital darkroom techniques” to “enhance” my own images.  I think I have made position clear when it comes to the art of photography.  But Mr. van Agtmael ventures into photography that is not made, per se, as “art.”  Rather, he addresses what I refer to as “reportage” photography.  Presumably, the image depicts things exactly as they appeared.

“We shouldn’t mistake something factual for something truthful, and we should always question which facts are employed, and how.” (Peter van Agtmael)

 

Humanity is not scientific.  Biology is.  The human brain is a scientific wonder.  The workings of human brain?  Well that is only “scientific” to the extent that it is thinking about science.  The rest?  It’s an art form for certain.  How else can both the consistency and inconsistency of human thought be explained?  And so, Mr. van Agtmael posits something we have all heard back in our own ancient histories, at some point.  In my words, “truth isn’t absolute.”  But that is a bit cliche‘.  In his much more eloquently stated words: ” ... there were a lot of loaded words like ‘truth’ and ‘objectivity’ being thrown around. I don’t really believe in these words. I’ve never met two people with the same truth, nor seen true objectivity ever demonstrably applied to anything. They are nice words, but remain aspirational and cloud a more nuanced interpretation of reality and history. We shouldn’t mistake something factual for something truthful, and we should always question which facts are employed, and how.”  I like that.  Our world is filled with millions and millions of “facts.”  We also hear a lot of opinion which is cited as fact.  But even with incontrovertible, empirically provable facts, it is still important to understand context and relevance.

Goat Island Light Newport, Rhode Island Copyright Andy Richards 2016

Goat Island Light
Newport, Rhode Island
Copyright Andy Richards 2016

The opening image here is (OMG!) altered.  I know viewers will say I “saturated” it, I “enhanced” it, etc. (maybe; maybe not 🙂 ).   But that isn’t really what I mean.  This image was physically “altered” before it was even made!  I had an image I wanted to depict, and in the crotch formed by the 3 trunks there was I small pile of dead branches which were (in my view) unsightly and distracting.  Is it relevant that I removed them and spread the leaves around a bit?  Could the image have been found the way I have presented it?  Perhaps if I were trying to depict the “pristine” quality of nature, or deny that it can sometimes be messy, the answer would be different.  I appreciate that this is not reporting on the refugee crisis and is trivial in relation to that.  But this is a photography blog, and I don’t do reportage photography.  I just thought Mr. van Agtmael’s point would resonate even in the perhaps less significant milieu of nature photography.

How else can both the consistency and inconsistency of human thought be explained?

Those who have read here previously know the story of the Goat Island Light Image.  I placed those chairs there.  “Hand of man and all that good stuff.”  Again, I don’t mean to trivialize the serious piece.  But I do think the larger point has application to all of our photography.

Fayette State Park Michigan Copyright Andy Richards 2007

Fayette State Park
Michigan
Copyright Andy Richards 2007

If the viewer looks carefully at the bottom center of this image, there is a snarl of yellow polyethlyene rope in the foreground.  A better photographer than I would probably have seen that detail and excluded it (or perhaps purposely included it, again depending on the goal of the image).  I would not perhaps shock anyone here that before I made a print of this image I (GASP!) “Photoshopped” the rope out.

Small things.  But then, from small minds ……..  🙂

But seriously, I would commend the reader to read the Peter van Agtmael piece on Steve McCurry debacle.  While you may or may not agree with me, or with its premise, I hope you will agree that it it thought – provoking.

 

 

 

The Sun Rises; Reprise

Bay Bridge Sunrise San Francisco, CA Copyright Andy Richards 2014

Bay Bridge Sunrise
San Francisco, CA
Copyright Andy Richards 2014

It seemed like 16 images were too many for a single blog post (really, 8 is probably too many, and my blogs tend to be longer than a blog should be 🙂 ).  So I split my sunrise images into 2 installments.

Bean Pond Barton, VT Copyright Andy Richards 2010

Bean Pond
Barton, VT
Copyright Andy Richards 2010

In 2010, I again visited Vermont for a fall color photography excursion.  My good friend, fellow photographer, fellow blogger, and co-author of the 2nd Edition of Photographing Vermont’s Fall Foliage, Carol, acted as my host and guide for the first couple days.  One magical place she took me too was Bean Pond, a small, unremarkable roadside pond near here home in Barton in the “Northeast Kingdom” of Vermont.  Unremarkable, that is, unless you are a photographer looking for fall foliage venues.  Since my first trip there, I have been back to the pond several times (and I am certain Carol has been there almost daily when she is in Vermont in season).  Our morning broke very cold, with frost on the ground, after a prolonged spell of heavy rain.  We knew the conditions were ripe for fog and steam rising off the pond and she had us there by twilight.  The resulting images (only one here) made the cold, early morning well worth it.

Bay Bridge San Francisco, CA Copyright Andy Richards 2011

Bay Bridge
San Francisco, CA
Copyright Andy Richards 2011

In 2011, we visited San Francisco, to visit our daughter.  She lives in downtown, which put me in the middle of one of the best photography venues I have ever visited.  Once again, the 3 hour time change worked in favor of early rising, and a 15 minute walk brought me to the Embarcadero, at the eastern boundary of the city, and one of San Francisco’s seaports with a closeup view of one of the two major bridges leading into San Francisco, the San Francisco Bay Bridge.  There are San Francisco Bay shooting opportunities all along the Embarcadero.  We returned again in 2014, and I couldn’t resist a couple more early morning walking trips to the Embarcadero.

Mocassin Lake Munising, MI Copyright Andy Richards 2010

Mocassin Lake
Hiawatha NF
Munising, MI
Copyright Andy Richards 2010

I have been traveling to the Michigan Upper Peninsula (U.P.) for many years for fall color photography.  As many readers here know, I think highly enough of the photographic potential that I have co-written an eBook on Photographing the Michigan U.P., with my good friend and fellow photographer and blogger, Kerry Leibowitz.  I have photographed Mocassin Lake many times and never cease to find it photogenic.  My writings on the U.P. and some of my imagery captured the attention of a professional photographer and teacher in Pennsylvania, James Moore.  Inn 2012, he decided to host one of his workshops in the U.P.  He asked me to be his guide.  These images were all made during the 2012 trip.  I appreciate his inspiration and I think that week was the most rewarding of all of my trips to the U.P.  I was there from the beginning to the peak of color, perhaps the only time in my shooting career.

Pete's Lake Hiawatha NF, Munising, MI Copyright Andy Richards 2012

Pete’s Lake
Hiawatha NF, Munising, MI
Copyright Andy Richards 2012

Pete's Lake Hiawatha NF, Munising, MI Copyright Andy Richards 2012

Pete’s Lake
Hiawatha NF, Munising, MI
Copyright Andy Richards 2012

In 2013 we went on two more cruises.  In January, we joined a group affiliated with the O’Brien Estate Winery in Napa, Ca, on a Caribbean Cruise.  We didn’t know a soul when we boarded.  We were fortunate to have some very friendly table mates and we ended up not only spending most of our time on board with them and another couple, but we have made lifelong friends.  We have traveled to Napa together, and they have recently visited us in our Florida home.  It was a great cruise.  As we arrived home in the early morning hours, I was able to capture this sunrise image of the Miami Skyline.

Miami, FL Copyright Andy Richards 2013

Miami, FL
Copyright Andy Richards 2013

Later, in September, we took what was my first trip out of the U.S. (Canada doesn’t count 🙂 ); a Mediterranean Cruise.  We started with a few days in Venice.  My only sunrise shot during that trip was the famous gondolas in St. Mark’s Square, which took some doing.  We were staying on the mainland, so I had to take the early train to Venice and then find my way through the maze to the square before the sunrise.  I had practiced a couple times.

Gondolas San Marco Piazza Venice, Italy Copyright Andy Richards 2013

Gondolas
San Marco Piazza
Venice, Italy
Copyright Andy Richards 2013

I grew up in the Northern Michigan town of Traverse City.  It is a resort town, and by all reports, beautiful in all seasons.  The city sits at the base of a peninsula of land (Old Mission Peninsula) which creates two deep bays (East Bay and West Bay) into Lake Michigan.  It has unique, sandy coastline and a climate similar to that of Northern California (except that winters up there are brutal and snowy).  I moved away from there shortly after I graduated from High School in 1975.  But I still have family there, and only live about 2 3/4 hours away.  It occurred to me at some point that I had spent little time photographing up there, and so, in 2014, with no major fall foliage outings planned, took a long-weekend trip up there.  I was on the high point of the peninsula, where it is possible to see both bays, at sunrise.  This sunrise image faces (perhaps obviously) East Bay.

Center Road Old Mission Peninsula Traverse City, MI Copyright Andy Richards 2014

Center Road
Old Mission Peninsula
Traverse City, MI
Copyright Andy Richards 2014

 

The Sun Rises, Too

Sunrise; Ft. Myers Beach, FL Copyright Andy Richards 2017

Sunrise; Ft. Myers Beach, FL
Copyright Andy Richards 2017

I wanted to title this, “The Sun Also Rises,” but given all the preaching I have done here about copyright, I thought Hemingway deserved my respect 🙂 .  Last week, I blogged about Florida sunsets, and waxed philosophical about sunset photography in general.  While much of what I said applies to sunrises, they are unique.

Photographing a sunrise takes a certain resolve and commitment which most people just don’t have

As noted previously, lots of folks (including some I know very well) never see the sun rise.  I am here to assure them that is does, indeed rise.  🙂 .  And sometimes you get really lucky and get to see a moonset and sunrise in the same location on the same morning, like I did at Pete’s Lake in Michigan’s U.P. a few years ago.

Pete's Lake Moon Set Hiawatha NF, Michigan U.P. Copyright 2012 Andy Richards

Pete’s Lake Moon Set
Hiawatha NF, Michigan U.P.
Copyright 2012 Andy Richards

One thing that makes sunrises different sunsets is atmospheric conditions.  Sunsets follow the warmth of day and sunrises often follow a cool or even cold night.  The warmth of daylight often produces thinly cloudy atmospheric conditions which can create beautiful pastel colored skies.  Or, a sudden clearing or opening can yield a surprise dramatic lighting condition, as happened at the Ft. Myers Beach harbor.

Port of San Francisco Copyright Andy Richards 2011

Port of San Francisco
Copyright Andy Richards 2011

Other times, the fog or cloud cover can diffuse the sunrise and create a “dawn of a new day” kind of look.  The San Francisco Ferry leaving in the early hours is backstopped by such a sunrise.

While much of what I said about sunsets applies to sunrises, they are unique

Sunrises, because they normally follow the coolest temperatures during a 24 hour period, can often be seen in foggy or misty conditions.  This is particularly true near water, which is why water is my preferred sunrise setting.  But sometimes, it is just a matter of perspective–literally.  The shot of the city of Tokyo at dawn was taken from a high floor in my hotel window as daylight was beginning to emerge.

Tokyo Dawn Copyright Andy Richards 2015

Tokyo Dawn
Copyright Andy Richards 2015

Yet there is another, more esoteric dynamic which distinguishes sunset and sunrise.  In most parts of the world, even when the days are at their shortest, sunrise happens before most folks are out and about.  Indeed, in order to see and capture a sunrise at its best, you will need to be up and about, and on location before the big event.  So it takes a certain resolve and commitment which most people just don’t have.

Split Rock Light Sunrise Lake Superior, MN Copyright Andy Richards 2010

Split Rock Light Sunrise
Lake Superior, MN
Copyright Andy Richards 2010

But what they miss is perhaps the most magical time of the day.  What you learn from experience is that sometimes the most dramatic light–and images–come just before the actual sunrise, in the twilight minutes.  And when the sun does rise, if it is exposed, it is usually much more intense than sunset, which occasionally means very contrasty conditions and challenging exposure issues.  But it also means drama, and sometimes, star patterns.  As we scouted the Split Rock Lighthouse one morning following a rainy night, the cloud cover suddenly broke behind the cloud cover behind the light to yield a pretty dramatic silhouette.  I was able to stop down enough to get a diffuse starburst effect, too.  It was still raining that morning when we rolled out of bed and it would have been easy to just sleep in more, or go to breakfast.  But I were weren’t there I would have missed this shot.

Sunrise, Hateras National Seashore, Hateras, NC copyright Andy Richards

Sunrise, Hateras National Seashore, Hateras, NC copyright Andy Richards

Another plus to sunrise shooting is that you are out when there is virtually nothing moving.  The only thing that is is the wildlife that is often active at that time.  It can be an incredibly serene time of day and it is without a doubt, my favorite time to shoot.  The morning I made the Cape Hateras image, I (and another solitary fisherman) was the only human for miles of beach.  The surf was quiet and all that could be heard was that gentle wave break and the seabirds.  It was a pretty amazing moment.

Bridge to Canada Sault St. Marie, MI Copyright 2005 Andy Richards

Bridge to Canada
Sault St. Marie, MI
Copyright 2005 Andy Richards

Shooting into the sun is challenging under any conditions.  But it is often rewarding.  One issue that often arises from this perspective, especially with short and mid focal length, lenses, is the phenomena called lens flare.  In many instances, lens flare can be an image killer.  But sometimes, it adds to the image.  Especially when it produces colors.  I got not only the starburst effect, but also lens flare in the Sault St. Marie image.  One of the wonders of post-capture digital manipulation is the ability to retouch these out of the image.  But sometimes lens flare actually adds something to the image.  I like the effect here.

Florida Gulf Sunset

Crystal Beach Pier Crystal Beach, FL Copyright Andy Richards 2017

Crystal Beach Pier
Crystal Beach, FL
Copyright Andy Richards 2017

My friends and some readers here know that I have two homes now; one here in Michigan and one in Florida.  The Florida home is in western Florida on what is known as “the Gulf side.”  We are in the Tampa Bay region and between the Gulf of Mexico, Tampa Bay, and Clearwater Harbor, water is everywhere.

Water is often conducive to sunrise and sunset photography

Water is often conducive to sunrise and sunset photography.  And the Florida Gulf is renowned for its spectacular, colorful sunsets.  So it is interesting; almost surprising to me that though I live no more than 10 minutes from the gulf, I have made very few sunset images.

Part of the reason is that I haven’t made the opportunity.  My trips to Florida are usually short, and often centered around the holidays, and spending time with family and friends.  Unless one of them is as enthusiastic about photography for its own sake, it is more difficult to fit a dedicated photography outing in (even a short one).  I have noted here before, that the best light conditions for late day photography often fall at the same time people make plans for dinner, or other evening activities.

Crystal Beach Crystal Beach, FL Copyright Andy Richards 2017

Crystal Beach
Crystal Beach, FL
Copyright Andy Richards 2017

The other reason is more personal, and perhaps, esoteric.  Back in “the day” (in context, when we shot with film and mechanical cameras), getting a successful sunset (or sunrise) shot required some knowledge of the science of exposure, a decent camera, and a tripod.  It really took a more or less “dedicated” outing to do.  So there were fewer of them out there (in print and later, on the internet).  Consequently, almost any well exposed sunset shot with some color in the sky was new, different, and to many, interesting.

The other reason is more personal, and perhaps, esoteric

Technology has changed that.  Particularly in the last 10 years, digital cameras, and especially the cameras built into cellular phones, have become increasingly impressive at rendering all kinds of scenes in all kinds of light conditions.  Today, we get 100’s of posted sunsets each day on Facebook, Google, Instagram, and the like.  And they are often technically pretty well exposed, even in instances where the shooter really doesn’t know anything about the science of photography.  This doesn’t necessarily mean they are “good” images though. (although I will concede that at some level, “good” is very subjective).  Part of human nature (mine at least) means that this glut of “sunset” photos make them less interesting, and it takes something more to not only capture my interest, but make the image worth making.

Crystal Beach Pier Crystal Beach, FL Copyright 2017 Andy Richards

Crystal Beach Pier
Crystal Beach, FL
Copyright 2017 Andy Richards

During the “Christmas” holidays (roughly late December through early January), I was in Florida for a more extended period and I did make some time to do some scouting and then eventually, shooting.  I try to get in a 15-20 mile bike ride every other day or so, and the Pinellas County Rail Trail is very close to our home and basically skirts the gulf from Clearwater to Tarpon Springs.  I ride it most of the time, and have taken a few detours down to the water, in exploration of possible photo ops.  One of the really nice places I found was a very small community sandwiched between Palm Harbor and Tarpon Springs, called Crystal Beach.  There is a nice little park, a small beach, and a community pier.  So Crystal Beach became a destination for some sunset shooting.crystal_beach_pier_4_2017

My own criteria for sunset shots is different from many of the shots I commonly see (mostly on Facebook).  To me, for interest, there needs to be something more than water, sky and sun (or light) in the shot most of the time.  I emphasize “most” of the time, because I think there are occasions when the sky alone (or the water reflection) may be the true subject and any other objects in the photo may detract from this.  But not most of the time.  This really isn’t different from general “photography 101.”  A good photograph needs a good subject, and good placement (or exclusion) of other elements in the photo to enhance the view of the subject.  A couple of basic things I like to remember as I set up and compose are to be sure the horizon is level (probably the number one “cell-phone” shot issue I observe), and that the horizon (most of the time 🙂 ), is not dead center in the image.  Aside from that, I look for something that will give the image perspective (and, to me “interest”).  Sometimes you just feel the urge to do a “gimmicky” shot, too.  While in Key West a couple weeks ago, we celebrated my 60th birthday at a nice restaurant with a deck overlooking the ocean, noted for sunsets.  I didn’t have my camera at the time so a cell phone shot would have to do, as I saw this image developing.  There was no other place I could get to to shoot the orange ball as it dropped, so I framed it in the pier next to us.

Louie's Backyard Key West, FL Copyright Andy Richards 2017

Louie’s Backyard
Key West, FL
Copyright Andy Richards 2017

My one other dedicated sunset photo outing was in early 2016, to Honeymoon Island, again, close to home and a “favorite” spot for viewing the sunset over the gulf.  The silhouetted couple was a stroke of luck, but it definitely make the image unique and in my view, certainly more interesting than that spectacular colored sky alone.

Honeymoon State Park Dunedin, FL Copyright 2015 Andy Richards

Honeymoon State Park
Dunedin, FL
Copyright 2015 Andy Richards

The opening shot of the Crystal Beach Pier is an example of my thought process.  The golden sunset has a “wow” factor all of its own.  The sunset shot of Newport, Rhode Island is similar in that I don’t know that I could have duplicated that beautiful orange color ever again.  But without the sailboat, it would just be a ho-hum (colorful, perhaps, but still ho-hum) image.  AT Crystal Beach there were 20-30 people who arrived shortly before sunset, just to observe this phenomena, which is a frequent occurrence (thought always somewhat unique).  To the observer, the sunset is the rai·son d’ê·tre.  So we come for that and we watch it and often, we capture it with camera or phone.  But our subconscious puts that sunset into perspective; something the photograph often does not.  Our peripheral vision sees the pier, the ground, the plants, and that the horizon is “out there” (and level).

Narragansett Bay Newport, RI Copyright Andy Richards 2016

Narragansett Bay
Newport, RI
Copyright Andy Richards 2016

There are many spots I have scouted and many I haven’t even discovered yet.  So there will be more Florida sunset shooting in my future.

2016 – Year in Review

Narragansett Bay Newport, RI Copyright Andy Richards 2016

Narragansett Bay
Newport, RI
Copyright Andy Richards 2016

Since I will be more or less offline for the next couple days, I am posting this earlier than my usual “Sunday morning” time.  As is not unprecedented this time of year, I have been MIA the last couple weeks.  Between year end activities in my profession, the holidays, and travel, it is often difficult to find time, inclination, and inspiration for posts.  As I reflect on 2016, and this blog, it seems like I have had more eventful years when it comes to my photography, and travel opportunities.  In some cases, like this 2014 image, I have been able to do “backyard” shooting.  But not this year, as I sold my “backyard” and traded it for a much less photogenic condo/apartment.  Part of the plan, here, is to free me up to travel to more interesting destinations, instead of maintaining the back yard :-).

"Backyard" Foliage Saginaw, MI Copyright 2014 Andy Richards

“Backyard” Foliage
Saginaw, MI
Copyright 2014 Andy Richards

it seems like I have had more eventful years when it comes to my photography, and travel opportunities

But in many ways, 2016 was a personally eventful year for me.  I had my first ever serious surgery (good results).  We sold our home of 24+ years.  I have had a lot of travel back and forth from my new Michigan condo and our Florida home.  But photographically, its been less eventful than immediate years past.  Florida has primarily been a work – at – home destination, with the ability to relax and enjoy evenings and weekends in the Florida sunshine.

Palm Pavillion Clearwater Beach, FL Copyright Andy Richards 2012

Palm Pavillion
Clearwater Beach, FL
Copyright Andy Richards 2012

I did hit a significant milestone in the fall, with the publication of my second eBook, “Photographing Michigan’s U.P.”  As readers know, I collaborated with my friend and estimably talented outdoor and nature photographer, Kerry Leibowitz, and we are pretty happy with the result.  It represents a lot of work, and is, by its nature, a moving target.  We will talk in the years to come, about the best timing for updated versions.  In the meantime, I will look forward to my next opportunity to cross the Mighty Mac, and do further research.

Tahquamenon Falls Michigan Upper Peninsula Copyright 2004 Andy Richards

Tahquamenon Falls
Michigan Upper Peninsula
Copyright 2004 Andy Richards

As I looked for new blog topics during 2016, it occurred to me to do a review of my photography, year by year, from the beginning point of this blog.  It was a pretty interesting “journey” for me to go back and look at old imagery.  Beginning back in the late 1970’s, reviewing images made with an archaic cellulose material known as “film,” :-), and progressing though the early years of digital, to today, was fun.

Copyright Andy Richards

Copyright Andy Richards Fuji Velvia

Sunrise, Hateras National Seashore, Hateras, NC copyright Andy Richards

Sunrise, Hateras National Seashore, Hateras, NC copyright Andy Richards Kodak ES100W

 I wish the best in 2017 to all of the readers here, and as always, want to express my thanks for reading here!

Things will ramp up again in 2017.  I will make my first ever trip to Key West and the Florida Keys.  I will spend nearly 3 weeks in the Mediterranean in September.  And who knows what other photo journeys I will make?

Castle Hill Lighthouse Newport, RI Copyright Andy Richards 2016

Castle Hill Lighthouse
Newport, RI
Copyright Andy Richards 2016

But going back and reviewing my 2016 posts, there were certainly a few things were writing about and a few images worth posting.

Point Judith Lighthouse Narraganset, RI Copyright Andy Richards 2016

Point Judith Lighthouse
Narraganset, RI
Copyright Andy Richards 2016

I did manage to sneak away for a long weekend to Rhode Island with my buddy, Rich.  There is lots of seacoast there, and it appears that the main attractions were lighthouses and boats.

Goat Island Light Newport, Rhode Island Copyright Andy Richards 2016

Goat Island Light
Newport, Rhode Island
Copyright Andy Richards 2016

We were there, coincidentally, during the annual Newport Boat Show, and were able to see and shoot some impressive pleasure boats.

Multi-Million $ "Boats" Newport, RI Copyright Andy Richards 2016

Multi-Million $ “Boats”
Newport, RI
Copyright Andy Richards 2016

Newport Bridge Newport Rhode Island Copyright Andy Richards 2016

Newport Bridge
Newport Rhode Island
Copyright Andy Richards 2016

In October, we spent another long weekend in Las Vegas.  I am not a gambler by any sense of the word.  But I made the most of it with my small camera and brought back some nice images.

New York, New York Casino at night Copyright Andy Richards 2016

New York, New York Casino at night
Copyright Andy Richards 2016

Treasure Island Casino from the Venetian Copyright Andy Richards 2016

Treasure Island Casino from the Venetian
Copyright Andy Richards 2016

I always try to close a year on an optimistic note.  I have watched with mixed amusement and chagrin, our national election process and its aftermath.  Social media has made it an experience different than we have historically observed.  I remain optimistic that our nations “experiment;” a republic based upon democratic principles, will continue, with all its warts, to be the best system in history; and that the USA is still a great place to live.  At the same time, I look forward to continued travel around the world, learning, observing, and appreciating other cultures (the vast majority of them 100’s of years older than ours and still apparently going strong) and people.

Fremont Street Las Vegas, NV Copyright Andy Richards 2016

Fremont Street
Las Vegas, NV
Copyright Andy Richards 2016

I wish the best in 2017 to all of the readers here, and as always, want to express my thanks for reading here!

Las Vegas Strip Law Vegas, NV Copyright Andy Richards 2016

Las Vegas Strip
Law Vegas, NV
Copyright Andy Richards 2016