1997 held “more of the same” (flowers and wildlife locally). But it turned out to be a big year for me (perhaps one of the biggest and certainly a turning-point in my photographic journey). I made my first “photography-dedicated” trip (the first of 2 that year), spending a week in New Mexico. That fall, I made my first fall-foliage trip to Michigan’s U.P. I also photographed some of the beach areas of Nags Head, North Carolina, where we vacationed every summer for a number of years. By now, I had been stricken with a serious case of NAS (“Nikon Acquisition Syndrome), exacerbated by NLAS (New Lens Acquisition Syndrome). By now, I was carrying the “prosumer” Nikon N90s and an old F2 as my backup body. For different reasons, those two bodies will remain in my memory as the very best Nikon gear I ever owned. I had also managed a collection of lenses (perhaps the best of which was the Nikkor 60mm “micro” prime lens). Most of my flower images were made with that lens.
Jemez, New Mexico
Copyright Andy Richards 1997
1997 turned out to be a big year for me, photographically
My sister and brother-in-law had moved to New Mexico recently, and she and I talked about me making a trip out there. In the Spring that year, I traveled to Albuquerque, and spent a week touring the state, with my sister as my guide. We covered much of the state and saw some of the best of America’s outdoor beauty. It was a trip that opened my eyes to the photographic opportunities there, and at the same time, underscored the limitations of my skills and experience. The Jemez red rock shot is a prime example. While I carried a split neutral-density filter by this time, I really didn’t have it down well and it takes some skill and patience to use it properly. I don’t have the data and don’t remember specifically, but I suspect this image was shot with Fuji Velvia film, which was a very contrasty color negative film. I didn’t get the exposure right here and the split ND filter rendered the sky much too dark. While I tried to have a print of this made using a silver masking technique used in color printing labs in those days, the result was not what I would have liked. It was not until many years later, when I was able to use Photoshop on scanned digital file of this image that I was able to finally make an acceptable print.
Copyright Andy Richards 1997
I was fascinated by the pointy ears on these ground squirrels which were all over Bandolier National Park. A little quick research enlightens. They are called Albert’s Squirrels and are pretty common from the Rocky Mountains to Mexico. The ruins and the old cave dwellings once inhabited by the native population there, were a wonder to behold. I didn’t do them justice. If you are a fan, you might want to stop over at my Upper Peninsula eBook co-author, Kerry Leibowitz’s site, Lightscapes, and see some of his work. He has some magnificent imagery of Bandolier. We saw many great places in New Mexico and I made many images. However, I returned to New Mexico for a week in October of 2008 and returned to many of the places. It was a much more photographically successful trip, so I will save the remaining NM images for later.
Bandolier National Monument
Copyright Andy Richards 1997
I have come to see all but a few filters as gimmicky
My family had tradition from sometime in the 1980s, of spending a week on the Beach at the Atlantic Ocean. My wife and her brother and his in-laws all lived in the Washington, D.C. area, and we ranged from Delaware, to Ocean City, Maryland for the first few of those year. Eventually, as families grew and the need for larger rentals became an issue, we migrated this summer trip to North Carolina’s Outer Banks. By now, my photography “fire” had been restarted, and I was not about to travel to a new place without my gear and some planned early morning excursions. I took a number of images during those years. This year, I was playing around with filters, and had an orange split-density filter. I made the image here with it (I also made the image without the filter). Perhaps including this one, I have come to see filters — by and large — to be gimmicky. My own rule of thumb is to never put anything in front of a lens unless you need it to enhance the image. To me that means a polarizing filter or a neutral density (full and/or split). I do not use other filters in most cases. But for some reason I kept this one. Maybe I was just “feeling orange,” when I was culling. .
Nikkor 60mm Micro
f16; 1/6 sec. Sunset Grad
Because my in-laws lived in the Washington, D.C. area, we generally combined a trip to visit them with the beach trip, driving to D.C. for a few days; then to the beach; then back to D.C. before returning to Michigan. The D.C. area has a lot of natural wonder of its own, not to mention historical areas. Over the years, I was able to visit a number of (mostly Northern Virginia) places to shoot. One of them was Great Falls National Park on the Potomac River. There is a Virginia side and a Maryland side. Each has some pretty photogenic views. In 1997, I visited the park on the Virginia Side. One of the most impressive drops I have ever seen is at Great Falls on this side of the Park.
he Spout, Potomac River
Great Falls National Park
Copyright Andy Richards 1997
Sometimes luck plays a big part in imagery
Known as “The Spout,” it is a favorite for thrill-seeking kayakers. As you can see, it is not for the unskilled or for the faint of heart. I had just finished shooting the “scenic” shown here, when I saw a flash in the sunlight. A couple kayakers were in the water and heading directly for the spout. I didn’t have the longer lens on at the time and knowing that a scramble to change quickly would be futile, I missed any real opportunity of capture. But for a heart-stopping few seconds, the kayaks, one by one, completely disappeard in that water. And then, out they squirted. What a ride. Opportunity missed? I went back to my framing and shooting of the “scenic.” Sometimes luck plays a big part in imagery. A couple minutes later, I saw some activity down the bank. One of the kayakers was climbing up to me and hailed me, asking if I had gotten a shot. I explained that I didn’t have the correct equipment set up. He said, “I can do it again if you want.” Sure! The only thing he asked was for a copy of the image. What you see here is the result of luck and patience.
Great Falls National Park
Copyright Andy Richards 2012
1997 was a “turning point” for me because I began to have some success with my imagery.My trip the the “U.P.” was over a long weekend with some good weather for a couple days and then “bust” for the rest. I may have been my last ever “bad-weather” trip. I have been very blessed with good weather on almost all of my photography trips over the years, since. Both trip yielded some successes and some shots I wished I could repeat. I did have a second opportunity to shoot New Mexico in later years, and many opportunities to shoot the “U.P.”
Nikkor 28mm; polarizer
Fuji Sensia II 100
In early October, I made a long weekend trip (my first since I was 11) to Michigan’s upper peninsula (we “Michiganders” have always just called it “the UP.” [“youpee“]. Michigan’s mitten-shaped lower peninsula is pretty commonly known. If you have never been to the area, you may not know that there is “another Michigan” which is long and narrow east to west, and spans portion of 3 Great Lakes (Michigan, Huron, and Superior). Over the years, I have come to know this peninsula fairly well. And yet, I haven’t begun to scratch the surface of its photographic potential. The trip began a life-long love of this photographic wonderland, and I have made many trips up “over the bridge” (The Mackinac Bridge spans “The Straits of Mackinaw,” a narrow transition between Lakes Michigan and Huron, and the separation between the lower and upper peninsulas of Michigan). One of my pro friends often quotes one of his mentors: “To shoot great images you have to stand in front of great things” (I am sure my paraphrase is a bit off, but you get the idea ). That has certainly been a factor in my success. And the UP has a number of different natural phenomena, depending on whether you are near the lakeshore or inland. Along about 1/2 of its northern border (the entirety of which borders the southern shore of Lake Superior), has been dedicated as National Park land, and is known as “Pictured Rocks National Lakeshore.” These very accessible area has some really photo-friendly locations. Inland are some truly wondrous ponds set in a National Forest setting. Waterfalls abound. On the lake shores there are Lighthouses and Marinas. My travels up there, and my note keeping, together with a dearth of available research materials led me to write my second photography eBook, Photographing Michigan’s Upper Peninsula, (co-written with my friend and talented photographer, Kerry Leibowitz) .
Known for its sandstone cliffs, perhaps its most famous formation is “Miner’s Castle,” right outside of Munising, Michigan. Munising has become my primary “headquarters” for most of my U.P. shooting excursions. I arrived here late Friday afternoon on a warm, sunny fall day and stood and waited for the late afternoon sun to light this up. There is a viewing platform from which this perspective can be easily shot (an thus, you will see this image repeated many times if you do a Google search for it). This image is dissappointingly soft (which may be a function of the scan). But it is unique today for one reason. The view can see the 2 “turrets” on the so-called castle here. If you visit this site today to photograph it, you will no longer see the turret on the right. A few years ago, natural erosion of the sandstone caused it to fall in. In some future blogs I will show images of it as it occurs today.
An additional disappointment for that trip was that, although the scene is photogenic, I wanted to see ripple free water (as you can observe here, you can see to the bottom), good light, and some interest in the sky. It would take me many trips before I finally got that combination. But I did, and that image is the cover image on on the Upper Peninsula ebook.
Copyright Andy Richards 2017
Waterfalls abound in the U.P. I have made a run at about 60% of them. Some are not really photogenic. Some are difficult to get to. Most of the falls I have shot are either in and around Munising, around Escanaba on the southwest border of Michigan and Wisconsin, and to the far western side of the U.P. I have yet to tackle the western rivers. They are on the “bucket list.” There is one that is probably the “granddaddy” of all midwestern waterfalls that is on the northestern corner of the U.P.; Tahquamenon Falls (the Niagara Falls of the west). I made several trips there in later years and it will be featured.
The last part of my trip was ALMOST a bust
But perhaps my favorite of all the shots I have made over the years is the image here, of Munising Falls. I got the lighting just right and have taken others here a number of times and not been able to duplicate it.
Presque Isle River
Porcupine Mountains Wilderness SP, Michigan
Copyright Andy Richards 1997
The last part of my trip was almost a bust. The northwestern part of the U.P. was my “main attraction.” My destination was Porcupine Mountain Wilderness State Park.” There is an iconic shot there of a wide spot in The Presque Isle River flowing through the park, from way up high, surrounded with foliage. It is aptly named, “Lake of The Clouds.” A google search will reveal some pretty impressive images of this scene. But none of them are mine. It is a long shot from my home in Michigan and a long shot even from Munising. To date, I have made one trip there. And as I approached the escarpment from which you see this scene, the weather had deteriorated, bringing in clouds and a steady 30-mph wind. Conditions were difficult and I had to literally lean on my tripod to get a still enough base to shoot. Also, the fall color was still in its infancy — not the conditions I had hoped for. I made some shots, and decided I could only hope for a better chance at sunrise. This chance never materialized as I awoke before sunrise to a steady, hard rain that showed no signs of abating. But before I left the escarpment that night, I scouted around and saw the image shown here. I really liked the composition, but again, had been looking for better foliage turn. I took a couple “for the record,” not really being overwhelmed by them. But back home, on the light table, they jumped at me. There was some real interest here with just a few “firecracker” trees turned in a relative sea of green. This image is my best selling image, has been sold for use on websites, printed and hung in several offices around Michigan and continues to garner interest, almost 20 years later. This was one of those instances when I was looking for the iconic shot and found my own (arguably better) image.
Note that on a number of the images in the last couple blogs I have included technical information. I promise to stop doing that when we transition to digital. But since I have commented on film and film-based bodies, I thought it might be interesting information for these few blogs.
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