• Andy’s E-BOOK — Photography Travel Guides

  • PLEASE RESPECT COPYRIGHTS!!

    All Images and writing on this blog are copyrighted by Andy Richards. All rights are reserved. You may not, without my express, written permission, download, right click, or otherwise copy my images for any reason. Copying an image and putting it on your blog, website, or even as a screensaver on your computer is a breach of copyright, EVEN IF YOU ATTRIBUTE THE SOURCE! Please do not do so.
  • On This Blog:

  • Categories

  • Andy’s Photography Galleries

    Click Here To See My Gallery of Photographic Images

    LightCentric Photography

  • Andy's Flickr Photos

  • Prior Posts

  • Posts By Date

    December 2018
    M T W T F S S
    « Nov    
     12
    3456789
    10111213141516
    17181920212223
    24252627282930
    31  
  • Advertisements

Right Time; Right Place Photography

Porcupine Mountains Copyright Andy Richards 1997

Recently, I went through a review and update of my LightCentric Photography photo website.  As I was systematically checking captioning information (among other things), a couple of the images made me pause and reflect on their circumstances as involving a particularly memorable moment of for whatever reason, just being in the right place at the right time.  Sometimes it was planned. Sometimes it was just serendipity.

This doesn’t mean there haven’t been other times and images. There have been too many photographic memories to cover, including trips to New Mexico, Alaska, New England, California, and around the world.

In some ways, the Porcupine Mountains image is my most memorable photo. Taken back in the days of film, I made this photograph on my very first “dedicated photography trip.” I spent a long weekend in Michigan’s Upper Peninsula (U.P.) for the first time since my childhood. The trip was planned with much anticipation of fall color imagery.  For the most part, even though I was there during the first week in October, I was still fairly early for foliage, and was largely disappointed in that aspect of the trip. The trip motivated many more similar excursions to the U.P., mostly in the fall.  I arrived at “The Escarpment,” in the Porcupine Mountains late on a Saturday afternoon. From the Escarpment, you can view the Lake of The Clouds, which is often photographed – especially during peak foliage. Conditions were not what I had hoped for.  It was cloudy, with a 40 plus mph wind.  I had seen images of Lake of The Clouds, and that was my goal for this part of the trip.  Foliage conditions were just starting, and I just did not see the image I had visualized. To make matters worse, the forecast called for worsening conditions, with all-out rain by morning.  So I took a number of images, using a much faster shutter speed and lower aperture combination than I normally would have, bracing the tripod against the wind buffets with my own weight (seemingly counterproductive).  Unlike these days, you could not see a representation of the result on the back of the camera.  I would wait until I returned home, and the photographic processor completed developing my slides.  I didn’t expect much from this location. But on the light table, this one image jumped out at me. It is perhaps the only “keeper” from that take. As I viewed it, I realized that the contrast between the lingering greens, the precocious reds, and the developing oranges and yellows, was actually more visually interesting – indeed satisfying – than some of those images that I had seen that were a complete wash of fall color. There is a photographer’s saying:  “F8 and be there.” I don’t think this was F8, but I was there, and this is what I found. The image here, is prepped for printing, and may look a bit saturated. But I did not touch the saturation sliders in Photoshop.  Instead, I used an old technique (surpassed for most of us by plugins such as NIK Viveza 2), converting the scanned image to LAB color space and making adjustments to the A and B curves. This image has continued to be my best selling photo. It hangs in the main conference room of my law firm’s offices, and draws many comments.

Mad River
Waitsfield, VT
Copyright Andy Richards 2010

In 2006, after much bragging to my best buddy, Rich Pomeroy, about the “best fall foliage in the world, bar none,” he called my bluff and we took a week long trip to Vermont. We had take many business trips together before, but this was our first “together” photography adventure. I am delighted to say that we have made numerous other photo trips, and will make many more in future years.  But this one turned out to be kind of a bust. We went during the last part of September and very early October. All during the week, we wished we had waited a week, as the foliage was again in very early (almost non-existent) stages. We worked hard to find some foliage and though we had a lot of fun and made some memorable images, it wasn’t what we had anticipated. Determined to “find” those colors I remembered from my youth in the 1970’s in Vermont, I returned – alone this time – in 1997, a week later. During that trip, I spend a couple nights in central Vermont, driving along it famed Route 100. Mother Nature can be fickle, and the colors were – once again – not as nice as I had hoped (this time a bit past peak in many places).  One morning, I was headed for a waterfall that has turned out to be (in my opinion) unremarkable;  Moss Glen Falls in Granville. But on my way, I got waylaid by a vision:  some color off in the distance of a scenic turnout.  The turnout turned out (see what I did there 🙂 ) to be a nice series of drops in the Mad River. The Mad River is really just a stream or creek that is not really navigable.  It is also the namesake of “Mad River Canoes,” originally built by hand in Waitsfield, where this very same stream wandered through his back yard. A drizzly rain was falling, but I donned my wading boots and spent 2 1/2 hours shooting there.  The image here was actually on a return trip in 2010, when I brought Rich back to “prove” my assertions about Vermont foliage 🙂 . That morning was a magical time. I was all alone with the subject, which remains a really photogenic series of waterfalls.

Otter Cliffs Sunrise
Copyright Andy Richards 2009

In 2009, Rich and I made another memorable photo trip; this time to Acadia National Park in Bar Harbor, Maine. Bar Harbor is a quaint little touristy town with just enough non-photographic things to keep our spouses entertained (well, for about a day that is – but we were there for a week 🙂 ). Acadia is probably one of the most photographed National Parks. There a numerous books about the Park Loop Road, and all the different photographic venues. Otter Cliffs is one, but it is most often viewed more distantly, from another cliff to the north.  From the vantage point, you cannot even see this cobblestone beach. I had a friend who strongly recommended that I “work” to find this spot, which is a cobblestone beach that is not well documented or marked (at least, it wasn’t in 2009). The directions in the books don’t really reveal it, but with some perseverance, and some insight from him, we did find it. We visited it for 3 successive mornings in the pre-dawn, before we got this one. There is really nothing like being in a location like this, literally alone, and watching the sunrise and the morning develop. It was a location worth “working” for.

Burton Hill Road
Copyright Andy Richards 2010

Vermont has a special place in my heart. Readers here know I make period trips to Vermont to photograph; usually during the vaunted fall foliage season. I wrote my first eBook on this very topic.  As I did my homework, planning each trip, researching and hobnobbing with members of the Scenes of Vermont forum, I “met” two of my wonderful friends, both of whom also happen to be talented photographers and writers. Al Utzig and I carried on a e-mail correspondence for several years before I finally had the pleasure of meeting him in person. We were good friends by that time and the face-to-face didn’t change that (for me at least – I’ll let Al be the judge of it 🙂 ). Carol Smith, who many of you know as my co-author for the current edition of Photographing Vermont’s Fall Foliage,” was a frequent poster on the Scenes forums and we were all soon to learn, an extremely knowledgeable and observant resource for wannabe Vermont photographers. She was of immeasurable help to me on the first edition and it was a logical progression for her to co-write a second edition which contains much more information, primarily from Carol. In the process we also became good “online” friends. In 2010, Rich and I returned to Vermont. I was there for a week, but Rich was only able to join me on the southern part of the trip for about 3 days.  This trip began with a group of us (particularly Al, Carol and me) meeting at Carol’s Barton house in anticipation of a next-day, early morning “tour,” led by Carol. This was my first face-to-face meeting with Carol, and to my surprise, she still loves me :-). We started at Bean Pond along the US 5 highway, for a foggy sunrise over the pond. The time and images were magical, but while Al and I gushed, Carol promised that the best was yet to come. And boy, was she right. The Burton Hill Road image is by far my personal favorite Vermont image, and perhaps my most “successful.” After others had left, Carol and her very patient husband, guided me around several other areas, including the Craftsbury Common image that appears on the cover of the Vermont eBook. But that morning is one of the most memorable times of any photographic trip. And I got to enjoy it with two of my very favorite friends.

Eagle in Flight
Copyright Andy Richards 2010

Some years were big travel years for me. Others not so much. 2010 was one of those big years. In addition to another trip to Vermont, my wife, son and I went on our first cruise; the Inside Passage from Vancouver, B.C., to Whittier, Alaska. It introduced us to cruising (which to my surprise, I really liked), which has opened travel doors to us throughout the world. There were hundreds of images taken on that trip to Alaska, with some pretty great photographic opportunities.  But the most memorable image of that trip came as a complete surprise to me. We were signed up for a “deadliest catch” look-alike excursion (sans the cold and ice and heavy oceans). When we came ashore, one of the crew who met us saw my “big camera” and said “I see you came prepared. We are going to get some eagle photos for you today.”  Right. He was a tour guide. He certainly wasn’t going to promise me crappy photos.  🙂 I think we were scheduled to be out for 3 1/ or 4 hours, during which they talked about the history of these fishing boats (the boat was an actual boat used in the Bering Sea, just like the ones on the “Deadliest Catch” series, which had been shipwrecked, and then salvaged and retro-fitted with observation seating).  All very interesting, but no “knock your socks off” eagle photos. We saw some, but they were a long way in the distance. At the end of the cruise, they announced that they had a special treat for us, and took us by an uninhabited island, which was in native waters (by U.S. treaty) and therefore not subject to U.S. laws. As I looked, I saw a solitary eagle perched in dead tree. O.k. Then I suddenly heard “plop.” “Plop, plop.” The crew was up in the flybridge tossing bait into the water. The skies next to our boat suddenly turned into what I can only describe as a air to air dogfight as about 30 eagles all appeared, diving and often fighting for the food. I really wasn’t prepared and it all happened in about a 5 – 10 minute sequence. But in spite of my ill-preparedness, I was able to get several good shots. This one is my favorite. I doubt that I will ever get an opportunity to photograph eagles in flight from that close a position again. As our first cruise, it was hard to have it come to an end, with so many amazing and new experiences. But it did. It marked the end of a great trip – and the beginning of many more.

San Francisco Bay Bridge
Copyright 2011 Andy Richards

In 2011, instead of a fall foliage trip, my wife and I opted to spend a week in California during the first week in October. My daughter lives in San Francisco, so we used that as a staging point, with an overnight excursion to Napa for some wine tasting. Lots of memories from that trip. My daughter’s place at the time was in downtown, south of Market Street (SOMA). She was just two blocks south of Market and just a few blocks west of the Bay Bridge, the Embarcadero and the eastern part of San Francisco bay. I was up early and somewhere on the street each morning by sunrise or earlier (the 3 hour time differential was a positive, making it easy for me to wake up and roust early). What I really noticed was the relative stillness, just before the world “wakes up.” I made numerous images of the Bay Bridge, which is a favorite subject of mine (I prefer these images to those I have made of the more famous Golden Gate). But this one, I think, best illustrates that early morning pre-dawn calm and stillness.

Blue Angels
Fleet Week
Copyright Andy Richards 2011

That trip had other memories. We made friends with a couple of the winery owners, and in later years would travel with one of them, to the Caribbean and to Ireland, as well as returning to the vineyard when back in California. But the unexpected and incredible opportunity of shooting the air show put on by – mostly – the U.S. Navy, during its San Francisco “Fleet Week,” is one of those once-in-a-lifetime opportunities. We shot from the ground for over an hour as the planes flew low over us. I worked hard to capture a “bloom” from the jet fighters as they broke the sound barrier. Because sound and light do not travel at the same speed, it was touch to anticipate. I got just one. But am pretty pleased with it.

New River Gorge Lookout
Copyright Andy Richards 2011

Returning to California, Rich and I were able to sneak in a quick 3-day trip to West Virginia’s Babcock State Park, to photograph the often photographed Grist Mill in fall foliage. While we probably missed the peak near the mill, we were able to find peak foliage around Boley Lake in the park. What made this trip special was my first opportunity to meet one of my photographic mentors and a great inspiration to me, James Moore. Jim is an uber-talented nature photographer with many sales and publications; primarily in and around West Virginia. We had become on-line friends a year or two before, and he had a group he was guiding there photographing earlier in the week. Jim was still there when we arrived, but left early the next morning.  We had a nice time to chat and he gave us some great insight about when and where to shoot in the park. In 2012, Jim did me the great honor of asking me to act as a guide for one of his photography workshops in Michigan’s Upper Peninsula. Jim had heard a lot about it but had never visited there. We spent a great week, learning, shooting, and watching the foliage develop from pre-peak to full peak conditions. Jim had some health problems later in life and sadly those of us who knew and admired him have lost touch. For the West Virginia image here, my model was Jim, and the New River Gorge lookout was one of his favorite spots in the park.

Oxbow Bend
Snake River, Wyoming
Copyright Andy Richards 2011

2012, marked yet another photography trip with my buddy, Rich (and spouses). We joke a lot because I am a “planner” when it comes to these trips. I have usually figured out what I want to shoot, how to get there, how long it will take, and what time of day to be on site. For the most part, Rich is happy to let me do that, and quite often comes home with the better image. 🙂 A couple years before, Rich had attended a photography workshop in Jackson Hole, and the Grand Teton National Park. We both wanted to go again. This time I showed up and Rich was the guide. What a fun and memorable week with many great photo opportunities. As an old school photographer (or maybe just an old photographer), when it comes to scenic shots, I think in terms of a print. What we all want to bring back is a “wall-hanger.” Over the years I have made, printed and framed a number of my images. None has been better that this image of Oxbow Bend. We arrived here (I think the second time) in the pre-dawn hours and there was frost on everything. As the sun rose, the warmer water temps created a wonderful low fog over the bend in the river. May some white cotton-candy clouds would have enhanced this, but it was a great morning and I knew walking away from this shoot that this would be a wall-hanger.

Venice
Copyright Andy Richards 2013

2013 was a huge year for us. My wife came from a military family, so she had done some limited world travel as a young person. But in our adult lives, we had not traveled out of the U.S. except for a couple trips to the Caribbean, and Canada (which really doesn’t seem like it counts 🙂 ). We decided to kick our cruising up a notch, and booked a Mediterranean Cruise. In many ways, it may have been the most memorable of all of our cruises. It was our third cruise on the Princess Lines, and we were booked on their newest, and best ship. We were excited to see the world over the next two weeks, disembarking from Venice and ending in Barcelona. The cruise ship decided it wouldn’t cooperate, and our cruise was cut short. There was, however, a happy ending to that.

Gondolas
Copyright Andy Richards 2013

As is our custom, we planned to spend 3-4 days in our originating port city before boarding the cruise ship. We walked around Venice for 3 days and boarded the ship thankful for an immediate “day at sea,” exhausted.  But what I can say about Venice is that it is wall-to-wall “eye-candy” for the photographer. I have hundreds of Venice images, but the two shown here represent moments that separate themselves from the others.  The Gondolier was a case of right time, right place. I was looking for shots, and heard them coming. I found this setup and was blessed with wonderful early morning sunlight. The covered gondolas is not original on my part. I had seen at least one other photographer do this. What it would need was very early light in order to make an exposure long enough to capture the motion of the rocking gondolas. This meant either very early morning, or evening. I chose morning because there would be less people, and less activity on the Grand Canal, producing just some gentle rocking. I use this image on my Facebook LightCentric Photography Page Cover.

Lombard Street
San Francisco
Copyright Andy Richards 2014

In 2014, we returned again to San Francisco for several days. I made more trips to the Bay Bridge. I also walked to the San Francisco Giants ball stadium. My daughter took us to Lands End, to see the Golden Gate Bridge from a different perspective, and to Jones Beach. But what I remember the most is walking from our SOMA location, all the way across town and uphill to Lombard Street (the famous s-curved, brick-paved, switchback street that is a “must photograph” when you visit). I made the usual images (except for the nighttime shot with the streaky headlights). Then I looked for something else to shoot. A unique perspective that possibly nobody else had ever done. I think I might have been successful.

Sailboat
Narragansett Bay, Newport
Copyright Andy Richards 2016

In 2016, I made a last minute trip to join my buddy, Rich, who was in Newport, Rhode Island for business. I flew in on Thursday evening and we spent two days shooting.  Friday morning, I was on my own and walked around the downtown area and the wharfs, making lots of photos of boats, buildings, etc. Everything was a more or less nautical theme. That evening we went to shoot a lighthouse that Rich had found earlier in the week (Castle Hill Light). This was a photogenic lighthouse, and as we often do, we arrived early to scout best perspectives for shooting. And then we waited on the light. It is often worth waiting for the absolute last of the light to see if anything magical happens in the sky. To our west, the sun set over Narragansett Bay, with beautiful orange skies, but no real photographic interest. But as we watched and waited, this white sailboat approached and passed. Knowing a little about sailing from my past, I made note of the wind, and calculated that the boat (it was actually a large, tour charter boat on the last leg of the day) would come about and come back toward us. I quickly swiveled my tripod head around, took some metering measurements, and waited to frame the boat where I wanted it to be.  I knew I would get 2-3 shots at best of this quickly moving boat.

Tokyo Tower
Copyright Andy Richards 2017

2018 has been kind of a slow year, photographically. But we absolutely made up for that in 2017. In July, we spent a week in Tokyo and Kyoto, Japan. We saw many amazing sights and I did my usual early morning walking around both cities. I was intrigued by Tokyo Tower, lit at night, and worked hard to find a good place to photograph it from. I took a few from a couple different places. But it turns out that the best I could do was through the window of our Tokyo Hotel.

Santorini, Greece
Copyright Andy Richards 2017

In September, we made our 3rd, and much anticipated Mediterranean Cruise. We again spent several days in Venice. One of the other places I had seen and wanted to shoot was the Greek Island of Santorini. We had a wonderful tour guide, who happened to also be a photographer, and he the right time and place for us to be to get shots I am certain I would never have found without his help, in spite of the research I had done.  Did I mention that Venice is “eye-candy” for photographers? Ditto Santorini.

Well.  This was an interesting exercise for me.  I tried to keep it to not more than 15 images. There were many more that perhaps fit the bill. And I am sure there will be more to come. As always, thanks for reading.

 

Advertisements

Photographing the Michigan U.P.; Update – Iron Mountain Area

Fumee Falls
Iron Mountain, MI
Copyright Andy Richards 2018

As I noted in my recent blog about my quick U.P. trip this fall, I did have an opportunity to scout two new areas.  The first was the Escanaba Area, and particularly, the Garden and Stonington Peninsulas, which I covered in the previous blog.  My plan was to to shoot as much as possible around the good light, but if the weather was uncooperative, to make the approximately 1 hour drive to Iron Mountain, Michigan.  Perhaps unfortunately, the weather was not very cooperative all weekend.

Fumee Falls
Iron Mountain, MI
Copyright Andy Richards 2018

Perhaps best known these days for its provenance for nationally noted sports coaches, Iron Mountain’s welcome sign boasts of being “the “proud hometown of Tom Izzo and Steve Mariucci.” But it certainly is also world-renowned for its namesake.  At one time, Iron Mountain held one of the largest iron ore producing and processing resources in the world.  There is still a mine there, which can be toured.  While I am not sure I would consider the area a photographer’s destination, a day trip would probably be filled with opportunities.  The color in Iron Mountain was still nice, but well past “peak” when I was there in the second week of October. Escanaba is approximately 50 miles further west (from Escanaba) on U.S. 2. Being inland and at a higher elevation, this area’s probable normal “peak” is late September to early October.

Fumee Falls
Iron Mountain, MI
Copyright Andy Richards 2018

The area is blessed with some nice natural phenomena, including rivers, waterfalls, rocky foothills, and lakes.  Just east, and outside of town, there is a roadside stop for Fumee Falls.  Fumee is perhaps the most accessible of the numerous waterfalls in the Michigan U.P.  This was my first trip to these falls.  There are two drops visible from the roadside, with a small, photogenic footbridge across the stream at the bottom of the second and larger drop.  Many years of visitor traffic has resulted in significant erosion of the original falls area, and today, viewing is restricted to the boardwalks which border the falls.  While this perhaps limits the photographer’s access, it hopefully preserves the falls for the future.  Although the light was terrible, I was able to make a couple “record images.”

Lake Antoine
Iron Mountain, MI
Copyright Andy Richards 2018

Just to the Northeast of the downtown area, is a nice small lake, Lake Antoine.  The northern 1/2 of the city of Iron Mountain borders the west endo of the lake. There is a significant residential presence around the west side of the lake.  On the east end, is Antoine Park, a public beach, picnic and boat launch.  I found a small memorial park with a fishing pier on the way to the lake, and make a couple images.    Antione Lake Road loops around the lake and crosses U.S. 2 both to the east of and to the north of town.

Understory; Fumee Recreation Area
Iron Mountain, MI
Copyright Andy Richards 2018

About 4 miiles east of downtown is the small community of Quinnesec.  In about 2 1/4 miles, you will come to County Road 10 (a/k/a “Upper Pine Creek Road), which goes north, to The Fumee Recreation Area. The entrance is marked, but it is a rustic sign, about 1 mile north of U.S. 2.  There is a parking lot and no motorized travel is allowed beyond. There are two lakes, “Little Fumee Lake,” and “Big Fumee Lake.”  The recreation area has several trails around both lakes, with a total of about 8 miles of trails, which are used by walkers, runners, bicyclists and horseback riders.  I walked the short trail around “Little Fumee.”  Again, the light was awful, but I could see the possibility of some nice imagery.

Fumee Recreation Area
Iron Mountain, MI
Copyright Andy Richards 2018

On the county road in to the recreation area, I also found some nice farm scenery.  The shot here is on what appears to be a private road, called “Baclack Road.”

Farm near Iron Mountain, MI
Copyright Andy Richards 2018

 

Escanaba Area; (Update – “Photographing Michigan’s UP”)

Sturgeon River
Nahma; Michigan U.P.
Copyright Andy Richards 2018

Six years ago, I made my first gambit into “publishing.”  That word used to be a big deal.  These days?  Not so much.  With just a little initiative and some cash, anyone can now publish online.  So, in 2012, believing there was a need,  I published my first eBook, “PHOTOGRAPHING VERMONT’S FALL FOLIAGE.”  The book was the result of my personal experience with a dearth of current, useful information about “places” in Vermont that I had seen in print, but did not know how to find.  So I began keeping relatively detailed notes on my own shooting experience in the two places I have spent the most time in:  Vermont and the Michigan Upper Peninsula.  The book (now in its 2nd edition – 2017) seem to be relatively well received, and so, I decided to add the Michigan eBook, “PHOTOGRAPHING MICHIGAN’S UPPER PENINSULA,” to the mix.  By the time I was ready to pursue publication in earnest, I realized that my own personal experience was not enough.  Adding a co-author (done, now for both books) would at least double the coverage and give the reader not only more material but new and different insights.  With that in mind, Kerry Leibowitz and I co-authored and published the Michigan UP photography book (when a second edition will be in the outing remains to be seen).  Until that does occur, the best that I can do is to try to update readers with new information here, and hope it somehow gets “out there.”

The Munising area, with Pictured Rocks National Lakeshore and The Hiawatha N.F., still remains the “most bang for the buck” destination

The Michigan e-Book had a perhaps unbalanced focus on the northeastern U.P., particularly in the area between Munising and Paradise.  This encompasses much of the “Pictured Rocks National Lakeshore,” and the Hiawatha National Forest.  But my continuing research seems to support the proposition that this is still one of, if not the most fertile ground for the outdoor and landscape photographer.  There is just so much to shoot in a fairly compact area, that it remains the most “bang for the buck” destination, especially for a new visitor.

Having spent a lot of time in and around Munising, I only had a brief window to travel to the U.P. this fall and I wanted to explore some areas that I had only touched on and had not extensively explored.  The eBook has only coverage of Fayette State Park, and a couple nice waterfalls in this area (all of which I had visited on a short trip in late October, 2007).  So this year, I spent the better part of 3 and 1/2 days driving and exploring (and occasionally shooting) in the Escanaba area.  I’ll summarize some of my “findings” here.

Farm on Stonington Peninsula; Michigan U.P.
Copyright Andy Richards 2018

The area which I am calling “The Escanaba Area” is a part of the U.P., which is basically the south-central part of the main peninsula, nearly bordering on Wisconsin.  The area is bounded on the south by Lake Michigan.  To the east of Escanaba are two peninsulas, which extend south into Lake Michigan; the Stonington Peninsula, and the Garden Peninsula. Stonington is the first peninsula, to the east of Escanaba, and forms Little Bay De Noc and Big Bay De Noc, between the “mainland” and the peninsula.  My hastily planned trip had not included any particular destinations on this peninsula, but perhaps some driving and exploring.  I have a friend who has a cottage on the Stonington Peninsula, however, facing Escanaba, and I was able to stop and see him – and get some suggestions for possible shooting locations.  The bays De Noc and their peninsulas reach toward the iconically famous “Door” Peninsula of Wisconsin which forms Green Bay, in Lake Michigan.

Fayette State Park is a location definitely worth a stop

Originally, my primary focus was originally on the Garden Peninsula.  I arrived there on Friday afternoon.  “Garden” sounds awfully inviting.  I am not sure where the name comes from, but it is really not anything unique as far as Michigan goes.  Fayette State Park (an old iron smelting operation in the late 1800’s) is a few miles down the west side of the peninsula.  The area was preserved as a State Park in 1959, and the grounds are nicely kept.  Most of the old buildings, including brick blast furnaces, some housing, and timbers in the area where the ore boats docked, have been preserved.  Most of the trees around the park, including up on the bluff behind the harbor, are Beech, Birch and other varieties, which tend to turn a bit later and last a bit longer than the more colorful Maples.  They are more yellow, rust and orange in coloration, but still provide a nice photographic opportunity.  There are a couple very large maples on the grounds near the furnaces that seem to also turn later.  Most of the U.P. was well past peak the weekend I was there.  The harbor, called “Snail Shell Harbor,” is a harbor of refuge on Lake Michigan and has a nice modern harbor which can hold just a few boats at a time.  My shot of the old crib timbers was made from the modern harbor, and is one of my favorite “U.P.” Images.

Fayette State Park, Michigan U.P. – Copyright 2007 Andy Richards

The drive down to Fayette State Park begins at the small community of Garden Corners, at the northern base of the peninsula, where U.S. 2 intersects with MI 183.  As you follow down toward the park, you pass through the town of Garden.  It appears to be a mix of farm and summer dwellers, and there is nice harbor – Garden Bay – that the town borders.  Wikipedia notes that it has a year-round population of less than 1,000 people, and the median income is well below the U.S. officially published “poverty” line.  As I approached Garden, I was greeted by the bittersweet view of one of the near-ubiquitous “Wind Farms,” that have cropped up over the State of Michigan.   I am certainly cognizant of the desirability of cultivating renewable energy resources.  And where there is water, there is wind.  At the same time, It is hard to see these massive, whirly-gig, towers as bucholic or photogenic.  Form subsequent research, I learned that this was the first wind farm in the U.P.  It has been the subject of some controversy, and appears at the moment, to be the only such farm in the U.P.

Unfortunately, I saw very little sun and experienced mostly grey, dreary sky and drizzle for most of the weekend.  While overcast conditions can sometimes enhance colors, in my opinion, there is only so much you can do without including the sky in landscape photos.  So This weekend would not turn out to be very good for shooting.  I drove the perimeter of the Garden Peninsula, including a stop at Fayette State Park.  By this time of year, the park is essentially closed up for the season (although I think it was still “officially” open), and almost deserted.  That is actually a good thing for a photographer.  I briefly walked parts of the park, and confirmed in my mind that this is a location definitely worth a stop.  I took a couple cross-roads, also, as thought I had recalled some “long view” farm scenes which might reveal some fall color as well as views of the lake in the background.  It may well be that inhabitants of the area could tel me otherwise, but I did not find anything really worth a stop on the balance of the peninsula.

Farm Scene; Stonington Peninsula; Michigan U.P.
Copyright Andy Richards 2018

The Stonington Peninsula, however, revealed several worthwhile items and some rather picturesque driving, particularly along the eastern side of the the peninsula.  Though not necessarily providing the “long view” of Lake Michigan in the background, there were – nonetheless – some nice farm views.  Had the weather been more inviting, I might have spent more time exploring some of the side roads and shooting.

View From Farmer’s Dock
Stonington, MI
Copyright Andy Richards 2018

My first “stop” in Stonington was provided by my friend who had the cottage nearby.  There is a public boat launch just south of the small community of Stonington, called the Farmer’s Dock.  There is a nice rock bluff to the northeast across the water, that was nicely lit by the only sunrise I saw all weekend.  Saturday morning turned out to have some early sun and then some late sun, alas with the same cloudy, dreary conditions in between.  My research told me that sunrise was around 8:00 a.m. (one of the positives of fall shooting is that the days are shorter – which means the mornings aren’t so awfully early 🙂 ).  My hotel was about 45 minutes from the dock, so I left at 7:00.  The dock is just under 14 miles down Delta County Road 513, from the intersection of U.S. 2, east of Rapid River.  The boat launch entry is on Swede 13 Road.  While I cannot say this is a recommended destination, if you are in the area, it has some promise.

After the sunrise, I headed across the peninsula, in search of a “tunnel of trees” my friend also recommended.  About 2 miles back north from the Swede 13 Road intersection, on CR 513, you come to the intersection of CR513 and Old K10 17 Road (approximately 12 miles south from U.S. 2).  K10 will take you east across the peninsula.  In about 6 miles, you will cross County Road 511.  In about another mile, you will turn south and after about another mile, east again.  At some point the road will have changed from pavement to gravel.  As you round the bend, you will see the tree tunnel, which appears to go on for about 2 more miles.  Colors were mostly yellow, gold and orange.  But it is an impressive tunnel.

Tree Tunnel
Stonington Peninsula
Michigan U.P.
Copyright Andy Richards 2018

I drove a few more of the back roads on this part of the Peninsula, but really didn’t find much else to photograph. There are lots of “curve in the road” shots, but none that really got me excited. I did follow County Road 513 to its southern end, on Peninsula Point, where the Peninsula Point Light stands. It is not a particularly noteworthy or photogenic light, and I did not even take a “record” image. For the lighthouse hunters out there, it may be worth the drive, though the last mile or two is a narrow 2-track.

Stonington Peninsula
Michigan U.P.
Copyright Andy Richards 2018

I drove up the eastern side of the Peninsula during the balance of the morning, and then down the coastline along Lake Michigan to the historic town of Nahma.  County Road 513 goes nearly the entire length of the peninsula, and to the north, is where I found some nice farm scenes.  Again, the poor shooting conditions meant that I didn’t make as many stop, nor explore the side roads as much as I might otherwise have done.

Farm; Stonington Peninsula
Michigan U.P.
Copyright Andy Richards 2018

My morning ended by visiting the so-called historic town of Nahma.  While it may have some charm in the busy summer months, there was little going on there this afternoon.  They do have some pretty well preserved natural areas.  I stopped a couple times along the Sturgeon River, which empties into Lake Michigan just west of the little downtown.  The opening image was made there.

I spent my afternoon driving up the Hiawatha National Forest Road H-13, up to just south of Munising.  The sun peaked out for an hour or so that afternoon and I visited the old haunts: Pete’s Lake, Mocassin Lake, Counsel and Red Jack Lakes.  Hot afternoon sun made any shooting pointless, but I was able to confirm that they still hold their place as premier shooting destinations.

Headed back toward Escanaba, I decided to find a rather difficult to find, waterfall; Whitefish Falls on the way home.  I was able to find it, and discovered some significant changes, which I will discuss in an upcoming blog.  I finished the day at the National Forest Campground boat ramp back on the Stonington Peninsula.  The entrance to this boat ramp is  just 2 miles south of U.S. 2 on County Road 13.  There was some nice color there, but I was really too late for any good sunlight for shooting.  But Mother Nature obliged me with the only sunset I saw all weekend.

Sunset; Little Bay De Noc
Stonington Peninsula
Michigan U.P.
Copyright Andy Richards 2018

Here We Go Again (It’s Fall!)

Second Edition!

Here we go again.  It’s fall foliage photography season.  Are you ready?

Reflections; Cascade River, Minnesota

Over the nearly 10 years since I started blogging here, I must have blogged about fall color and foliage a dozen times.  Maybe More. Not surprisingly, it remains a favorite subject for me.  For some who are fortunate enough to have great foliage photo-ops in their backyard, what I will say here may not apply. But for perhaps the vast majority of us, these opportunities often come only after travel to a more aesthetically accommodating venue.

Somesville Town Hall and Bridge
Somesville, Maine
Copyright Andy Richards 2009

I have traveled to New England (prominently: Vermont), the Upper Peninsula of Michigan, Maine, Minnesota, West Virginia, Virginia and New Mexico, in various years, to photograph fall color. Vermont has long been a love of mine, and I have made numerous trips there; enough to prompt me to take my first foray into “publishing” with the first edition of “Photographing Vermont’s Fall Foliage” in 2012.

As the previous blog notes, I am very happy to announce the 2nd Edition of this book, with updates and substantial additional locations (the first edition is no longer available, as the sellers required that it be removed from circulation in order to sell subsequent editions). The New Edition is currently available on Amazon, Apple, in the iBookstore, and Kobo.

Maple Leaf
Stowe, Vermont
Copyright Andy Richards 2005

Many of the persons I communicate with at this time of the year are primarily leaf peepers with cameras. For those folks, go and enjoy! For serious photographers, I want to make a few observations, based on my own travel experience.

Miner’s Castle; Pictured Rocks National Lakeshore
Michigan U.P.
Copyright 2012 Andy Richards

Preparation is Key

Mental preparation is the most important piece of this. Just because it is fall foliage season, doesn’t mean the rules for good photography change :-). It is important to be thoroughly familiar with the gear you will be using, as the “window” for a great image is often very short, and you may only have one chance to visit the location. In 2010, prior to my planned week-long trip to Vermont, I hit a milestone of sorts, in my own photography.  I had always planned my locations and tried to find as much “intel” about a location as I could.  But this time, I focused less on those details, and instead gave some contemplative thought to what I wanted to present visually, emotionally, and artistically.  I think this contributed to one of my most successful trips.

Hiawatha NF Color Sections
Michigan U.P.
Copyright 2012 Andy Richards

What you can take on a trip is also always a consideration. When I shoot near home, or somewhere I can drive to, the photographic gear I will take is generally only limited by what I own (and can afford).  When flying, you really have to consider weight, and bulk. Most of us do not feel comfortable checking a bag with photo gear in it for a number of reasons. So what can you carry on, along with your other needs?  One of the miracles of modern technology is the ability to make great images with a lighter, simpler gearset.  For “casual” travel (I define that as any travel I do that is not specifically and solely dedicated to photography), I now carry a very small, packable carbon fiber tripod and the RXSony 100 iv (a point & shoot sized camera, with some professional credentials).  Even when I go on a dedicated photo shoot, the camera, lenses and tripod are much small and lighter than in the past.

Glade Creek Gristmill
Babcock State Park, WV
Copyright 2011 Andy Richards

A better question might be “what lens will you use?”

Photographic gear is a subject that is often over-thought, in my opinion.  Cameras, lenses, filters, and accessories are — for sure — tools that are necessary to the making of an image.  And there is no doubt that higher quality tools can render a technically better result.  If that is what you seek.  I have already read, several times recently, the question:  “what is the best lens for foliage photography?”  I don’t think there is a “correct” answer to that question.  A better question might be “what lens will you use?”

Tahquamenon Falls
Michigan Upper Peninsula
Copyright 2004 Andy Richards

However, that there are other considerations that will have a more direct bearing on the successful image.  Understanding light, and composition will have much more effect on imagery, in my view, than any other factor.  This assumes, of course, that you already have a solid grounding on exposure principles, how to focus the camera, and considerations of aperture and depth of field.  This relates directly back to the first point:  preparation.  If you do not come to your subject in the best light, it will be difficult to make a really great image.  More often than not, this means early and late (or–think:  during breakfast and supper :-)).  Much of my more recent travel has centered around other activities, such as family time, tours, etc.  While I do make images, it is often apparent that they were not take in the “best” light, and I frequently lament that it would be nice to be at a location either very early or in the late afternoon/early evening.  If your trip is photography-focused, you will need to be mentally prepared to be on site at times that may be inconvenient to others you travel with.  When I have made my fall foliage trips, the majority of them have either been alone, or with other, equally serious, photographers.

Santa Fe Ski Basin
Santa Fe, NM
Copyright 2008 Andy Richards

Don’t forget the “other” gear you may need.  Most fall foliage locations have the potential for very warm weather, rain, and even freezing temperatures (especially at sunrise).  Hat, gloves, sunscreen, and adaptable clothing is important.

Fall Color Reflection
Copyright 2012 Andy Richards

Most important of all, though is to have fun and enjoy the process as much as the result!  Best to all of out out there and good shooting!

Burton Hill Road
Barton, Vermont
Copyright 2010 Andy Richards

Shape

Color

Last time, I wrote about color.  Color attracts.  It always grabs my attention.  It pulls the eye.  But as this image illustrates, it is about more than just color.  This image is boring.  Mundane.  In fact, pretty awful to be displayed on a photographer’s blog.  But I hope it illustrates my point.  Color is a big part of my imagery.  But there are other important ingredients. 🙂

Rose
Copyright Andy Richards 2008

Color alone will not make an interesting or compelling image

As the opening image illustrates, color, alone, will not make an interesting (and most certainly not compelling image).  Indeed it is so mundane that I didn’t copyright notice it or claim “artistic” credit.  I am sure I am not the first to have created an image very like this one.  So what’s missing?

Rocks, Lake Superior Shoreline
Copyright Andy Richards 2004

There are a lot of things that will bring interest to an image.  Line, horizon, animation (either illustrated, or in the case of many animal images, imagined).  I want to talk about shape today.

Elliot Falls
Copyright Andy Richards 2009

When I started to look through my archive for illustrations, I thought I was going to have a lot more illustrations that said “shape.”  I also thought about writing about “line.”  A topic to come.  But I was surprised that I was able to find many examples of line, or line and shape.  But fewer that shape alone provided the interest.  Some good examples appeared in the last blog.  The pottery in the shop in Istanbul was really all about color and shape.  Likewise the fans in Japan.

Shiawassee River, Owosso, MI
Copyright Andy Richards 2009

The Rose image has plenty of color.  Two primary colors in fact; red and green.  A blob (or an uninteresting shape) of red and green would not be interesting.  As a photographer, its presence would perhaps pull my eye.  But upon closer inspection, it would not tickle my photographic fancy.

Parking Structure on Wabash Avenue, Chicago
Copyright Andy Richards 2008

Nature presents us with unique and interesting shapes and textures.  The Lake Superior rocks image is another example of nature’s unique presentation of shape, texture and color.  This image might be interesting without all three of the elements.  Maybe the shape and texture would still make a viable image.  But the color attracted me, and the shape and texture of the image prompted me to make it.  Likewise, shapes make the Elliot Falls image in my view.  This Michigan U.P. waterfall is oft-photographed and it is difficult to find a unique perspective.  But the scallops in the sandstone really make this image.

Street Shops
Madrid, NM
Copyright Andy Richards 2008

I was looking for color the morning I took the Shiawassee River photo.  The background was cluttered and not very picturesque.  So I started looking for reflections.  The shape of the log creates enough interest to the eye to make this image work.  Sometimes you have to “help” nature just a bit.  The Noyes Pond bubbles image is a favorite of mine.  Without the bubbles, you have another “record” shot of fall foliage surrounding a pond.  The familiar shape of the bubbles adds interest.  I must confess that although I was involved in making the bubbles, my photograph was not the primary reason for them on this morning.  This image was made in memory of a dear friend, and enthusiastic fellow Vermont shooter.  But I think George would have loved this image. 🙂 .

Moulton Barn
Mormon Row, WY
Copyright Andy Richards 2012

Man made shapes often lend themselves to “shape” composition.  Architecture often lends itself to some dramatic images.  I visited Chicago several time over the years and always loved to walk around downtown in the early morning hours.  This well-known parking structure can be seen in the background of many images of downtown Chicago.  Its unique shape and physical prominence makes it visible from a number of viewpoint around the city.  Color once again drew my eye to the back street shops in Madrid, New Mexico.  Pastel colors abound in much of New Mexico’s architecture.  But again, without the juxtaposed rectangles throughout the image, it would be just a blob of color.  I liked that this image is made up of essentially all rectangles and straight lines.

Canadian Air Force
Fleet Week Air Show
San Francisco, CA
Copyright Andy Richards 2011

Shapes in a image can sometimes be serendipitous.  Without the contrails in the Canadian Air Force image, we would just see a handful of red dots in an shapeless, monotone sky.  The contrails make this image.

Starburst
Copyright Andy Richards 2009

And, sometimes you just have to make your own shapes.  The starburst image was taken at Christmas time of a lighted outdoor tree display in front of a large commercial building.  It just wasn’t doing it for me, so I played.  The image is shot at a slow shutter speed, on a tripod, while a zoomed the zoom lens.  But in the end, my favorite shapes come from mother nature and her random, unique artistry.  The Whitefish Falls image is but another nearly ubiquitous single drop waterfall in the Michigan U.P.  There are many of them that all look essentially identical.  To make a more unique image, I walked in close for my favorite “intimate” perspective.  I like the result as much as any shape I have ever shot.

Whitefish Falls
Trenary, MI
Copyright Andy Richards 2007

Truth in Photography (Here I go again)

Birch Clump Hiawatha NF; Michigan Copyright Andy Richards 2017

Birch Clump
Hiawatha NF; Michigan
Copyright Andy Richards 2017

[Recently, I seem to have run out of fresh, new material, which partially explains my more infrequent posts here (my goal has been one a week and over the years, I have largely met it).  When I get into these times, I will sometimes look back at prior posts to see if there is anything worth re-visiting, and through my Lightroom archives to see if anything stimulates me.  I have done that for the last 2 weeks.  Nothing.]  🙂

“truth isn’t absolute”

So, this morning, I spent some time with my friend, “GOOGLE,” and found this article, Why Facts Aren’t Always Truth In PhotographyMany will remember the Afgan Girl magazine cover that (perhaps) launched photographer Steve McCurry into international recognition.  He has recently made news (at least in the photographic world) again.  Without getting into the specific circumstances of the article (written by a colleague and fellow professional photographer, Peter van Agtmael) it’s “10,000 foot view” is, in my view, focused more on some principles of “truth” in photography that can be generalized.  And boy, did it resonate with me.  In fact, it can — I believe — be applied to much of what has gone on in the past several months over media, social media and even the coffee table.

Starting with one of my earliest posts, “Get Real,”  and for example, “Has The Digital Medium Changed Everything?,” and “Photoshop Is Not Evil,” over the years I have been writing here, I have made frequent reference to my thoughts on the use of “digital darkroom techniques” to “enhance” my own images.  I think I have made position clear when it comes to the art of photography.  But Mr. van Agtmael ventures into photography that is not made, per se, as “art.”  Rather, he addresses what I refer to as “reportage” photography.  Presumably, the image depicts things exactly as they appeared.

“We shouldn’t mistake something factual for something truthful, and we should always question which facts are employed, and how.” (Peter van Agtmael)

 

Humanity is not scientific.  Biology is.  The human brain is a scientific wonder.  The workings of human brain?  Well that is only “scientific” to the extent that it is thinking about science.  The rest?  It’s an art form for certain.  How else can both the consistency and inconsistency of human thought be explained?  And so, Mr. van Agtmael posits something we have all heard back in our own ancient histories, at some point.  In my words, “truth isn’t absolute.”  But that is a bit cliche‘.  In his much more eloquently stated words: ” ... there were a lot of loaded words like ‘truth’ and ‘objectivity’ being thrown around. I don’t really believe in these words. I’ve never met two people with the same truth, nor seen true objectivity ever demonstrably applied to anything. They are nice words, but remain aspirational and cloud a more nuanced interpretation of reality and history. We shouldn’t mistake something factual for something truthful, and we should always question which facts are employed, and how.”  I like that.  Our world is filled with millions and millions of “facts.”  We also hear a lot of opinion which is cited as fact.  But even with incontrovertible, empirically provable facts, it is still important to understand context and relevance.

Goat Island Light Newport, Rhode Island Copyright Andy Richards 2016

Goat Island Light
Newport, Rhode Island
Copyright Andy Richards 2016

The opening image here is (OMG!) altered.  I know viewers will say I “saturated” it, I “enhanced” it, etc. (maybe; maybe not 🙂 ).   But that isn’t really what I mean.  This image was physically “altered” before it was even made!  I had an image I wanted to depict, and in the crotch formed by the 3 trunks there was I small pile of dead branches which were (in my view) unsightly and distracting.  Is it relevant that I removed them and spread the leaves around a bit?  Could the image have been found the way I have presented it?  Perhaps if I were trying to depict the “pristine” quality of nature, or deny that it can sometimes be messy, the answer would be different.  I appreciate that this is not reporting on the refugee crisis and is trivial in relation to that.  But this is a photography blog, and I don’t do reportage photography.  I just thought Mr. van Agtmael’s point would resonate even in the perhaps less significant milieu of nature photography.

How else can both the consistency and inconsistency of human thought be explained?

Those who have read here previously know the story of the Goat Island Light Image.  I placed those chairs there.  “Hand of man and all that good stuff.”  Again, I don’t mean to trivialize the serious piece.  But I do think the larger point has application to all of our photography.

Fayette State Park Michigan Copyright Andy Richards 2007

Fayette State Park
Michigan
Copyright Andy Richards 2007

If the viewer looks carefully at the bottom center of this image, there is a snarl of yellow polyethlyene rope in the foreground.  A better photographer than I would probably have seen that detail and excluded it (or perhaps purposely included it, again depending on the goal of the image).  I would not perhaps shock anyone here that before I made a print of this image I (GASP!) “Photoshopped” the rope out.

Small things.  But then, from small minds ……..  🙂

But seriously, I would commend the reader to read the Peter van Agtmael piece on Steve McCurry debacle.  While you may or may not agree with me, or with its premise, I hope you will agree that it it thought – provoking.

 

 

 

The Sun Rises; Reprise

Bay Bridge Sunrise San Francisco, CA Copyright Andy Richards 2014

Bay Bridge Sunrise
San Francisco, CA
Copyright Andy Richards 2014

It seemed like 16 images were too many for a single blog post (really, 8 is probably too many, and my blogs tend to be longer than a blog should be 🙂 ).  So I split my sunrise images into 2 installments.

Bean Pond Barton, VT Copyright Andy Richards 2010

Bean Pond
Barton, VT
Copyright Andy Richards 2010

In 2010, I again visited Vermont for a fall color photography excursion.  My good friend, fellow photographer, fellow blogger, and co-author of the 2nd Edition of Photographing Vermont’s Fall Foliage, Carol, acted as my host and guide for the first couple days.  One magical place she took me too was Bean Pond, a small, unremarkable roadside pond near here home in Barton in the “Northeast Kingdom” of Vermont.  Unremarkable, that is, unless you are a photographer looking for fall foliage venues.  Since my first trip there, I have been back to the pond several times (and I am certain Carol has been there almost daily when she is in Vermont in season).  Our morning broke very cold, with frost on the ground, after a prolonged spell of heavy rain.  We knew the conditions were ripe for fog and steam rising off the pond and she had us there by twilight.  The resulting images (only one here) made the cold, early morning well worth it.

Bay Bridge San Francisco, CA Copyright Andy Richards 2011

Bay Bridge
San Francisco, CA
Copyright Andy Richards 2011

In 2011, we visited San Francisco, to visit our daughter.  She lives in downtown, which put me in the middle of one of the best photography venues I have ever visited.  Once again, the 3 hour time change worked in favor of early rising, and a 15 minute walk brought me to the Embarcadero, at the eastern boundary of the city, and one of San Francisco’s seaports with a closeup view of one of the two major bridges leading into San Francisco, the San Francisco Bay Bridge.  There are San Francisco Bay shooting opportunities all along the Embarcadero.  We returned again in 2014, and I couldn’t resist a couple more early morning walking trips to the Embarcadero.

Mocassin Lake Munising, MI Copyright Andy Richards 2010

Mocassin Lake
Hiawatha NF
Munising, MI
Copyright Andy Richards 2010

I have been traveling to the Michigan Upper Peninsula (U.P.) for many years for fall color photography.  As many readers here know, I think highly enough of the photographic potential that I have co-written an eBook on Photographing the Michigan U.P., with my good friend and fellow photographer and blogger, Kerry Leibowitz.  I have photographed Mocassin Lake many times and never cease to find it photogenic.  My writings on the U.P. and some of my imagery captured the attention of a professional photographer and teacher in Pennsylvania, James Moore.  Inn 2012, he decided to host one of his workshops in the U.P.  He asked me to be his guide.  These images were all made during the 2012 trip.  I appreciate his inspiration and I think that week was the most rewarding of all of my trips to the U.P.  I was there from the beginning to the peak of color, perhaps the only time in my shooting career.

Pete's Lake Hiawatha NF, Munising, MI Copyright Andy Richards 2012

Pete’s Lake
Hiawatha NF, Munising, MI
Copyright Andy Richards 2012

Pete's Lake Hiawatha NF, Munising, MI Copyright Andy Richards 2012

Pete’s Lake
Hiawatha NF, Munising, MI
Copyright Andy Richards 2012

In 2013 we went on two more cruises.  In January, we joined a group affiliated with the O’Brien Estate Winery in Napa, Ca, on a Caribbean Cruise.  We didn’t know a soul when we boarded.  We were fortunate to have some very friendly table mates and we ended up not only spending most of our time on board with them and another couple, but we have made lifelong friends.  We have traveled to Napa together, and they have recently visited us in our Florida home.  It was a great cruise.  As we arrived home in the early morning hours, I was able to capture this sunrise image of the Miami Skyline.

Miami, FL Copyright Andy Richards 2013

Miami, FL
Copyright Andy Richards 2013

Later, in September, we took what was my first trip out of the U.S. (Canada doesn’t count 🙂 ); a Mediterranean Cruise.  We started with a few days in Venice.  My only sunrise shot during that trip was the famous gondolas in St. Mark’s Square, which took some doing.  We were staying on the mainland, so I had to take the early train to Venice and then find my way through the maze to the square before the sunrise.  I had practiced a couple times.

Gondolas San Marco Piazza Venice, Italy Copyright Andy Richards 2013

Gondolas
San Marco Piazza
Venice, Italy
Copyright Andy Richards 2013

I grew up in the Northern Michigan town of Traverse City.  It is a resort town, and by all reports, beautiful in all seasons.  The city sits at the base of a peninsula of land (Old Mission Peninsula) which creates two deep bays (East Bay and West Bay) into Lake Michigan.  It has unique, sandy coastline and a climate similar to that of Northern California (except that winters up there are brutal and snowy).  I moved away from there shortly after I graduated from High School in 1975.  But I still have family there, and only live about 2 3/4 hours away.  It occurred to me at some point that I had spent little time photographing up there, and so, in 2014, with no major fall foliage outings planned, took a long-weekend trip up there.  I was on the high point of the peninsula, where it is possible to see both bays, at sunrise.  This sunrise image faces (perhaps obviously) East Bay.

Center Road Old Mission Peninsula Traverse City, MI Copyright Andy Richards 2014

Center Road
Old Mission Peninsula
Traverse City, MI
Copyright Andy Richards 2014