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More B&W Images

Nightime Canal
Venice, Italy
Copyright Andy Richards 2018

Since last week, I have acquired ON1’s newest offering:  ON1 Photo RAW 2018.  A version or two back, the ON1 folks moved from their “Suite” Of layers and effects, to a raw converter suite, which competes with Lightroom, Photoshop, Capture One, and the like.  The “develop” module in ON1 Photo Raw allows for essentially the same basic raw adjustments as Lightroom and Photoshop’s ACR (Adobe Camera Raw), as far as I can see (Capture One offered me its suite a couple years back at no cost as some kind of deal they have with Sony for Sony camera users – while I have played a little with it, I was too lazy to try to learn a new interface at the time, but I suspect the raw conversion there also has a lot in common with these other programs).

Nighttime Canal
Venice, Italy (“toned”
Copyright Andy Richards 2018

For the Moment, one thing ON1 offers, is the ability to purchase and own standalone software, where Adobe has essentially now moved entirely the cloud-based model.  There were a lot of us in the beginning that were very wary of the online model.  Some of us still have some misgivings, though I will say I have been using Photoshop CC for a couple years now and really haven’t found a problem with it – yet.  I do like the periodic upgrades they push through from time to time, and I find that it generally works pretty smoothly, even with my low RAM Microsoft Surface, when I am not able to work on my desktop PC.  ON1 is seeming to bring the best of both worlds to entice Adobe users.  It intelligently loads (if selected) as a plug-in to both Lightroom and Photoshop, and the process of moving between the software is “relatively” seamless.  I say relatively, because some of the layer-based files can be tricky and it takes a bit of a learning curve to understand what is going on (a curve, I will readily confess, I am at the very low left end of 🙂 ).  The other thing that intrigues me is the ON1 browser/cataloging capability.  I have used LR for cataloging only for the most part.  I may look at migrating that function to the ON1 software.  But that is another topic for another time.  I wanted to play with the ON1 software, primarily for B&W images, but I can see that I will be working some with other aspects of my color images in the software.  But for now, the images here were made using some of their templates, and one with my own conversion.

The ON1 Software presents a learning curve for me; one I confess I am on the low end of

The Venice Canal is the canal where we stayed for our 5 days in Venice in September, 2017.  My buddy and traveling companion, Paul, saw the color version of this image and thought he might like a B&W Print.  So I thought I would play with it, using a couple of the “templates” that are built into ON1’s Black and White conversion process.  I used their masking process to “paint” in some texture and detail in a couple areas and to paint areas lighter and darker.  Otherwise, they are just two different templates.  The second image adds a little “warming” color, which still retaining the monochrome overall image.  I am not sure which one I like, though I tend to lean toward the more dramatic and stark B&W in all these images.

Navy Ships
Fisherman’s Wharf; San Francisco, CA
Copyright Andy Richards 2018

One of my goals in the Navy Ship image was to work a bit with the color channels to see how they affect the image look.  Most of the color version here is pretty much a neutral or slightly darker gray.  But there were a couple of red objects, and on part of the ship on the bow that was bright green.  I fiddled with the sliders a bit to brighten those colors for some contrast to the otherwise gray.  I also darkened the water a bit.  This pre-set template I used here is called “Paparazzi” and it reminded me of some of the B&W images I made back when shooting for our college newspaper many years ago.

Navy Ships; Fisherman’s Wharf
San Francisco, CA
Copyright Andy Richards 2018

The second version is one I actually made first, using NIK Silver Efx in Photoshop.  In this case, I really preferred the ON1 version above.  I suspect that with enough knowledge, I could achieve essentially similar results in either program.  But I am warming to the ON1 software and process as I continue to use it.

Barns; Glen Haven, Michigan
Copyright Andy Richards 2018

The “D.H. Day Barn,” in Glen Haven, Michigan is just off the coast of Lake Michigan.  I spent a couple hours here one autumn afternoon, intending to photograph the barns in front of a wash of fall color.  The color was nice, but not spectacular.  But there was a lot of color in the foliage to the right side of the image.  I also like the repetition of these barns which get physically small, and recede in the distance as well.  This is one of the few images I have made in the past couple years that I thought would render well as a B&W image someday.

D.H. Day Barn
Sleeping Bear National Lakeshore; Glen Haven, MI
Copyright 2014 Andy Richards

I worked this image in ON1, using the “develop” and then “effects” modules from a raw image.  After adjustments to contrast mainly (I used the “dynamic contrast” filter), I converted this to B&W.  The ON1 effects module uses layers (much like the adjustment layers process in Photoshop CC) to add these “filters.”  Each layer has a lot of individual adjustment capability within it, and there is a great masking brush set of tools to achieve local adjustments (I am being repetitive, here, but I am just beginning to understand the potential of this software and trying to compare and contrast how it matches up to Photoshop.  But I see myself using both softwares for the future).  I wanted to do my own conversion here, rather than using a pre-set template.

My goals were to bring out the color contrasts in the sunlit area; build a little drama in the sky, preserve and highlight the white barns, contrasting against the black roofs, and enhance the texture and brightness of the grasses in the foreground.  I feel like I succeeded in all but the last, in the ON1 program.  I am sure I could have accomplished that too, with a little added knowledge and experience in the ON1 program.  But I have to catch a plane in a couple hours to head back to the frozen tundra of Michigan :-).  So I got a little lazy, and to the image back into Photoshop and my trusty NIK suite, adding some brightness and structure to the grass. I am new at this.  Be gentle 🙂 .  But I was pretty pleased with the result.  Lots to learn and looking forward to more experimentation with this stuff.  As always, thanks for reading.

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Here We Go Again (It’s Fall!)

Second Edition!

Here we go again.  It’s fall foliage photography season.  Are you ready?

Reflections; Cascade River, Minnesota

Over the nearly 10 years since I started blogging here, I must have blogged about fall color and foliage a dozen times.  Maybe More. Not surprisingly, it remains a favorite subject for me.  For some who are fortunate enough to have great foliage photo-ops in their backyard, what I will say here may not apply. But for perhaps the vast majority of us, these opportunities often come only after travel to a more aesthetically accommodating venue.

Somesville Town Hall and Bridge
Somesville, Maine
Copyright Andy Richards 2009

I have traveled to New England (prominently: Vermont), the Upper Peninsula of Michigan, Maine, Minnesota, West Virginia, Virginia and New Mexico, in various years, to photograph fall color. Vermont has long been a love of mine, and I have made numerous trips there; enough to prompt me to take my first foray into “publishing” with the first edition of “Photographing Vermont’s Fall Foliage” in 2012.

As the previous blog notes, I am very happy to announce the 2nd Edition of this book, with updates and substantial additional locations (the first edition is no longer available, as the sellers required that it be removed from circulation in order to sell subsequent editions). The New Edition is currently available on Amazon, Apple, in the iBookstore, and Kobo.

Maple Leaf
Stowe, Vermont
Copyright Andy Richards 2005

Many of the persons I communicate with at this time of the year are primarily leaf peepers with cameras. For those folks, go and enjoy! For serious photographers, I want to make a few observations, based on my own travel experience.

Miner’s Castle; Pictured Rocks National Lakeshore
Michigan U.P.
Copyright 2012 Andy Richards

Preparation is Key

Mental preparation is the most important piece of this. Just because it is fall foliage season, doesn’t mean the rules for good photography change :-). It is important to be thoroughly familiar with the gear you will be using, as the “window” for a great image is often very short, and you may only have one chance to visit the location. In 2010, prior to my planned week-long trip to Vermont, I hit a milestone of sorts, in my own photography.  I had always planned my locations and tried to find as much “intel” about a location as I could.  But this time, I focused less on those details, and instead gave some contemplative thought to what I wanted to present visually, emotionally, and artistically.  I think this contributed to one of my most successful trips.

Hiawatha NF Color Sections
Michigan U.P.
Copyright 2012 Andy Richards

What you can take on a trip is also always a consideration. When I shoot near home, or somewhere I can drive to, the photographic gear I will take is generally only limited by what I own (and can afford).  When flying, you really have to consider weight, and bulk. Most of us do not feel comfortable checking a bag with photo gear in it for a number of reasons. So what can you carry on, along with your other needs?  One of the miracles of modern technology is the ability to make great images with a lighter, simpler gearset.  For “casual” travel (I define that as any travel I do that is not specifically and solely dedicated to photography), I now carry a very small, packable carbon fiber tripod and the RXSony 100 iv (a point & shoot sized camera, with some professional credentials).  Even when I go on a dedicated photo shoot, the camera, lenses and tripod are much small and lighter than in the past.

Glade Creek Gristmill
Babcock State Park, WV
Copyright 2011 Andy Richards

A better question might be “what lens will you use?”

Photographic gear is a subject that is often over-thought, in my opinion.  Cameras, lenses, filters, and accessories are — for sure — tools that are necessary to the making of an image.  And there is no doubt that higher quality tools can render a technically better result.  If that is what you seek.  I have already read, several times recently, the question:  “what is the best lens for foliage photography?”  I don’t think there is a “correct” answer to that question.  A better question might be “what lens will you use?”

Tahquamenon Falls
Michigan Upper Peninsula
Copyright 2004 Andy Richards

However, that there are other considerations that will have a more direct bearing on the successful image.  Understanding light, and composition will have much more effect on imagery, in my view, than any other factor.  This assumes, of course, that you already have a solid grounding on exposure principles, how to focus the camera, and considerations of aperture and depth of field.  This relates directly back to the first point:  preparation.  If you do not come to your subject in the best light, it will be difficult to make a really great image.  More often than not, this means early and late (or–think:  during breakfast and supper :-)).  Much of my more recent travel has centered around other activities, such as family time, tours, etc.  While I do make images, it is often apparent that they were not take in the “best” light, and I frequently lament that it would be nice to be at a location either very early or in the late afternoon/early evening.  If your trip is photography-focused, you will need to be mentally prepared to be on site at times that may be inconvenient to others you travel with.  When I have made my fall foliage trips, the majority of them have either been alone, or with other, equally serious, photographers.

Santa Fe Ski Basin
Santa Fe, NM
Copyright 2008 Andy Richards

Don’t forget the “other” gear you may need.  Most fall foliage locations have the potential for very warm weather, rain, and even freezing temperatures (especially at sunrise).  Hat, gloves, sunscreen, and adaptable clothing is important.

Fall Color Reflection
Copyright 2012 Andy Richards

Most important of all, though is to have fun and enjoy the process as much as the result!  Best to all of out out there and good shooting!

Burton Hill Road
Barton, Vermont
Copyright 2010 Andy Richards

Truth in Photography (Here I go again)

Birch Clump Hiawatha NF; Michigan Copyright Andy Richards 2017

Birch Clump
Hiawatha NF; Michigan
Copyright Andy Richards 2017

[Recently, I seem to have run out of fresh, new material, which partially explains my more infrequent posts here (my goal has been one a week and over the years, I have largely met it).  When I get into these times, I will sometimes look back at prior posts to see if there is anything worth re-visiting, and through my Lightroom archives to see if anything stimulates me.  I have done that for the last 2 weeks.  Nothing.]  🙂

“truth isn’t absolute”

So, this morning, I spent some time with my friend, “GOOGLE,” and found this article, Why Facts Aren’t Always Truth In PhotographyMany will remember the Afgan Girl magazine cover that (perhaps) launched photographer Steve McCurry into international recognition.  He has recently made news (at least in the photographic world) again.  Without getting into the specific circumstances of the article (written by a colleague and fellow professional photographer, Peter van Agtmael) it’s “10,000 foot view” is, in my view, focused more on some principles of “truth” in photography that can be generalized.  And boy, did it resonate with me.  In fact, it can — I believe — be applied to much of what has gone on in the past several months over media, social media and even the coffee table.

Starting with one of my earliest posts, “Get Real,”  and for example, “Has The Digital Medium Changed Everything?,” and “Photoshop Is Not Evil,” over the years I have been writing here, I have made frequent reference to my thoughts on the use of “digital darkroom techniques” to “enhance” my own images.  I think I have made position clear when it comes to the art of photography.  But Mr. van Agtmael ventures into photography that is not made, per se, as “art.”  Rather, he addresses what I refer to as “reportage” photography.  Presumably, the image depicts things exactly as they appeared.

“We shouldn’t mistake something factual for something truthful, and we should always question which facts are employed, and how.” (Peter van Agtmael)

 

Humanity is not scientific.  Biology is.  The human brain is a scientific wonder.  The workings of human brain?  Well that is only “scientific” to the extent that it is thinking about science.  The rest?  It’s an art form for certain.  How else can both the consistency and inconsistency of human thought be explained?  And so, Mr. van Agtmael posits something we have all heard back in our own ancient histories, at some point.  In my words, “truth isn’t absolute.”  But that is a bit cliche‘.  In his much more eloquently stated words: ” ... there were a lot of loaded words like ‘truth’ and ‘objectivity’ being thrown around. I don’t really believe in these words. I’ve never met two people with the same truth, nor seen true objectivity ever demonstrably applied to anything. They are nice words, but remain aspirational and cloud a more nuanced interpretation of reality and history. We shouldn’t mistake something factual for something truthful, and we should always question which facts are employed, and how.”  I like that.  Our world is filled with millions and millions of “facts.”  We also hear a lot of opinion which is cited as fact.  But even with incontrovertible, empirically provable facts, it is still important to understand context and relevance.

Goat Island Light Newport, Rhode Island Copyright Andy Richards 2016

Goat Island Light
Newport, Rhode Island
Copyright Andy Richards 2016

The opening image here is (OMG!) altered.  I know viewers will say I “saturated” it, I “enhanced” it, etc. (maybe; maybe not 🙂 ).   But that isn’t really what I mean.  This image was physically “altered” before it was even made!  I had an image I wanted to depict, and in the crotch formed by the 3 trunks there was I small pile of dead branches which were (in my view) unsightly and distracting.  Is it relevant that I removed them and spread the leaves around a bit?  Could the image have been found the way I have presented it?  Perhaps if I were trying to depict the “pristine” quality of nature, or deny that it can sometimes be messy, the answer would be different.  I appreciate that this is not reporting on the refugee crisis and is trivial in relation to that.  But this is a photography blog, and I don’t do reportage photography.  I just thought Mr. van Agtmael’s point would resonate even in the perhaps less significant milieu of nature photography.

How else can both the consistency and inconsistency of human thought be explained?

Those who have read here previously know the story of the Goat Island Light Image.  I placed those chairs there.  “Hand of man and all that good stuff.”  Again, I don’t mean to trivialize the serious piece.  But I do think the larger point has application to all of our photography.

Fayette State Park Michigan Copyright Andy Richards 2007

Fayette State Park
Michigan
Copyright Andy Richards 2007

If the viewer looks carefully at the bottom center of this image, there is a snarl of yellow polyethlyene rope in the foreground.  A better photographer than I would probably have seen that detail and excluded it (or perhaps purposely included it, again depending on the goal of the image).  I would not perhaps shock anyone here that before I made a print of this image I (GASP!) “Photoshopped” the rope out.

Small things.  But then, from small minds ……..  🙂

But seriously, I would commend the reader to read the Peter van Agtmael piece on Steve McCurry debacle.  While you may or may not agree with me, or with its premise, I hope you will agree that it it thought – provoking.

 

 

 

The Sun Rises; Reprise

Bay Bridge Sunrise San Francisco, CA Copyright Andy Richards 2014

Bay Bridge Sunrise
San Francisco, CA
Copyright Andy Richards 2014

It seemed like 16 images were too many for a single blog post (really, 8 is probably too many, and my blogs tend to be longer than a blog should be 🙂 ).  So I split my sunrise images into 2 installments.

Bean Pond Barton, VT Copyright Andy Richards 2010

Bean Pond
Barton, VT
Copyright Andy Richards 2010

In 2010, I again visited Vermont for a fall color photography excursion.  My good friend, fellow photographer, fellow blogger, and co-author of the 2nd Edition of Photographing Vermont’s Fall Foliage, Carol, acted as my host and guide for the first couple days.  One magical place she took me too was Bean Pond, a small, unremarkable roadside pond near here home in Barton in the “Northeast Kingdom” of Vermont.  Unremarkable, that is, unless you are a photographer looking for fall foliage venues.  Since my first trip there, I have been back to the pond several times (and I am certain Carol has been there almost daily when she is in Vermont in season).  Our morning broke very cold, with frost on the ground, after a prolonged spell of heavy rain.  We knew the conditions were ripe for fog and steam rising off the pond and she had us there by twilight.  The resulting images (only one here) made the cold, early morning well worth it.

Bay Bridge San Francisco, CA Copyright Andy Richards 2011

Bay Bridge
San Francisco, CA
Copyright Andy Richards 2011

In 2011, we visited San Francisco, to visit our daughter.  She lives in downtown, which put me in the middle of one of the best photography venues I have ever visited.  Once again, the 3 hour time change worked in favor of early rising, and a 15 minute walk brought me to the Embarcadero, at the eastern boundary of the city, and one of San Francisco’s seaports with a closeup view of one of the two major bridges leading into San Francisco, the San Francisco Bay Bridge.  There are San Francisco Bay shooting opportunities all along the Embarcadero.  We returned again in 2014, and I couldn’t resist a couple more early morning walking trips to the Embarcadero.

Mocassin Lake Munising, MI Copyright Andy Richards 2010

Mocassin Lake
Hiawatha NF
Munising, MI
Copyright Andy Richards 2010

I have been traveling to the Michigan Upper Peninsula (U.P.) for many years for fall color photography.  As many readers here know, I think highly enough of the photographic potential that I have co-written an eBook on Photographing the Michigan U.P., with my good friend and fellow photographer and blogger, Kerry Leibowitz.  I have photographed Mocassin Lake many times and never cease to find it photogenic.  My writings on the U.P. and some of my imagery captured the attention of a professional photographer and teacher in Pennsylvania, James Moore.  Inn 2012, he decided to host one of his workshops in the U.P.  He asked me to be his guide.  These images were all made during the 2012 trip.  I appreciate his inspiration and I think that week was the most rewarding of all of my trips to the U.P.  I was there from the beginning to the peak of color, perhaps the only time in my shooting career.

Pete's Lake Hiawatha NF, Munising, MI Copyright Andy Richards 2012

Pete’s Lake
Hiawatha NF, Munising, MI
Copyright Andy Richards 2012

Pete's Lake Hiawatha NF, Munising, MI Copyright Andy Richards 2012

Pete’s Lake
Hiawatha NF, Munising, MI
Copyright Andy Richards 2012

In 2013 we went on two more cruises.  In January, we joined a group affiliated with the O’Brien Estate Winery in Napa, Ca, on a Caribbean Cruise.  We didn’t know a soul when we boarded.  We were fortunate to have some very friendly table mates and we ended up not only spending most of our time on board with them and another couple, but we have made lifelong friends.  We have traveled to Napa together, and they have recently visited us in our Florida home.  It was a great cruise.  As we arrived home in the early morning hours, I was able to capture this sunrise image of the Miami Skyline.

Miami, FL Copyright Andy Richards 2013

Miami, FL
Copyright Andy Richards 2013

Later, in September, we took what was my first trip out of the U.S. (Canada doesn’t count 🙂 ); a Mediterranean Cruise.  We started with a few days in Venice.  My only sunrise shot during that trip was the famous gondolas in St. Mark’s Square, which took some doing.  We were staying on the mainland, so I had to take the early train to Venice and then find my way through the maze to the square before the sunrise.  I had practiced a couple times.

Gondolas San Marco Piazza Venice, Italy Copyright Andy Richards 2013

Gondolas
San Marco Piazza
Venice, Italy
Copyright Andy Richards 2013

I grew up in the Northern Michigan town of Traverse City.  It is a resort town, and by all reports, beautiful in all seasons.  The city sits at the base of a peninsula of land (Old Mission Peninsula) which creates two deep bays (East Bay and West Bay) into Lake Michigan.  It has unique, sandy coastline and a climate similar to that of Northern California (except that winters up there are brutal and snowy).  I moved away from there shortly after I graduated from High School in 1975.  But I still have family there, and only live about 2 3/4 hours away.  It occurred to me at some point that I had spent little time photographing up there, and so, in 2014, with no major fall foliage outings planned, took a long-weekend trip up there.  I was on the high point of the peninsula, where it is possible to see both bays, at sunrise.  This sunrise image faces (perhaps obviously) East Bay.

Center Road Old Mission Peninsula Traverse City, MI Copyright Andy Richards 2014

Center Road
Old Mission Peninsula
Traverse City, MI
Copyright Andy Richards 2014

 

O.k., I think I am safe here: “The Sun Also Rises”

Otter Beach Sunrise Acadia NP, Bar Harbor, ME Copyright Andy Richards 2009

Otter Beach Sunrise
Acadia NP, Bar Harbor, ME
Copyright Andy Richards 2009

When I — “tongue in cheek” — noted that I didn’t want to offend Hemingway and be guilty of the very thing I occasionally rant against, copyright infringement, an astute friend pointed out that it wasn’t Hemingway’s at all, but actually comes from the bible.  I am reasonably certain we are beyond the copyright expiration date for the particular author.  So there you go.  🙂

Sunrises reveal themselves in a number of varied conditions

Perhaps more meaningfully, my left turn into the topic of “sunrise” vs “sunset,” caused me to wonder just how many times I had ventured into the early morning, pre-dawn darkness, to try to capture the sunrise.  So I went back through my archives.  I was surprised (though I should not have been) to find that my sunrise images were far fewer than my sunset images.  I found about sixteen of them, most of which I had never given any serious post-processing.  I will use the next two posts to showcase some of them.  I will not say they are in every instance, my best work (in fact a couple were taken with lower-quality digital cameras in low light conditions — in a time when sensors were simply not as good as they are today).  The St. Thomas shot was made as the sun broke the horizon in the pre-dawn light, with a Canon G12 (which had a smaller and less capable sensor than my Sony RX100iv).  My Sony body is half its physical size.

St. Thomas, USVI Copyright Andy Richards 2012

St. Thomas, USVI
Copyright Andy Richards 2012

I believe the images here illustrate some of what I said in the prior post.  Sunrises reveal themselves in a number of varied conditions.  Sunsets can often be colorful.  Sunrises are generally more subtle, but as the Otter Beach shot shows, there are occasionally glorious exceptions.  Cooler temperatures create fog and mist.  Cold temperatures create a cool look to the image colors.

Saginaw County Sunrise Copyright Andy Richards 2006

Saginaw County Sunrise
Copyright Andy Richards 2006

The earliest recorded attempt I made at sunrise shooting was on a freezing cold morning in February, not far from my home in Saginaw, Michigan.  Saginaw is part of the so-called, I-75 industrial corridor, formerly known for its General Motors auto manufacturing plants.  But it may not be a well-known that it is also one of the largest agricultural areas in the mid-west.  As soon as you leave the city in almost any direction, there are farms and farmland.  This image was taken with my Nikon 35mm SLR camera and color transparency film.  Slow ISO speeds of such film dictated the use of a sturdy tripod and cable release.  The image here was scanned with an Epson scanner and is not the quality equivalent of the drum scanners that were used back then to digitize media in high resolution.  Even so, I am impressed with what modern “home-brew” digital technology can accomplish.

Horseshoe Lake Huron NF, Glennie, MI Copyright Andy Richards 2008

Horseshoe Lake
Huron NF, Glennie, MI
Copyright Andy Richards 2008

When my son was younger (me too 🙂 ), we used to do an annual late summer camping trip.  One of our favorite spots was a small National Forest Campground called Horseshoe Lake, in Lower Michigan.  One of my early “successful” attempts at sunrise photography was, perhaps, unplanned.  I have never been a fan of camping and especially, of sleeping on the cold, damp, lumpy ground.  So it was not surprising that I woke early in the pre-dawn.  I restarted our campfire and boiled a pot of water for coffee.  My son (like any pre-teenager) was sound asleep and apparently unfazed by the lumpy ground.  So I carried camera and tripod a few hundred feet down to the water’s edge and began looking for compositions.  I made a few images that morning, but the resulting shot was a bit of a surprise.  The image was shot on Fuji Velvia color transparency film.  A characteristic of this film with certain light conditions is to render blue.  While this was not my “vision” while making the image, I liked it well enough to keep it.  And it has been sold a number of times.  Who knew?

Otter Cliff Otter Beach, Acadia NP Bar Harbor, ME Copyright Andy Richards 2009

Otter Cliff
Otter Beach, Acadia NP
Bar Harbor, ME
Copyright Andy Richards 2009

In 2009, my best friend, Rich, and our spouses made a week-long trip to Bar Harbor, Maine, and Acadia National Park.   We always have fun when the 4 of us travel.  But Rich and I are pretty unrelenting on our commitment to be out early.  This trip was no exception, and we picked our way down a little known path (we had found during prior daylight) to a rocky portion of Otter Beach, where both the image above, and the opening image were taken, several mornings, waiting for the elusive sunrise I think it was worth the wait when this one finally came.

Sunrise on the Gastineau Channel; Inside Passage Juneau, AK Copyright Andy Richards 2010

Sunrise on the Gastineau Channel; Inside Passage
Juneau, AK
Copyright Andy Richards 2010

In 2010, we to our first cruise.  I was lukewarm about the whole cruise idea.  In my mind, cruises were about partying shipboard, buffets, and sun and fun in the Caribbean (which, it turns out, isn’t such a bad gig after all).  My wife wanted to do a cruise, so I agreed–as long as I got to pick it.  And I chose the Alaska Inside Passage cruise.  It turned out to be a great trip and we learned that cruising is a pretty comfortable way to see new places.

Inside Passage, AK Copyright Andy Richards 2010

Inside Passage, AK
Copyright Andy Richards 2010

Another plus to going west is the time change.  Already a relatively early riser, the 3 and eventually 4 hour time difference had my wide-eyed before first light nearly every morning, as we cruised the inside passage.  The sun was pure gold the morning we approached the port of Juneau.  A day later, approaching Skagway, the rising sun lit the sky with multiple colors.

Whittier, AK Copyright Andy Richards 2010

Whittier, AK
Copyright Andy Richards 2010

On the final morning of our cruise, I walked the rear deck of our ship, the Diamond Princess, and watched a dramatic sunrise under cloudy skies.  I was a convert to cruising, and we would cruise 3 more times between 2010 and 2013.

Sunrise in the Caribbean Royal Princess Cruise Ship Copyright 2013 Andy Richards

Sunrise in the Caribbean
Royal Princess Cruise Ship
Copyright 2013 Andy Richards

A Change of Pace; 2007

The Les Chenault Islands Michigan U.P. Copyright Andy Richards 2007

The Les Chenault Islands
Michigan U.P.
Copyright Andy Richards 2007

In 2007, we slowed the pace of travel.  Well at least a little bit :-).  We spent 2+ weeks every summer in late July or early August, visiting my wife’s family.  For many years, one of those weeks was spent with a group of “in-laws” on the Atlantic Ocean, renting anywhere from Bethany Beach, Delaware, to the north, all the way south to Nags Head, N.C.  This year marked some life changes for the family, and for the first time in many years, we did not go to the beach.  We did do a short day trip to Shenandoah National Park.

I continued to look for imagery in my own back yard, whether canoeing on the nearby Tittabawassee River sailing in the Great Lakes with my partner and friend, who owns a nice, 36 foot rig, or traveling up over the bridge for short (long-weekend) jaunts.

Little Stony Man Outlook Shenandoah N.P., Virginia Copyright Andy Richards 2007

Little Stony Man Outlook
Shenandoah N.P., Virginia
Copyright Andy Richards 2007

In early July, I joined a couple of my law partners for a long-weekend sail.  We did 2 overnight stays, one at Hessel, Michigan in the U.P.

Classic Chris Craft Boat Hessel, Michigan Copyright Andy Richards 2007

Classic Chris Craft Boat
Hessel, Michigan
Copyright Andy Richards 2007

On our return, we stopped at Mackinac Island, which vies with Frankenmuth, Michigan as our number one tourist attraction.  Its easy to see the draw of Mackinac.  Once a fortress for naval defense, it was settled early on (before lower Michigan was).  The fort is still there and you can see most of the waters of the Straits of Mackinac from the towers there.  It has been preserved and is now an admission-fee tourist attraction.  The little main street is also replete with the usual suspects; fudge and trinket shops.  There are also a few nice bars and restaurants, and the magnificent Grand Hotel, which sits uphill from the downtown area.  Mackinac Island hosts a governor’s conference at The Grande each year, and served as the filming point for the Christopher Reeve movie, “Somewhere In Time.”  The island is a rather steep hill and from the top, you have some magnificent views.  M-185, the single road which goes around the 8 mile perimeter of the island is bereft of cars, as motorized vehicles are not permitted on the island.  It is a great biking trail, if a little short.

Mackinac Island, Michigan Copyright Andy Richards 2007

Mackinac Island, Michigan
Copyright Andy Richards 2007

Most tourists access the island by passenger ferry and the Sheppler Ferry company has a near monopoly on transport to the island.

Sheppler's Mackinac Island Ferry Copyright Andy Richards 2007

Sheppler’s Mackinac Island Ferry
Copyright Andy Richards 2007

During our regular summer vacation in Virginia, we made the day trip to Shenandoah National Park.  My wife and I agreed that we would spend our anniversary weekend there later in October.  During the early evening hours, I was able to capture a sunset up on one of the overlooks.

Little Stony Man Outlook Shenandoah N.P., Virginia Copyright Andy Richards 2007

Little Stony Man Outlook
Shenandoah N.P., Virginia
Copyright Andy Richards 2007

The next day, in the early morning light, I found a pathway with light shafts that was intriguing to me (it might look vaguely familiar to those regular readers here, who have looked at my banner image).  I also saw a momma bear and her two cubs cross the road in front of me, and a couple of young stag deer sparring in the road a while later.  Neither incident presented an appropriate opportunity to photograph them, but I will always remember these wonders of nature.

Shenandoah N.P. Virginia Copyright Andy Richards 2007

Shenandoah N.P.
Virginia
Copyright Andy Richards 2007

In late October, back in Michigan, I shot some fall foliage scenes in the nearby Shiawassee National Wildlife Refuge.  The photographs here are from a footbridge in the refuge just 5 miles from my home.  The images are “busy,” but show that you can find foliage images if you work at it.  The “big picture” is kind of “eh.”  But I was able to find two shots that I thought were worthy, by isolating areas.  The leaf on the water reflection has resulted in several sales.

Shiawassee National Wildlife Refuge; Saginaw, Michigan Copyright Andy Richards 2007

Shiawassee National Wildlife Refuge; Saginaw, Michigan
Copyright Andy Richards 2007

Shiawassee National Wildlife Refuge; Saginaw, Michigan Copyright Andy Richards 2007

Shiawassee National Wildlife Refuge; Saginaw, Michigan
Copyright Andy Richards 2007

Shiawassee National Wildlife Refuge; Saginaw, Michigan Copyright Andy Richards 2007

Shiawassee National Wildlife Refuge; Saginaw, Michigan
Copyright Andy Richards 2007

I was not ready to give up on fall color yet, this particular year.  My sister and brother in law and I took a quick long-weekend trip at the end of October, to a small house he owned for a very short time in the town of Rapid River in the U.P.  We did a waterfall tour, and at the end of our trip, visited an area I had not been to before:  Fayette State Park.  Fayette was a large, iron smelting encampment during the Michigan U.P.’s boom in iron ore production.  There are some really nice image opportunities there.

Rapid River Falls Rapid River, Michigan Copyright Andy Richards 2007

Rapid River Falls
Rapid River, Michigan
Copyright Andy Richards 2007

Whitefish Falls Rapid River, Michigan Copyright Andy Richards 2007

Whitefish Falls
Rapid River, Michigan
Copyright Andy Richards 2007

Tannery Falls; Munising, Michigan Copyright Andy Richards 2007

Tannery Falls; Munising, Michigan
Copyright Andy Richards 2007

Fayette State Park Michigan Copyright Andy Richards 2007

Fayette State Park
Michigan
Copyright Andy Richards 2007

“Digital” Michigan “UP” Photo Excursion – 2004

Tahquamenon Falls Michigan Copyright Andy Richards 2004

Tahquamenon Falls
Michigan
Copyright Andy Richards 2004

In spite of the newly acquired digital SLR camera, aside from a couple “forays” into “birding,” my photography stagnated during the period after 2002.  I needed some motivation to get shooting again.  I was a reader of Moose Peterson’s books and his website.  He had an associate who helped him with his website and did some shooting on his own – David Cardinal.  When he offered a 2-day, October “UP” workshop at what seemed like a reasonable cost, I signed up (for those who haven’t read here, the “Upper Peninsula” of Michigan is referred to by us Michiganders simply as “The U-P”).  The UP is – in my view – second only to New England when it comes to colorful fall foliage.

To the oft-repeated “truism” that foliage photographs better on cloudy days, in the words of the Dave Mason song, “we just disagree

I communicated directly with David (turns out, his dad lived in Northern Lower Michigan, and David thought it made sense to combine a trip from California to Michigan to visit, with work) and he indicated that the workshop would be based in Paradise, Michigan, and would generally focus on Tahquamenon Falls, just outside of Paradise.  There are two drops, the upper falls and the lower falls, all part of a Michigan State Park.

Curley Lewis Highway Michigan Copyright Andy Richards 2004

Curley Lewis Highway
Michigan
Copyright Andy Richards 2004

The workshop was “officially” from Friday evening through Sunday.  My buddy, Rich and I decided to head up Thursday afternoon, and take a full long-weekend.  The drive up is a 4-hour jaunt from where we live in Saginaw, Michigan.  The northern border of the UP runs entirely along the southern shore of Lake Superior (the biggest and coldest of the 5 “Great Lakes”).  Nearly the entire eastern part of that shoreline is taken up by the Federal National Park System’s Pictured Rocks National Lakeshore.  Knowing we would be spending the better part of the weekend at Tahquamenon Falls State Park, we decided to head to an area further west – a pretty little summer resort (and harbor of refuge) known as Grand Marais.  We pulled into the town late on a sunny afternoon and began scouting.  We planned to visit Sable Falls – one of the numerous waterfalls that cover the UP in the morning.

Sable Falls Michigan Copyright Andy Richards 2004

Sable Falls
Michigan
Copyright Andy Richards 2004

Friday morning we awoke to a steady rain.  It deteriorated from there.  We did find the waterfall.  I have some images, but had to learn how to retouch raindrops on the lens in Photoshop in my later post-processing.  After getting completely soaked, we eventually gave up.  But not before I did something that reinforced one of life’s lessons.  I have no idea who said it first, but:  “when life gives you lemons, make lemonade.”  We walked downstream to the mouth of the river.  It emptied, not onto a sandy beach like I expected, but onto some very rocky shoreline.  Not seeing much of anything but grey skies and therefore boring shoreline images, I turned my camera down and started looking for compositions in the rocks.  The resulting “Rocks, Lake Superior” image is one of my most memorable and has sold a number of times.  It has appeared here in past years’ posts.

Rocks; Lake Superior Michigan Copyright Andy Richards 2004

Rocks; Lake Superior
Michigan
Copyright Andy Richards 2004

When life gives you lemons, make lemonade

The day did not get better, so we headed for Paradise.  We got settled in the hotel, and met the group for dinner and introductions.  Disappointingly, Saturday dawned cloudy with rain showers.  There was no steady rain, and we stayed dry.  But it was a gray day.  There is an oft-repeated “truism” to new photographers that fall color photographs so much better on cloudy days.  In the words the Dave Mason son, to those people, I say, we just disagree.  🙂   If you are shooting close-up images it may have a kernel of truth.  But to my taste, the best I can hope for is a partly cloudy day, with some sunshine and puffy clouds.  Bue sky and sunlight will add some dramatic lighting to your images, especially if you want to include some sky in your images.  For landscape shooting, I think sky is often necessary to give perspective.  So this day wasn’t one of my favorites.  Nonetheless, I was able to make some images of the very impressive upper drop of Tahquamenon Falls, and even squeeze out just a hint of blue behind all those clouds.

Tahquamenon Falls Michigan Copyright Andy Richards 2004

Tahquamenon Falls
Michigan
Copyright Andy Richards 2004

Sunday morning broke very cold and the drenching produced a heavy shroud of fog late into the morning.  The sun and blue sky finally appeared – as we drove home.  But we started the day at the lower falls and one of my favorite images is downriver from the falls with some fog and color.

Tahquamenon River Michigan Copyright Andy Richards 2004

Tahquamenon River
Michigan
Copyright Andy Richards 2004

Driving home, we took the Curley Lewis Road toward Sault St. Marie, and the bridge back to lower Michigan.  We finally saw a hint of the great fall foliage shots the Michigan UP is known for.  This trip was a great ending to the year and a beginning of some travels and a lot more photography.  And, this would not be my last trip to the Falls and was one of many more trips to the UP.  As many of you know, my travels to the UP eventually resulted in the recently-published Photographing Michigan’s UP, ebook.