Shape

Color

Last time, I wrote about color.  Color attracts.  It always grabs my attention.  It pulls the eye.  But as this image illustrates, it is about more than just color.  This image is boring.  Mundane.  In fact, pretty awful to be displayed on a photographer’s blog.  But I hope it illustrates my point.  Color is a big part of my imagery.  But there are other important ingredients. 🙂

Rose
Copyright Andy Richards 2008

Color alone will not make an interesting or compelling image

As the opening image illustrates, color, alone, will not make an interesting (and most certainly not compelling image).  Indeed it is so mundane that I didn’t copyright notice it or claim “artistic” credit.  I am sure I am not the first to have created an image very like this one.  So what’s missing?

Rocks, Lake Superior Shoreline
Copyright Andy Richards 2004

There are a lot of things that will bring interest to an image.  Line, horizon, animation (either illustrated, or in the case of many animal images, imagined).  I want to talk about shape today.

Elliot Falls
Copyright Andy Richards 2009

When I started to look through my archive for illustrations, I thought I was going to have a lot more illustrations that said “shape.”  I also thought about writing about “line.”  A topic to come.  But I was surprised that I was able to find many examples of line, or line and shape.  But fewer that shape alone provided the interest.  Some good examples appeared in the last blog.  The pottery in the shop in Istanbul was really all about color and shape.  Likewise the fans in Japan.

Shiawassee River, Owosso, MI
Copyright Andy Richards 2009

The Rose image has plenty of color.  Two primary colors in fact; red and green.  A blob (or an uninteresting shape) of red and green would not be interesting.  As a photographer, its presence would perhaps pull my eye.  But upon closer inspection, it would not tickle my photographic fancy.

Parking Structure on Wabash Avenue, Chicago
Copyright Andy Richards 2008

Nature presents us with unique and interesting shapes and textures.  The Lake Superior rocks image is another example of nature’s unique presentation of shape, texture and color.  This image might be interesting without all three of the elements.  Maybe the shape and texture would still make a viable image.  But the color attracted me, and the shape and texture of the image prompted me to make it.  Likewise, shapes make the Elliot Falls image in my view.  This Michigan U.P. waterfall is oft-photographed and it is difficult to find a unique perspective.  But the scallops in the sandstone really make this image.

Street Shops
Madrid, NM
Copyright Andy Richards 2008

I was looking for color the morning I took the Shiawassee River photo.  The background was cluttered and not very picturesque.  So I started looking for reflections.  The shape of the log creates enough interest to the eye to make this image work.  Sometimes you have to “help” nature just a bit.  The Noyes Pond bubbles image is a favorite of mine.  Without the bubbles, you have another “record” shot of fall foliage surrounding a pond.  The familiar shape of the bubbles adds interest.  I must confess that although I was involved in making the bubbles, my photograph was not the primary reason for them on this morning.  This image was made in memory of a dear friend, and enthusiastic fellow Vermont shooter.  But I think George would have loved this image. 🙂 .

Moulton Barn
Mormon Row, WY
Copyright Andy Richards 2012

Man made shapes often lend themselves to “shape” composition.  Architecture often lends itself to some dramatic images.  I visited Chicago several time over the years and always loved to walk around downtown in the early morning hours.  This well-known parking structure can be seen in the background of many images of downtown Chicago.  Its unique shape and physical prominence makes it visible from a number of viewpoint around the city.  Color once again drew my eye to the back street shops in Madrid, New Mexico.  Pastel colors abound in much of New Mexico’s architecture.  But again, without the juxtaposed rectangles throughout the image, it would be just a blob of color.  I liked that this image is made up of essentially all rectangles and straight lines.

Canadian Air Force
Fleet Week Air Show
San Francisco, CA
Copyright Andy Richards 2011

Shapes in a image can sometimes be serendipitous.  Without the contrails in the Canadian Air Force image, we would just see a handful of red dots in an shapeless, monotone sky.  The contrails make this image.

Starburst
Copyright Andy Richards 2009

And, sometimes you just have to make your own shapes.  The starburst image was taken at Christmas time of a lighted outdoor tree display in front of a large commercial building.  It just wasn’t doing it for me, so I played.  The image is shot at a slow shutter speed, on a tripod, while a zoomed the zoom lens.  But in the end, my favorite shapes come from mother nature and her random, unique artistry.  The Whitefish Falls image is but another nearly ubiquitous single drop waterfall in the Michigan U.P.  There are many of them that all look essentially identical.  To make a more unique image, I walked in close for my favorite “intimate” perspective.  I like the result as much as any shape I have ever shot.

Whitefish Falls
Trenary, MI
Copyright Andy Richards 2007

Color

Shop; Istanbul, Turkey
Copyright Andy Richards 2014

Hey there.  I have been “MIA” lately.  A series of “life events,” together with the general malaise I usually feel during the winter months, have conspired against my writing.  Where I live, we get snow, but it is “dirty” snow that melts.  There is no “snowy landscape” shooting around here.  I was able to get some Florida shots in the early part of the winter.  We still don’t have anything shoot-worthy here right now.  It is cold and mostly wet.  But there is hope.  We do have early leaves on the trees, and green plants and dandelions.  Now we just need some warm sun to produce some flowers.  So here we are.

Residence; Clontarf, Ireland
Copyright Andy Richards 2014

Color.  I think it is pretty well-accepted that color attracts.  I know it does for me.  I see color and I tend to gravitate toward it with my lens.  I have shot and presented in color for the better part of 35 years.

Venice, Italy
Copyright Andy Richards 2013

I have shot B&W.  I shot it as a “reporter-photographer” for my college newspaper and yearbook.  I shot a whole roll of of the beautiful cherry blossoms around the Tidal Basin in Washington D.C. once — accidentally.  But that’s another story  🙂 .  And I tell myself I will spend some time one day seriously looking at B&W as a photographic art.  I am truly impressed by the successful B&W shooters out there.  It is hard.  Especially for the nature and outdoor topics that I like to shoot.  But that’s another topic on another day.

Shop; St. Maarten
Copyright Andy Richards 2012

So, color.  I was recently doing some “maintenance” on my LightCentric Website, and noticed a couple images that–after I worked them up to post to the site–I had not really ever paid attention to.  And I wondered why?  Why did I even make these images.  Yes, they are often typical to the culture where I made them.  And I was there.  Those are pretty good reasons.

Istanbul, Turkey
Copyright Andy Richards 2013

But what made me shoot them?  As I looked at them and thought about it, the answer came almost immediately clear:  color.  Color attracted me to them.  And, more often than not, it was some particular colored object within the frame that drew my attention.  And as I considered it more, I realized that is a theme of much of my travel and “place” photography.  I look for color.  Subconsciously.  I see color and I am drawn to it.  And I guess it it no coincidence that color attracts us all.  When you look at the markets, many of the displays are a wash of color.  I saw that in Turkey.  I saw it in Venice.  I saw it all over the Caribbean.  I even see it in places like Milbrae, California, Saginaw, Michigan and Dunedin, Florida.

Shop; Kyoto, Japan
Copyright Andy Richards 2016

Color is everywhere.  Color attracts.  I like color and I shoot color.  Pretty simple.

A Humorous Look at “Gear”

Gadget.  Gizmo.  Apparatus.  Utensil.  Call them what you want.  But as long as I can remember, I have had a fascination and affinity for these things.  I often refer to myself as a “gadget-guy.”  I especially appreciate quality craftsmanship.  A really fine and well-built gadget, will always trump a poorly designed and manufactured cheap one.  As a young person, my dad and my grandpa both exposed me to tools, guns, fishing gear and such.  And they always appreciated the quality items.  One of my favorite things to do was to dis-assemble things, like old alarm clocks, electric razors, etc., that were “throwaways” (funny though, that I never could seem to put them back together again 🙂  ).

There is nothing like the melodious sound of a Nikon F1 shutter tripping or the tactile feel of a well-made lens ring clicking through the stops

Today I am still attracted to quality tools, guns, watches, and bicycles to name a few — anything that has gearing or complex mechanisms.  And yes, of course that includes photographic gear.  There is nothing like the melodious sound of a Nikon F1 shutter tripping or the tactile feel of a well-made lens ring clicking through the stops.

Knowing my propensity, a friend shared a pretty darn funny website post yesterday: https://www.lensrentals.com/blog/2012/03/hammerforum-com/.  A funny read, this post illustrates how we get so far “in the weeds” sometimes that things like perspective, common sense and civility are completely lost.

And, it must be “gear” week, because Darwin Wiggett posted this pretty funny image on Facebook this morning: https://www.facebook.com/photo.php?fbid=10210575707122990&set=a.1188155978151.2027621.1055866333&type=3&theater

Readers here know that I am a self-avowed “gearhead.”  Does that make me a better photographer?  In and of itself; no.  But there is little doubt that some gear makes the task easier, and in the digital age, some also produces measurably higher quality results.  Does that mean “better” photography.  Well.  I guess that depends on what “better” means.

So, no, my gear is not better than your gear and I really have no interest in comparing the size of our respective … er ….lenses.  🙂 .  Instead, lets all just take the gear we have out and make some pictures.

What’s In The Bag (Today)

Tokyo Dawn
Copyright Andy Richards 2015

There should be little doubt to the reader here that I have hit a bit of a dry spell when it comes to both topics and photography.  🙂  We have had a very mild winter here (so far) and the part of Michigan I live in is pretty flat, and pretty brown this time of year.  It is also cold.   That creates an atmosphere in which it is difficult to get motivated to go out and shoot.

Sunrise; Ft. Myers Beach, FL
Copyright Andy Richards 2017

Usually when this happens, I start going through old images, and come up with something.  I think I have kind of beaten that to death, so I started going through old blog topics, from the early day forward.  A couple of patterns come up.  I have addressed the IP issues of photography a fair amount.  I have talked about digital processing.  I have talked about my travels, and I have talked about “gear.” 🙂

New York, New York Casino at night
Copyright Andy Richards 2016

Gear is a funny thing.  It is a part of every photographer’s evolution from a beginning shooter forward.  At some point we fall in love with gear and begin to think it is going to make us a better photographer.  Eventually we learn that it doesn’t really do that at all.  We buy cheap gear because we cannot afford the real high quality stuff in many instances.  Then we look back and realize that we spent at least as much on the different iterations of cheap gear as we would have spent on the quality gear in the first place (this is especially true of lenses and tripods).

Wooden Boats Awaiting Restoration
Newport, RI
Copyright Andy Richards 2016

And then there is the evolution of gear.  My starting point was a 35mm SLR film camera with a turn-hand winder, and without a built in light meter.  Today I carry the physical equivalent of a P&S for 90% of my shooting.  But in between ……. 🙂 wow.  Reviewing a couple old posts, I had to laugh.  In 2011, I waxed philosophical about “less is more” [“In the Bag” (getting ready for Spring)].  At the end of that blog, I listed the gear in my “bag” in 2011.  LOL.  All in, that was about 15 lbs of gear (not to mention the bulk of schlepping that stuff around).

Flag Detail
The Acropolis
Copyright Andy Richards 2015

Today I travel mostly with my Sony RX100iv weighing about 1/2 lb and pocketable.  When I do need a tripod, my Sirui T-025X carbon fiber tripod weighs about 1/5 lbs, and its (just under) 12 inch folded length fits in my carry on bag.  It is plenty rigid enough for a light P&S camera.  But I have used it with my bigger cameras, too.  You may need to brace it, but it will still be better than no tripod in those instances when you are simply unable to pack one.  I would say “less is more” fits my today’s mode better than it did in 2011. 🙂

Temple Rokuon-Ji
Kyoto Japan
Copyright Andy Richards 2015

My point, though, is that photograpers and technology both evolve.  The RX100iv was not in existence in 2011 and there was simply no equivalent (the RX100 debutted in June 2012, but it was not even close to the camera the later iterations — especially the III, IV and V — were).  At the same time, the more I traveled the less pleasure I found in lugging all that gear around.  It is a lot of trouble in most cases.  I have to confess that I still keep my Sony a7 DSLR-like body, a couple of lenses, and a larger carbon fiber tripod, which I use for “dedicated” photography outings.  I am still able to fit the body and lenses in a carryon bag, and the Sirui 3204x tripod, with a folded length of 20 inches, fits rather easily in a checked bag (I have also carried it on in a carry-on size suiter suitcase).  Even that gear weighs about 1/2 of the 2011 bag.

Clontarf, Ireland
Copyright 2014 Andy Richards

Every image except the last one (a7) here was taken with the small cam.  For purposes of my photography and vision, I do not think it has suffered by shedding weight and numbers of equipment 🙂

Truth in Photography (Here I go again)

Birch Clump
Hiawatha NF; Michigan
Copyright Andy Richards 2017

[Recently, I seem to have run out of fresh, new material, which partially explains my more infrequent posts here (my goal has been one a week and over the years, I have largely met it).  When I get into these times, I will sometimes look back at prior posts to see if there is anything worth re-visiting, and through my Lightroom archives to see if anything stimulates me.  I have done that for the last 2 weeks.  Nothing.]  🙂

“truth isn’t absolute”

So, this morning, I spent some time with my friend, “GOOGLE,” and found this article, “ Why Facts Aren’t Always Truth In Photography“.  Many will remember the Afgan Girl magazine cover that (perhaps) launched photographer Steve McCurry into international recognition.  He has recently made news (at least in the photographic world) again.  Without getting into the specific circumstances of the article (written by a colleague and fellow professional photographer, Peter van Agtmael) it’s “10,000 foot view” is, in my view, focused more on some principles of “truth” in photography that can be generalized.  And boy, did it resonate with me.  In fact, it can — I believe — be applied to much of what has gone on in the past several months over media, social media and even the coffee table.

Starting with one of my earliest posts, “Get Real,”  and for example, “Has The Digital Medium Changed Everything?,” and “Photoshop Is Not Evil,” over the years I have been writing here, I have made frequent reference to my thoughts on the use of “digital darkroom techniques” to “enhance” my own images.  I think I have made position clear when it comes to the art of photography.  But Mr. van Agtmael ventures into photography that is not made, per se, as “art.”  Rather, he addresses what I refer to as “reportage” photography.  Presumably, the image depicts things exactly as they appeared.

“We shouldn’t mistake something factual for something truthful, and we should always question which facts are employed, and how.” (Peter van Agtmael)

 

Humanity is not scientific.  Biology is.  The human brain is a scientific wonder.  The workings of human brain?  Well that is only “scientific” to the extent that it is thinking about science.  The rest?  It’s an art form for certain.  How else can both the consistency and inconsistency of human thought be explained?  And so, Mr. van Agtmael posits something we have all heard back in our own ancient histories, at some point.  In my words, “truth isn’t absolute.”  But that is a bit cliche‘.  In his much more eloquently stated words: ” ... there were a lot of loaded words like ‘truth’ and ‘objectivity’ being thrown around. I don’t really believe in these words. I’ve never met two people with the same truth, nor seen true objectivity ever demonstrably applied to anything. They are nice words, but remain aspirational and cloud a more nuanced interpretation of reality and history. We shouldn’t mistake something factual for something truthful, and we should always question which facts are employed, and how.”  I like that.  Our world is filled with millions and millions of “facts.”  We also hear a lot of opinion which is cited as fact.  But even with incontrovertible, empirically provable facts, it is still important to understand context and relevance.

Goat Island Light
Newport, Rhode Island
Copyright Andy Richards 2016

The opening image here is (OMG!) altered.  I know viewers will say I “saturated” it, I “enhanced” it, etc. (maybe; maybe not 🙂 ).   But that isn’t really what I mean.  This image was physically “altered” before it was even made!  I had an image I wanted to depict, and in the crotch formed by the 3 trunks there was I small pile of dead branches which were (in my view) unsightly and distracting.  Is it relevant that I removed them and spread the leaves around a bit?  Could the image have been found the way I have presented it?  Perhaps if I were trying to depict the “pristine” quality of nature, or deny that it can sometimes be messy, the answer would be different.  I appreciate that this is not reporting on the refugee crisis and is trivial in relation to that.  But this is a photography blog, and I don’t do reportage photography.  I just thought Mr. van Agtmael’s point would resonate even in the perhaps less significant milieu of nature photography.

How else can both the consistency and inconsistency of human thought be explained?

Those who have read here previously know the story of the Goat Island Light Image.  I placed those chairs there.  “Hand of man and all that good stuff.”  Again, I don’t mean to trivialize the serious piece.  But I do think the larger point has application to all of our photography.

Fayette State Park
Michigan
Copyright Andy Richards 2007

If the viewer looks carefully at the bottom center of this image, there is a snarl of yellow polyethlyene rope in the foreground.  A better photographer than I would probably have seen that detail and excluded it (or perhaps purposely included it, again depending on the goal of the image).  I would not perhaps shock anyone here that before I made a print of this image I (GASP!) “Photoshopped” the rope out.

Small things.  But then, from small minds ……..  🙂

But seriously, I would commend the reader to read the Peter van Agtmael piece on Steve McCurry debacle.  While you may or may not agree with me, or with its premise, I hope you will agree that it it thought – provoking.

 

 

 

The Sun Rises; Reprise

Bay Bridge Sunrise
San Francisco, CA
Copyright Andy Richards 2014

It seemed like 16 images were too many for a single blog post (really, 8 is probably too many, and my blogs tend to be longer than a blog should be 🙂 ).  So I split my sunrise images into 2 installments.

Bean Pond
Barton, VT
Copyright Andy Richards 2010

In 2010, I again visited Vermont for a fall color photography excursion.  My good friend, fellow photographer, fellow blogger, and co-author of the 2nd Edition of Photographing Vermont’s Fall Foliage, Carol, acted as my host and guide for the first couple days.  One magical place she took me too was Bean Pond, a small, unremarkable roadside pond near here home in Barton in the “Northeast Kingdom” of Vermont.  Unremarkable, that is, unless you are a photographer looking for fall foliage venues.  Since my first trip there, I have been back to the pond several times (and I am certain Carol has been there almost daily when she is in Vermont in season).  Our morning broke very cold, with frost on the ground, after a prolonged spell of heavy rain.  We knew the conditions were ripe for fog and steam rising off the pond and she had us there by twilight.  The resulting images (only one here) made the cold, early morning well worth it.

Bay Bridge
San Francisco, CA
Copyright Andy Richards 2011

In 2011, we visited San Francisco, to visit our daughter.  She lives in downtown, which put me in the middle of one of the best photography venues I have ever visited.  Once again, the 3 hour time change worked in favor of early rising, and a 15 minute walk brought me to the Embarcadero, at the eastern boundary of the city, and one of San Francisco’s seaports with a closeup view of one of the two major bridges leading into San Francisco, the San Francisco Bay Bridge.  There are San Francisco Bay shooting opportunities all along the Embarcadero.  We returned again in 2014, and I couldn’t resist a couple more early morning walking trips to the Embarcadero.

Mocassin Lake
Hiawatha NF
Munising, MI
Copyright Andy Richards 2010

I have been traveling to the Michigan Upper Peninsula (U.P.) for many years for fall color photography.  As many readers here know, I think highly enough of the photographic potential that I have co-written an eBook on Photographing the Michigan U.P., with my good friend and fellow photographer and blogger, Kerry Leibowitz.  I have photographed Mocassin Lake many times and never cease to find it photogenic.  My writings on the U.P. and some of my imagery captured the attention of a professional photographer and teacher in Pennsylvania, James Moore.  Inn 2012, he decided to host one of his workshops in the U.P.  He asked me to be his guide.  These images were all made during the 2012 trip.  I appreciate his inspiration and I think that week was the most rewarding of all of my trips to the U.P.  I was there from the beginning to the peak of color, perhaps the only time in my shooting career.

Pete’s Lake
Hiawatha NF, Munising, MI
Copyright Andy Richards 2012

Pete’s Lake
Hiawatha NF, Munising, MI
Copyright Andy Richards 2012

In 2013 we went on two more cruises.  In January, we joined a group affiliated with the O’Brien Estate Winery in Napa, Ca, on a Caribbean Cruise.  We didn’t know a soul when we boarded.  We were fortunate to have some very friendly table mates and we ended up not only spending most of our time on board with them and another couple, but we have made lifelong friends.  We have traveled to Napa together, and they have recently visited us in our Florida home.  It was a great cruise.  As we arrived home in the early morning hours, I was able to capture this sunrise image of the Miami Skyline.

Miami, FL
Copyright Andy Richards 2013

Later, in September, we took what was my first trip out of the U.S. (Canada doesn’t count 🙂 ); a Mediterranean Cruise.  We started with a few days in Venice.  My only sunrise shot during that trip was the famous gondolas in St. Mark’s Square, which took some doing.  We were staying on the mainland, so I had to take the early train to Venice and then find my way through the maze to the square before the sunrise.  I had practiced a couple times.

Gondolas
San Marco Piazza
Venice, Italy
Copyright Andy Richards 2013

I grew up in the Northern Michigan town of Traverse City.  It is a resort town, and by all reports, beautiful in all seasons.  The city sits at the base of a peninsula of land (Old Mission Peninsula) which creates two deep bays (East Bay and West Bay) into Lake Michigan.  It has unique, sandy coastline and a climate similar to that of Northern California (except that winters up there are brutal and snowy).  I moved away from there shortly after I graduated from High School in 1975.  But I still have family there, and only live about 2 3/4 hours away.  It occurred to me at some point that I had spent little time photographing up there, and so, in 2014, with no major fall foliage outings planned, took a long-weekend trip up there.  I was on the high point of the peninsula, where it is possible to see both bays, at sunrise.  This sunrise image faces (perhaps obviously) East Bay.

Center Road
Old Mission Peninsula
Traverse City, MI
Copyright Andy Richards 2014

 

O.k., I think I am safe here: “The Sun Also Rises”

Otter Beach Sunrise
Acadia NP, Bar Harbor, ME
Copyright Andy Richards 2009

When I — “tongue in cheek” — noted that I didn’t want to offend Hemingway and be guilty of the very thing I occasionally rant against, copyright infringement, an astute friend pointed out that it wasn’t Hemingway’s at all, but actually comes from the bible.  I am reasonably certain we are beyond the copyright expiration date for the particular author.  So there you go.  🙂

Sunrises reveal themselves in a number of varied conditions

Perhaps more meaningfully, my left turn into the topic of “sunrise” vs “sunset,” caused me to wonder just how many times I had ventured into the early morning, pre-dawn darkness, to try to capture the sunrise.  So I went back through my archives.  I was surprised (though I should not have been) to find that my sunrise images were far fewer than my sunset images.  I found about sixteen of them, most of which I had never given any serious post-processing.  I will use the next two posts to showcase some of them.  I will not say they are in every instance, my best work (in fact a couple were taken with lower-quality digital cameras in low light conditions — in a time when sensors were simply not as good as they are today).  The St. Thomas shot was made as the sun broke the horizon in the pre-dawn light, with a Canon G12 (which had a smaller and less capable sensor than my Sony RX100iv).  My Sony body is half its physical size.

St. Thomas, USVI
Copyright Andy Richards 2012

I believe the images here illustrate some of what I said in the prior post.  Sunrises reveal themselves in a number of varied conditions.  Sunsets can often be colorful.  Sunrises are generally more subtle, but as the Otter Beach shot shows, there are occasionally glorious exceptions.  Cooler temperatures create fog and mist.  Cold temperatures create a cool look to the image colors.

Saginaw County Sunrise
Copyright Andy Richards 2006

The earliest recorded attempt I made at sunrise shooting was on a freezing cold morning in February, not far from my home in Saginaw, Michigan.  Saginaw is part of the so-called, I-75 industrial corridor, formerly known for its General Motors auto manufacturing plants.  But it may not be a well-known that it is also one of the largest agricultural areas in the mid-west.  As soon as you leave the city in almost any direction, there are farms and farmland.  This image was taken with my Nikon 35mm SLR camera and color transparency film.  Slow ISO speeds of such film dictated the use of a sturdy tripod and cable release.  The image here was scanned with an Epson scanner and is not the quality equivalent of the drum scanners that were used back then to digitize media in high resolution.  Even so, I am impressed with what modern “home-brew” digital technology can accomplish.

Horseshoe Lake
Huron NF, Glennie, MI
Copyright Andy Richards 2008

When my son was younger (me too 🙂 ), we used to do an annual late summer camping trip.  One of our favorite spots was a small National Forest Campground called Horseshoe Lake, in Lower Michigan.  One of my early “successful” attempts at sunrise photography was, perhaps, unplanned.  I have never been a fan of camping and especially, of sleeping on the cold, damp, lumpy ground.  So it was not surprising that I woke early in the pre-dawn.  I restarted our campfire and boiled a pot of water for coffee.  My son (like any pre-teenager) was sound asleep and apparently unfazed by the lumpy ground.  So I carried camera and tripod a few hundred feet down to the water’s edge and began looking for compositions.  I made a few images that morning, but the resulting shot was a bit of a surprise.  The image was shot on Fuji Velvia color transparency film.  A characteristic of this film with certain light conditions is to render blue.  While this was not my “vision” while making the image, I liked it well enough to keep it.  And it has been sold a number of times.  Who knew?

Otter Cliff
Otter Beach, Acadia NP
Bar Harbor, ME
Copyright Andy Richards 2009

In 2009, my best friend, Rich, and our spouses made a week-long trip to Bar Harbor, Maine, and Acadia National Park.   We always have fun when the 4 of us travel.  But Rich and I are pretty unrelenting on our commitment to be out early.  This trip was no exception, and we picked our way down a little known path (we had found during prior daylight) to a rocky portion of Otter Beach, where both the image above, and the opening image were taken, several mornings, waiting for the elusive sunrise I think it was worth the wait when this one finally came.

Sunrise on the Gastineau Channel; Inside Passage
Juneau, AK
Copyright Andy Richards 2010

In 2010, we to our first cruise.  I was lukewarm about the whole cruise idea.  In my mind, cruises were about partying shipboard, buffets, and sun and fun in the Caribbean (which, it turns out, isn’t such a bad gig after all).  My wife wanted to do a cruise, so I agreed–as long as I got to pick it.  And I chose the Alaska Inside Passage cruise.  It turned out to be a great trip and we learned that cruising is a pretty comfortable way to see new places.

Inside Passage, AK
Copyright Andy Richards 2010

Another plus to going west is the time change.  Already a relatively early riser, the 3 and eventually 4 hour time difference had my wide-eyed before first light nearly every morning, as we cruised the inside passage.  The sun was pure gold the morning we approached the port of Juneau.  A day later, approaching Skagway, the rising sun lit the sky with multiple colors.

Whittier, AK
Copyright Andy Richards 2010

On the final morning of our cruise, I walked the rear deck of our ship, the Diamond Princess, and watched a dramatic sunrise under cloudy skies.  I was a convert to cruising, and we would cruise 3 more times between 2010 and 2013.

Sunrise in the Caribbean
Royal Princess Cruise Ship
Copyright 2013 Andy Richards